S.R. 819
- Episode aired Jan 17, 1999
- TV-14
- 45m
When Skinner is infected with an unknown disease and receives a mysterious phone call telling him he has 24 hours to live, Scully and Mulder rush to find a cure and those responsible.When Skinner is infected with an unknown disease and receives a mysterious phone call telling him he has 24 hours to live, Scully and Mulder rush to find a cure and those responsible.When Skinner is infected with an unknown disease and receives a mysterious phone call telling him he has 24 hours to live, Scully and Mulder rush to find a cure and those responsible.
- Director
- Writers
- Stars
- Skinner's Secretary
- (as Arlene Pileggi)
- Silk Shirt Man
- (as Al Faris)
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- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
It's a good, fast paced, race against the clock type of episode, after the lighter tone of the previous episode, this one is pretty gritty, and quite intense.
If I didn't know any better, I would have thought that this was made in response to the popularity of The 24 Series, but guess what, this came first.
It's interesting to see how Mulder and Scully both reacted to Agent Skinner, how quick they were to support their former boss, despite his recent behaviour towards them, it'll be interesting to see if his attitudes towards them changes in the future.
Those wonderful production values that have been very evident since the start of this sixth series are once again very evident, and credit to the makeup team, Skinner looks impressively unwell in all of his scenes.
Different, an exciting episode.
8/10.
As the narrative unfolds, Skinner's condition worsens, and he learns that he has only twenty-four hours to live unless he can identify the culprit behind his poisoning. Mulder and Scully investigate, leading them to uncover a conspiracy involving nanotechnology and a sinister plot orchestrated by rogue elements within the government. The pacing of "S. R. 819" is tight and engaging, effectively maintaining tension as the agents navigate bureaucratic obstacles while trying to save their boss. A particularly striking moment occurs when Mulder confronts a shady character linked to Skinner's poisoning, highlighting the personal stakes involved in their investigation.
Visually, "S. R. 819" employs a dark and foreboding aesthetic that complements its themes of danger and betrayal. Sackheim's direction captures both the sterile environments of hospitals and government facilities, as well as the emotional turmoil experienced by Skinner as he fights for his life. The cinematography utilizes shadows and stark lighting to evoke feelings of dread, particularly during scenes where Skinner is confronted with his mortality. Critics have praised this visual storytelling for its ability to immerse viewers in a world where trust is scarce and every character may have ulterior motives.
The performances in this episode are particularly noteworthy, especially from Pileggi as Skinner. His portrayal captures the character's vulnerability and determination; he embodies both authority and fragility as he grapples with the consequences of his position within the FBI. Duchovny delivers a strong performance as Mulder, showcasing his character's unwavering belief in uncovering the truth while navigating complex emotional dynamics with Skinner. Anderson's Scully provides essential support; her skepticism grounds Mulder's theories while emphasizing her concern for Skinner's well-being. The chemistry between Duchovny and Anderson continues to shine throughout this episode, adding depth to their partnership as they confront challenging circumstances.
Thematically, "S. R. 819" raises significant questions about loyalty, accountability, and the nature of evil within governmental structures. The episode critiques how individuals can become victims of their own systems; it examines how personal relationships can be strained by external pressures and conflicting loyalties. Additionally, it highlights societal attitudes toward authority; characters like Skinner represent those who struggle with moral dilemmas while seeking to do what is right in a corrupt system. This exploration invites viewers to reflect on their beliefs regarding justice, morality, and the ethical implications surrounding power dynamics.
In conclusion, "S. R. 819" stands out as one of The X-Files' more intense episodes, successfully blending elements of suspenseful drama with social commentary while exploring complex themes related to loyalty and moral responsibility. While it may not resonate with all viewers due to its heavy reliance on established mythos from the series, it effectively maintains an engaging pace throughout its runtime.
The exploration of these themes within a modern context encourages viewers to consider their perceptions of truth and morality in society while enjoying a richly layered narrative that showcases both character development and thrilling storytelling. As it reflects broader societal concerns regarding governmental transparency and ethical responsibility, "S. R. 819" leaves audiences contemplating their own relationships with authority and accountability.
Did you know
- TriviaJohn Shiban's original idea for the script was to have Mulder on the cusp of dying. Frank Spotnitz persuaded him that audiences wouldn't buy that the show was prepared to kill off their lead character, whereas there would be some doubt if they used a secondary character instead.
- Goofs(at around 45 mins) Alex Krycek closes the panel on the remote device with his left thumb. In Terma (1996) Krycek had his left arm amputated. He is seen in a number of intervening episodes with a prosthetic limb.
- Quotes
Skinner: Every minute of every day, we choose. Who we are. Who we forgive. Who we defend and protect. To choose a side or to walk the line. To play the middle. To straddle the fence between what is and what should be. This was the course I chose. Trying to find the delicate balance of interests that can never exist. Choosing by not choosing. Defending a center which cannot hold. So death chose for me.
- ConnectionsReferenced in Alias: Taken (2004)