Grey Gardens

In 1973, brothers Albert Maysles (Arye Gross) and David Maysles (Louis Ferreira) arrive in East Hampton, NY to do a documentary about mother and daughter Edith 'Big Edie' Ewing Bouvier Beale (Jessica Lange) and Edith 'Little Edie' Bouvier Beale (Drew Barrymore) living in the rundown Grey Gardens estate. Little Edie's famous cousin Jacqueline Kennedy Onassis (Jeanne Tripplehorn) used to visit during the summer. In flashbacks starting in 1936, Little Edie simply wants to be a famous dancer. Big Edie wants her to find a husband with a long leash. Her father Phelan Beale (Ken Howard) wants someone to take care of her. Instead, she's in New York sleeping with married Julius 'Cap' Krug (Daniel Baldwin). Phelan leaves Big Edie. Little Edie starts losing her hair and gets pulled back home by Big Edie. When Phelan dies, Big Edie refuses to sell Grey Gardens with only a small trust that can't maintain the estate.

The acting is excellent. Lange is never wrong and Barrymore does a nice job in her older role. The women's story in their earlier days is not quite dramatic enough. It is their older selves where their compelling characters become truly dramatic. The years of disappointments and their old wounds make them great characters. Their scenes with Jackie is terrific. Their relationship is built on years of unfulfilled wishes and faded glory.

I have to say that I was as dubious about this project as anyone Else...

Some one was remaking a documentary as a drama ?!? when the documentary may be the most perfect movie I have ever seen ?!? But in all seriousness this movie takes the subject firmly in hand and KNOCKS IT OUT OF THE PARK !!! ITS Brilliant !!! First off you can tell it was written by a true lover of the original, secondly Drew and Jessica are almost indistinguishable from there real counterparts.

I cant say more with out giving stuff away but this my be the best thing I have seen in years !

As Lil Edie would say ...."Its Absolutely Terrific"

I have NEVER publicly commented on a feature performance until now. Having seen the 1975 documentary about Edith and Edie Beale, I was absolutely blown away by the exacting performances--especially Drew Barrymore. I noticed a few comments dissing the film and it's rather obvious these people don't know the storyline. Jessica and Drew WERE their characters to perfection--a not-so-trivial accomplishment. I knew Lange could act but Drew perhaps has certainly lived up to her family lineage!!! ! Take it for what it's worth: this is a non-fiction account of a most dysfunctional family, parental control, character disorders, being a victim, and reluctant realization of unfulfilled dreams. Little Edie, with all her psychiatric shades, is accurately portrayed by Drew Barrymore. Jessica Lange as the spoiled, controlling mother, sort of sums it all up by telling her daughter that she's not easily likable or attractive with "...Edie ... you are more of an acquired taste". Yet, the bizarre paradox of their relationship is simple. Edie is filled with too much fear to go out into the world and the two really need each other. Call it pathological complementarity. This film works at every level!

The psychological exploration of the Maysles' film of Grey Gardens was riveting, disturbing, entertaining, but ultimately confusing. Who in the world were these colorful-sad women, living in genuinely shocking conditions. Were they mentally ill--was it a put-on--there were so many missing pieces--that those of us who saw the film in the 70s have always remembered this strange sad tale--a sort of benign "Whatever Happened to Baby Jane" kind of tale of lost souls--lost to the world, lost in their own memories and (to us) bizarre fantasy world.

The HBO film fills in many of the pieces--with heartbreaking detail. Jessica Lange and Drew Barrymore are nothing short of astonishing in their reincarnation of this tragic mother and daughter duo. We see their elegance, their fragility, the tricks that life played on them--with vivid detail. The easy fluidity between the past and the present makes for a riveting drama that resonates almost as much as the original documentary. But there is a difference--in the documentary, there was much more humor--Big Edie and Little Edie were characters, and you felt sorry for them--yet you really noticed their resilience and delight at life. Yes they were caught up in the past with their obsessive dwelling on events from that distant golden age of their's--but they also seemed to relish their relationship, their day-to-day coping, their ice cream, their animals--it was really not THAT sad! The movie is much more heartbreaking--because we see the glamorous lives they led--and the contrast with the emptiness of their final denouement in Grey Gardens feels overwhelmingly sad. We suspected that especially Little Edie was mentally ill in the original--delusional--paranoid. In the film, there is no doubt. She was helpless from the beginning.

Pieces have been filled in--but there are still empty pieces that abound--the role Little Edie's brothers had or didn't have in their lives, how the wealthy relatives so completely ignored or were unaware of their living conditions--why the Edies so completely retreated from the "real world" when people with much more heartbreaking situations (and much less of a moneyed background) can not only cope but overcome---these are all still mysteries which will probably never be answered--can only be speculated upon--and which will allow "Grey Gardens"--both the documentary, and now the film--to retain an enduring mystique and fascination.

Well, you can't go wrong using Big and Little Edie as subject matter, be it in a documentary, a movie, or a musical. This beautifully photographed and opulent "Grey Gardens," starring Jessica Lange and Drew Barrymore as Big and Little Edie, again demonstrates what compelling people they were.

Not having seen any documentary yet, or the musical, which had some powerful emotions expressed in the music ("Another Winter in a Summer Town" as an example), I can only go by this particular "Grey Gardens." The story of the Beales is sad, harrowing, frustrating, and sometimes funny.

Both women are magnificent in their roles, particularly Lange, though my understanding is that the real Big Edie was a much better singer than shown here. Barrymore makes a stunning young Edie, living in New York and trying to make it as an actress and captures the mature woman - it's quite a stretch, too.

What's missing here is exactly what happened to these two beautiful and wealthy women, and I'm not sure it's covered in any other material about them. Why didn't Big Edie remarry? Why didn't Edie "The Body Beautiful" Beale get a rich husband? Why did the other children allow them to live the way they did? Was Little Edie untalented, or could she have had success as an actress? Were they always mentally unstable or eccentric or make each other that way?

I don't know after watching "Grey Gardens," though I'm sure Lange and Barrymore made some decisions about those things in order to play their roles.

The nice thing about "Grey Gardens," for me, anyway, is that Little Edie finally got what she wanted in life - fame (well, notoriety), the ability to perform, money, and a warm place to live. I'm happy about that for her. I just wish I knew more about the psychology that led up to all of it.