All Things

In my opinion this is one of the best episodes on learning about Scully's life. There are two types of episodes. Those with special effects and UFOs -the signature of the X-Files-, and those where we learn more on the life and psychology of the characters -Molder and Scully. This one falls into the latter category. I love this episode because I can learn about Scully's past. One where she is emotionally involved in a forbidden affair, where she loved passionately. Also, the music used in this episode gives a really special touch as well as the use of images make and camera angles makes it very interesting, in my opinion. Although it is not a typical X File episode,I must admit, and I really enjoy it a lot. I have seen it in several re-runs and I still like it, more and more. Scully's performance is great. She shows a new side of her, one where she displays confusing and contradicting emotions. Psychologically is very interesting, which is the main perspective of the episode. Also as I said before, the song chosen for this episode is great. I bought it on itunes. I like the filmography and the notion of time-splitting that is presented in this episode. In summary, I recommend it, but I warn fans of the X Files to look at this episode with different eyes. In summary, I like it!!!

there is this moment in the episode when you see such tenderness and longing in Scully -- a memory of a great love and loss... it is when she learns he has been in DC for all this time... i found it so incredibly tender... it so perfectly captured that moment we all have when we remember what was and what might have been... i am still blown away when i see the way she bends forward and touches his hand... the rest of the episode is a blur, just back fill. but that scene to me is priceless and makes this whole episode so utterly great... when you look at the first season (which would mean Scully had just ended the relationship a couple years before), she is young and driven and professional -- it's hard to imagine that she felt such passion and pathos... i wonder if she could only show it with the passage of time and realization of where she is at now...

all things is different. Plain and simple. If you are looking for a standard, creepy, mysterious x-file, you are not going to find it here. Gillian Anderson wrote and directed this episode that shows a side of Scully we haven't seen.

I like how Gillian gets the rhythm of the episode going with the dripping water. It sets the tone. The Moby music is different but nice. Mark Snow did a nice job of incorporating it into his score. Three is a significant number in this episode. I don't know why. I know that three is a good karmic number. The first slide shows three crop circles, Waterston's room number is 306. Colleen's house number is 3.

Gillian uses a lot of slow motion during the course of the episode, mostly to good effect. I thought the one unnecessary use of slow motion was when Scully was receiving the folder from the nurse. In the episode audio commentary Gillian said that it was hard getting the tapping pencil to be rhythmic. I agree.

I like how Scully hides from the daughter behind the magazine. The name of the magazine is Feng Shui Life Magazine. Hmmm. Once she goes into his room, there's this rhythmic pinging sound. I felt it was out of place. When she goes home, the toggle(I got this from the audio commentary as well) is knocking against the wall. The rhythms are nice when they are a natural sound, like the water dripping or the toggle knocking, but that pinging in his room is just out of place. Scully has a Mac with a web cam on the top of it. I never knew Scully was this techno-savvy. Who is she tele-conferencing with from home? Mulder?

Gillian's opening shots for scenes start with shots on a specific object then zoom out. As mentioned in her commentary, there are contrasts between the two hospital rooms. #304 is red, brown, warm, and happy. #306 is blue, dark, and sad. Nice use of contrasts.

My favorite line of Scully's is when she's saving Waterston's life. "Who's paying attention?!?!?" Taking control. Just like in the movie. After he goes into a coma, it looks like a music video as Scully walks into a D.C. Chinatown. I like how the creaking sign interrupts the music. The scene of the transparent Waterston was weird. Gillian said that her vision in the Buddhist temple was her attempt at adding a paranormal aspect to the episode.

Another thing I dislike about the episode is Scully having the guy come in to do the new age/psychic kind of healing of Waterston. It is out of character for her. That's something her sister Melissa would of done, not Scully. Scully's dream sequence is kind of freaky. I like how later the shot transitions from the back of Waterston's head to Scully's head.

It's interesting how the pony-tail lady turns into Mulder at the end. However, the jacket and hat that Mulder is wearing are not his color or style. It is out of character for him. Although, I do like his hat "Stone Henge Rocks".

Lastly, some additional items from GA's commentary. She had to shorten her script considerably. Her original script made it more obvious that she did not have an affair with Waterston. She broke it off when she found out he was married so that she wouldn't break up his family. However, it was too late. Waterston's wife suspected he had an affair and hung herself. Gruesome. Also, the cardiac arrest scene was originally one shot like in 'Triangle', but GA had to do close-ups to add more drama to the scene. And finally, Gillian says she loves the final scene of the episode.

This is a good hour of television. Gillian Anderson does so me interesting camera work that is not standard for the X-Files. The few things that are out of character for Mulder and Scully and the lack of it being a traditional x-file prevents it from being in the top tier of X-Files episodes. all things is not everyone's cup of tea, for sure, but it shows that Gillian Anderson can do more than just act.

An episode written by Gillian Anderson, in which she plays herself rather than Scully, which barely features Mulder, which is about a long lost love interest we have never heard of. This isn't even an episode of the X-Files, it's just some some hospital soap opera.

This guy we are supposed to care about means nothing to us, and the writing is all over the place. It was very difficult to follow and all a bit pointless.

The Taoism/Buddhism connection was also completely out of character considering Scully's strong history of Christianity in the show. Again, it was added because Gillian Anderson was interested in it. I think it's an interesting topic and I'm sure the writers could have come up with a real plot for it but it had no place in this episode, which itself has no bearing on the wider show. Just immediately forgotten as the silliness it is. Season 7 really is where The X-Files jumped the shark repeatedly.

The one saving grace of this episode is that it's better than the comedy/musical episode that David Duchovny directs two episodes later.

The episode isn't brilliant but it isn't trash either. We get to see that Scully is far from flawless. If you're confronted with your past, you're forced to make peace with it and deal with your present life and choices. If all you want is the brainless entertainment you will hate this episode. I don't blame Gillian Anderson for wanting to give Scully's character more depth. We know Scully; the scientist, her morales, her loyalties and her religion. Now we get a peek at Scully; the woman.