A woman desperately attempts to change the outcome of the events of a day she is forced to relive again and again in which her boyfriend explodes a bomb during a failed bank robbery killing ... Read allA woman desperately attempts to change the outcome of the events of a day she is forced to relive again and again in which her boyfriend explodes a bomb during a failed bank robbery killing everyone inside, including Mulder and Scully.A woman desperately attempts to change the outcome of the events of a day she is forced to relive again and again in which her boyfriend explodes a bomb during a failed bank robbery killing everyone inside, including Mulder and Scully.
Darren E. Burrows
- Bernard
- (as Darren Burrows)
Arlene Warren
- Skinner's Assistant
- (as Arlene Pileggi)
Tom Bysiek
- FBI Agent In Meeting
- (uncredited)
Featured reviews
The ridiculous take on Groundhog Day is an insult to the loyal cadre of followers of the show since its inception. The mythology of this show, aliens and the supernatural, is what makes it interesting. This episode rates right next to the mutant-incest show and the one where Mulder exchanges bodies with another agent...
This episode feels like a fever dream, it is a 40 min nightmare of terrible repetition of a bad plot, over and over again is the same story with a slightly different part to it. I came on here to see If anyone else got a headache from watching it but I was shocked to find that most users liked it. It was somewhat unbearable to watch and it will forever be in my nightmares.
Disclaimer first: this is my first day of watching X Files (intense, though - watching six episodes from season 6). I started with Field Trip and decided to continue this trip while supplies last.
That said, I'm very impressed by the artful production, as well as by the variety of styles. In a way it reminded me of the broad scale of Hitchcock movies, which range from comedy to thriller to horror.
"Monday" brings in déjà-vu experiences, and I had one: Run Lola Run (1998). Sure, the time loop theme has often been done (as Wikipedia documents), and Groundhog Day is a memorable precedent, but the repeated time in a dramatic/tragic light (bank/grocery store robberies, one or more protagonists dying) still made me wonder whether 1998's Lola (which was shown in the US, even getting an Oscar nomination) also had some influence on 1999's "Monday"...
That said, I'm very impressed by the artful production, as well as by the variety of styles. In a way it reminded me of the broad scale of Hitchcock movies, which range from comedy to thriller to horror.
"Monday" brings in déjà-vu experiences, and I had one: Run Lola Run (1998). Sure, the time loop theme has often been done (as Wikipedia documents), and Groundhog Day is a memorable precedent, but the repeated time in a dramatic/tragic light (bank/grocery store robberies, one or more protagonists dying) still made me wonder whether 1998's Lola (which was shown in the US, even getting an Oscar nomination) also had some influence on 1999's "Monday"...
The fourteenth episode of the sixth season of The X-Files, titled "Monday," directed by Kim Manners, is a clever and engaging exploration of the concept of time loops, drawing inspiration from films like Groundhog Day while infusing it with the series' characteristic blend of humor and suspense. Written by Vince Gilligan and John Shiban, the episode opens with a gripping scene where Mulder (David Duchovny) and Scully (Gillian Anderson) find themselves in a bank during a robbery that culminates in a deadly explosion. However, as the episode unfolds, it becomes clear that they are trapped in a repetitive cycle, reliving the same day over and over again.
Each iteration of the day reveals subtle differences, allowing viewers to witness how small choices can lead to drastically different outcomes. The pacing is expertly crafted, maintaining tension while also allowing for moments of levity amidst the chaos. A particularly striking moment occurs when Mulder begins to realize that he is stuck in a loop, prompting him to repeat the phrase "He's got a bomb" in an effort to change the course of events. This moment not only highlights Mulder's resourcefulness but also serves as a poignant reminder of the futility of trying to escape one's fate.
Visually, "Monday" employs a vibrant aesthetic that contrasts the mundane aspects of daily life with the surreal nature of the time loop. Manners's direction captures both the chaos of the bank robbery and the emotional turmoil experienced by characters caught in this cyclical nightmare. The cinematography utilizes bright colors during comedic scenes and darker tones during moments of suspense, creating a visual contrast that enhances the storytelling. Critics have praised this visual storytelling for its ability to immerse viewers in a world where reality is fluid and every choice carries weight.
The performances in this episode are particularly noteworthy, especially from Carrie Hamilton as Pam, who embodies both vulnerability and determination as she navigates her own role within the time loop. Her character's emotional journey adds depth to the narrative, making her fate all the more impactful. Duchovny delivers a strong performance as Mulder, showcasing his character's unwavering belief in uncovering the truth while grappling with existential questions about free will and predestination. Anderson's Scully provides essential support; her skepticism grounds Mulder's theories while emphasizing her concern for those affected by the robbery. The chemistry between Duchovny and Anderson continues to shine throughout this episode, adding depth to their partnership as they confront complex challenges.
