All Things

How do we convey profound connection to an 'other'? How can we feel strongly towards spirituality that we don't believe in? Why do we feel obligated towards figures of the distant past? How can a simple situation overwhelm us?

All Things deals with one of the most difficult objects to film: intangible emotions. Emotions that go beyond being sad, happy, or confused. Emotions that make you sit down and really think out: "What the hell was I just feeling?" I've read comments about this episode that complain that it isn't an X-File. In the tradition of Ray Bradbury's Martian Chronicles, I ask: Why explore other worlds when there is so much of ourselves left unexplored? How well do we really understand these vague, alien dynamics we feel towards ourselves and others? Gillian Anderson offers a depictions of these difficult emotions through original and deeply artistic direction, paired with masterful acting.

On top of that, All Things provides an new and interesting lens through which we can view Scully. She can seem utterly in control of her environments and competent as an individual, yet internally feel lost, confused, and perhaps helpless. Unfortunately, this is a concept that seasons eight and nine failed to follow through with. Instead, we are to settle with just one brief, beautiful glimpse into the potential of Scully's character. All in all, this isn't the slickest X-File, but it is certainly the most emotional for me. Submit to Gillian Anderson's artistic vision and she will show you the way.

An episode written by Gillian Anderson, in which she plays herself rather than Scully, which barely features Mulder, which is about a long lost love interest we have never heard of. This isn't even an episode of the X-Files, it's just some some hospital soap opera.

This guy we are supposed to care about means nothing to us, and the writing is all over the place. It was very difficult to follow and all a bit pointless.

The Taoism/Buddhism connection was also completely out of character considering Scully's strong history of Christianity in the show. Again, it was added because Gillian Anderson was interested in it. I think it's an interesting topic and I'm sure the writers could have come up with a real plot for it but it had no place in this episode, which itself has no bearing on the wider show. Just immediately forgotten as the silliness it is. Season 7 really is where The X-Files jumped the shark repeatedly.

The one saving grace of this episode is that it's better than the comedy/musical episode that David Duchovny directs two episodes later.

In my opinion this is one of the best episodes on learning about Scully's life. There are two types of episodes. Those with special effects and UFOs -the signature of the X-Files-, and those where we learn more on the life and psychology of the characters -Molder and Scully. This one falls into the latter category. I love this episode because I can learn about Scully's past. One where she is emotionally involved in a forbidden affair, where she loved passionately. Also, the music used in this episode gives a really special touch as well as the use of images make and camera angles makes it very interesting, in my opinion. Although it is not a typical X File episode,I must admit, and I really enjoy it a lot. I have seen it in several re-runs and I still like it, more and more. Scully's performance is great. She shows a new side of her, one where she displays confusing and contradicting emotions. Psychologically is very interesting, which is the main perspective of the episode. Also as I said before, the song chosen for this episode is great. I bought it on itunes. I like the filmography and the notion of time-splitting that is presented in this episode. In summary, I recommend it, but I warn fans of the X Files to look at this episode with different eyes. In summary, I like it!!!

there is this moment in the episode when you see such tenderness and longing in Scully -- a memory of a great love and loss... it is when she learns he has been in DC for all this time... i found it so incredibly tender... it so perfectly captured that moment we all have when we remember what was and what might have been... i am still blown away when i see the way she bends forward and touches his hand... the rest of the episode is a blur, just back fill. but that scene to me is priceless and makes this whole episode so utterly great... when you look at the first season (which would mean Scully had just ended the relationship a couple years before), she is young and driven and professional -- it's hard to imagine that she felt such passion and pathos... i wonder if she could only show it with the passage of time and realization of where she is at now...

The seventeenth episode of The X-Files' seventh season, "All Things," stands out as a deeply introspective and spiritually driven narrative, marking Gillian Anderson's directorial debut. In this unique departure from the series' typical formula, the episode focuses on Agent Dana Scully's personal journey and exploration of fate, love, and self-awareness. The plot revolves around Scully's chance encounter with Dr. Daniel Waterston, a former mentor and romantic interest, who is now gravely ill. As Scully faces unresolved emotions and questions the choices she has made throughout her life, the episode delves into themes of destiny and interconnectedness.

Anderson's direction demonstrates a keen sense of visual storytelling, employing symbolic imagery and dream-like sequences to convey Scully's inner turmoil. The use of soft lighting and fluid camera movements creates an ethereal atmosphere that complements the episode's introspective tone. One of the standout sequences is a montage accompanied by a hauntingly beautiful musical score, illustrating Scully's reflection on pivotal moments in her life. This artistic approach, though ambitious, may feel too abstract for viewers accustomed to the show's more straightforward narrative style.

The script, also penned by Anderson, takes a contemplative approach, focusing heavily on character development rather than external conflict. This narrative shift allows for a rare exploration of Scully's emotional landscape, which has often been overshadowed by the series' paranormal investigations. Anderson delivers a nuanced and heartfelt performance, capturing Scully's vulnerability and strength as she grapples with existential questions. However, the episode's pacing can be uneven, with certain scenes lingering longer than necessary, potentially diminishing the overall impact.

One of the episode's strengths is its thematic exploration of synchronicity and spirituality. Scully's encounters with symbols and moments of serendipity suggest a universe guided by unseen forces. Anderson skillfully integrates these elements without becoming overly didactic, inviting viewers to ponder the mysteries of fate and choice. The absence of Mulder for much of the episode, while initially jarring, allows Scully's journey to take center stage, emphasizing her autonomy and growth.

"All Things" is a bold and introspective entry in The X-Files canon, showcasing Gillian Anderson's talents both in front of and behind the camera. While its abstract narrative and slower pacing may not appeal to all viewers, it stands as a thoughtful meditation on love, loss, and self-discovery. Anderson's creative vision and exploration of Scully's character add depth to the series, making this episode a memorable and meaningful departure from the show's usual structure.