The Gil Mayo Mysteries

I loved Mayo, and I was saddened it was so short lived. It wasn't the best show ever to grace my screen, but a thousand light years away from being the worst. What I loved about Mayo was that it was funny and addictive, very like New Tricks in some way. One or two of the secondary characters were a little stereotyped and one or two episodes are a little slow to start with, my only problems with Mayo, but what did compensate was some very funny and intelligent writing, interesting plot lines and very good lead performances from Alistair McGowan, Huw Rhys and the gorgeous Jessica Oyelowo. Plus the music and photography were quite excellent. Personally, I think Mayo should have lasted longer, it may have had one or two problems but if given a chance, like I think it should have these problems could have easily been rectified. 9/10 Bethany Cox

I made these comments to the BBC drama site just in the hope.

Mayo is currently being replayed here (in Australia) on ABC. I missed most of the original showings but made a special effort not to miss the replays.

As it is one of the best shows I have seen on television, I have just investigated the length of the series and any further series.

I was horrified to find that only 8 episodes were made. Is there any possibility of further episodes being made? Is it possible that a DVD will be released?

I am sure many others before me have pointed out what makes this program so good. And I am equally sure that you know what makes most programs available for viewing so appalling.

As far as I can tell from comment sites it seems there are just not enough thinking television viewers left on the planet. Therefore, I guess, we are stuck with all the 'loud', 'confrontational', 'realistic' programs which seem to be the norm these days.

What a pleasure it was to watch today's episode with its clever repartee and subtle humour.

It appears I'm one of the few who found this TV series - called "The Gil Mayo Mysteries" in Australia - to be addictive and entertaining. No, it's not "Dalziel and Pascoe", but perhaps it's more 'The Last Detective' with a twist. However you define it, it's an acquired taste, and obviously not everyone's cup of tea. Whatever, I love it, and am saddened by the news that a second series is not to follow.

On the surface, the combination of wise and droll boss, with pretty, but quirkily-dressed side-kick, accompanied by klutzy young Welsh dude and cyber-nerdy-girl-trouble-shooter seems a trifle familiar, and even clichéd. Heck, I love a good cliché, so long as it's well done, and for me, this series is well done. It's improbable, yes, but I don't watch TV for reality - if I want reality I can step outside my front door.

I enjoy it for that which is expected - like Mayo's fastidious attention to correct grammar and pronunciation, or the next 50's hair style of Alex's (who in their right mind would go to such bother just to go to work?), or Mayo's daughter's next indication that she's more an adult than anyone else in the story? You'll love it or hate it, but one should see it just for the experience alone.

Those who have knocked this series have merely proved that they simply are so unused to being required to look beyond the surface (despite The Simpsons) in a television programme that they are no longer capable of seeing the joke.

This is a surreal world with real world concerns, a joke at the expense not only of English stereotypes, but of the very concept of detective drama. It is never intended that you should believe that the four central characters would, in the real world, be ranking police officers. This is an alternative universe where forensic pathologists hang about in a police caravan (which appears, as if by magic, at the scene of the crime) with detectives and comes up with a detailed analysis without ever entering a lab, and the West Midlands contains a street full of old school friends who speak with thick Lancastrian accents! What this 'unreal' setting does, as is the case in Terry Pratchett's Discworld novels, for example, is to free the writers to use the characters to gently mock those traits which so painfully reflect our own idiosyncrasies (repressed emotion, ebay addiction, our inability to escape those social conventions which we know to be ridiculous, all come in for laser accurate mockery that is nevertheless affectionate and always acknowledges that when a finger is pointed at anyone, there are three more pointing back at us.

The central characters are lovingly crafted by writers and actors, the 'jokes' are subtle and knowing, and the series greatly rewards those prepared to look beyond the focus and read between the lines. It's a work of pure television heaven that sadly may be cast into the outer darkness because it does not appeal to the lazy viewer who, despite its public service credentials, the BBC seems so desperate to attract.

Has anyone else noticed that these characters resemble the Scobby Doo crew?