Thematically, "Monday" raises significant questions about fate, agency, and the nature of choice. The episode critiques how individuals can become trapped by their circumstances; it examines how personal relationships can be affected by external pressures such as societal expectations and existential dread. Additionally, it highlights societal attitudes toward authority; characters like Mulder represent those who seek to expose hidden truths despite facing ridicule from skeptics. This exploration invites viewers to reflect on their beliefs regarding justice, morality, and the ethical implications surrounding personal choices.
"Monday" stands out as one of The X-Files' more inventive episodes, successfully blending elements of humor with social commentary while exploring complex themes related to time and human agency. While it may not resonate with all viewers due to its heavy reliance on philosophical concepts, it effectively maintains an engaging pace throughout its runtime. The exploration of these themes within a modern context encourages viewers to consider their perceptions of truth and morality in society while enjoying a richly layered narrative that showcases both character development and suspenseful storytelling. As it reflects broader societal concerns regarding choice and consequence, "Monday" leaves audiences contemplating their own relationships with time and decision-making.
Each iteration of the day reveals subtle differences, allowing viewers to witness how small choices can lead to drastically different outcomes. The pacing is expertly crafted, maintaining tension while also allowing for moments of levity amidst the chaos. A particularly striking moment occurs when Mulder begins to realize that he is stuck in a loop, prompting him to repeat the phrase "He's got a bomb" in an effort to change the course of events. This moment not only highlights Mulder's resourcefulness but also serves as a poignant reminder of the futility of trying to escape one's fate.
Visually, "Monday" employs a vibrant aesthetic that contrasts the mundane aspects of daily life with the surreal nature of the time loop. Manners's direction captures both the chaos of the bank robbery and the emotional turmoil experienced by characters caught in this cyclical nightmare. The cinematography utilizes bright colors during comedic scenes and darker tones during moments of suspense, creating a visual contrast that enhances the storytelling. Critics have praised this visual storytelling for its ability to immerse viewers in a world where reality is fluid and every choice carries weight.
The performances in this episode are particularly noteworthy, especially from Carrie Hamilton as Pam, who embodies both vulnerability and determination as she navigates her own role within the time loop. Her character's emotional journey adds depth to the narrative, making her fate all the more impactful. Duchovny delivers a strong performance as Mulder, showcasing his character's unwavering belief in uncovering the truth while grappling with existential questions about free will and predestination. Anderson's Scully provides essential support; her skepticism grounds Mulder's theories while emphasizing her concern for those affected by the robbery. The chemistry between Duchovny and Anderson continues to shine throughout this episode, adding depth to their partnership as they confront complex challenges.
Thematically, "Monday" raises significant questions about fate, agency, and the nature of choice. The episode critiques how individuals can become trapped by their circumstances; it examines how personal relationships can be affected by external pressures such as societal expectations and existential dread. Additionally, it highlights societal attitudes toward authority; characters like Mulder represent those who seek to expose hidden truths despite facing ridicule from skeptics. This exploration invites viewers to reflect on their beliefs regarding justice, morality, and the ethical implications surrounding personal choices.
"Monday" stands out as one of The X-Files' more inventive episodes, successfully blending elements of humor with social commentary while exploring complex themes related to time and human agency. While it may not resonate with all viewers due to its heavy reliance on philosophical concepts, it effectively maintains an engaging pace throughout its runtime. The exploration of these themes within a modern context encourages viewers to consider their perceptions of truth and morality in society while enjoying a richly layered narrative that showcases both character development and suspenseful storytelling. As it reflects broader societal concerns regarding choice and consequence, "Monday" leaves audiences contemplating their own relationships with time and decision-making.
This is one of the greats. I love the way it was filmed, excellent for a TV show back in the 90's. The deja-vu sequences were awesome. This is the X-Files take on the concept of the Bill Murray film "Groundhog day", which is a very good movie everyone should watch. Gillian Anderson's acting is as good as always and the guest stars where great too. This is between my top ten episodes ever. It is simply great television. I have had my own deja-vu experiences and they're really creepy and make you feel uneasy and unreal. A very nice paranormal theme played out to perfection.
See you Monday...
See you Monday...
Did you know
- TriviaMulder's mysterious water bed comes from Dreamland II (1998) when Morris Fletcher bought himself a new water bed, thinking he would be living the rest of his life in Mulder's body, and put it in Mulder's bedroom. Mulder has no memory of those events, so he has no idea where he got his water bed from.
- GoofsWhen Skinner approaches the lead cop outside the bank, Skinner asks who's in charge, to which the cop says "I am, unless the Bureau wants to take charge". By law, all bank robberies are the jurisdiction of the FBI, being federally insured by the FDIC. Skinner should have taken charge until properly relieved by an appropriate Special Agent in Charge (SAIC).
- Quotes
Fox Mulder: Cover for me, will you?
Dana Scully: When do I not?
- ConnectionsReferenced in Buffy the Vampire Slayer: Life Serial (2001)
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