Shadows

Shadows the Limerick:

Her boss treated her like a dad.

Now he's dead and she's very sad.

Now he's a ghost.

Her new boss is toast.

He kills them all because he's mad.

Shadows is a great episode from Season 1. It seems that lately most of the season 1 episodes have kind of gained a soft spot with me as even the ones that I used to hate have become enjoyable for me. I think its the atmosphere that comes with the low budget kind of filming that they had. I like Shadows for a number of reasons. I like the corny acting, it is entertaining. Like the kids that find the bodies in the dumpster. "Hey... I know a great place to crash... up that fire escape." Haha this line is so terribly delivered. I enjoy Mark Snow's music as many of the classic tunes from the series are first used in these episodes and this one included. I like the creepy scenes like the blood in the bath tub and the hit-man floating in midair being choked. I guess its not the fact that this is anything really special but that fact that it is a classic that makes me love it. 9 out of 10.

With a deadly protector. Whether you are two terrorists or her boss's partner, you don't want to mess with her.

Love is stronger than death... Song of Solomon 8:6 - and jealousy is fatal as the grave.

That seems to be part of what is happening here, but it's an X-File crossed with a state department investigation.

This excellent episode gets into both subjects. Mulder has to figure out how to pursue the X-File while solving the state department matter.

Fortunately he gets help from Lauren Kite in both matters.

But her protector is "dead as a hammer", plus he's been chopped up and donated for medical purposes!

Is this how Carrie got revenge?

The question is, does Lauren Kite have an ability, or is it someone else?

It's funny how the monster hijinks happen plain as day for Mulder but stop as soon as Scully walks in lol. How long does that keep happening.

Mulder and Candice from Phineas and Ferb would get along great, trying to convince people that what they saw actually happened. This episode However, specifically the monster of the week, wasn't as intriguing, still the 2 leads are engaging enough to keep you watching.

The sixth episode of "The X-Files," titled "Shadows," directed by Daniel Sackheim, presents a compelling blend of supernatural elements and investigative drama, showcasing the series' ability to explore the unknown while maintaining a focus on character dynamics. The episode revolves around a young woman named Lauren Kyte, played by Lisa Waltz, who believes that the spirit of her deceased boss, Howard Graves, is protecting her from two assassins hired by a corporate rival. As Mulder (David Duchovny) and Scully (Gillian Anderson) delve into the case, they confront both the physical threat posed by the assassins and the metaphysical implications of Lauren's claims.

The narrative opens with an unsettling prologue that introduces Lauren's plight as she witnesses her boss's ghostly presence. This chilling start effectively sets the tone for the episode, blending horror with the procedural elements that define "The X-Files." As Mulder and Scully investigate, they encounter skepticism from local authorities and uncover evidence suggesting that Graves may have been murdered due to his involvement in corporate espionage. The pacing is well-structured, allowing for moments of tension while also providing insight into Mulder's and Scully's contrasting approaches to the investigation. Mulder's fascination with the paranormal contrasts sharply with Scully's scientific skepticism, creating a dynamic interplay that drives much of the episode's tension.

Visually, "Shadows" maintains the eerie aesthetic characteristic of "The X-Files." The cinematography effectively utilizes shadows and dim lighting to evoke a sense of foreboding, particularly during scenes where Mulder and Scully confront the realities of Lauren's situation. The direction by Sackheim builds suspense throughout the episode; scenes where Lauren interacts with Graves' ghost are particularly impactful, capturing both wonder and dread. However, some critics have noted that certain plot points feel formulaic or lack sufficient development, particularly regarding how quickly Mulder and Scully connect their findings to local legends. The reliance on familiar tropes may detract from its overall impact.

The performances in this episode are commendable, especially from Duchovny and Anderson. Duchovny's portrayal of Mulder showcases his characteristic charm and enthusiasm for cryptozoology; he embodies a childlike wonder that contrasts with Scully's grounded skepticism. Anderson's Scully provides a rational counterbalance; her scientific approach grounds Mulder's wild theories while showcasing her own curiosity about their cases. Waltz delivers a strong performance as Lauren, effectively conveying her fear and desperation as she grapples with the supernatural events surrounding her.

Thematically, "Shadows" explores issues of belief versus skepticism while also touching on deeper questions about humanity's relationship with death and the unknown. The character of Howard Graves serves as a metaphor for unresolved issues; his ghost acts as both protector and avenger for Lauren. The episode raises critical questions about what happens after death and whether spirits can influence the living world. Additionally, it highlights Mulder's ongoing quest for understanding in a world filled with uncertainty; his willingness to entertain the idea of ghosts reflects his broader search for truth amid chaos.

"Shadows" stands out as an engaging entry in "The X-Files," successfully blending supernatural horror with psychological drama while deepening character dynamics between Mulder and Scully. While it may not reach the emotional heights of later episodes or fully develop all plot points, it effectively maintains tension and intrigue throughout its runtime. The exploration of folklore within a modern context invites viewers to reflect on their perceptions of myth and reality, setting a precedent for future episodes that balance levity with deeper themes.

James Wong and Glen Morgan's follow-up to their excellent first effort "Squeeze" is middling, disappointing nonsense. The real issue with the episode isn't even the meandering plot (which will play to current audiences as "24" meets "Ghost Whisperer", and I don't mean that as a compliment), but the one-dimensional, annoying main character, and a poorly-acted one at that.

Wong and Morgan do get some fun humor into the episode, a nice break from the rest of it, which takes itself FAR too seriously given the subject matter. "The X-Files", regardless of what some indignant old-school fans might tell you, was always quick to mock itself through its characters, and only took itself completely seriously when it had a damn good dramatic story to tell. "Shadows" takes itself too seriously in any scene not involving Mulder or Scully, AND it's completely ridiculous.

In addition, the episode is hopelessly cheesy all the way through, and particularly the acting from much of the supporting cast, not that they're given any good characterization or dialogue to work with.

Meh.

4/10