The Savages

This film is about how two brothers and sisters react to their father's development of dementia, and the subsequent deterioration of his mental condition.

"The Savages" is a real and authentic film. It uses the pain of dealing with dementia as a backdrop, to explore the relationship of two siblings. Laura Linney's excellent portrayal of Wendy Savage, a daughter in deep denial, is captivating. Her emotional turmoil and her manipulation of others makes her character very deep and interesting. Jon Savage, on the other hand, repeatedly and brutally brings Wendy back on the ground. This strained interaction keeps the tension going throughout the film. Fortunately, this painful and difficult times enables them too understand themselves and care for each other. The ending is sad, but satisfying and human.

"The Savages" is realistic film that people can easily relate to.

'The Savages' is a humble humane look at a part of life. Tamara Jenkins tells a powerful comedic story of two siblings struggle with their estranged, demented and dying father. For me, the characters are easy to relate to as in Wendy, Jon and Lenny, I recognize many people I know. The story does not have much of an eventful plot. It's more a study of characters and relationship and, as I mentioned earlier, a look at part of life.

The portrayal of the brother-sister relationship by Linney and Hoffman is genuine and strong thanks to the real chemistry. I was reminded of another beautiful movie, 'You Can Count On Me' which also focused on sibling relationships (and also starred Laura Linney but in a completely different role) and it was interesting to compare the older brother-younger sister bond with the older sister-younger brother bond. Both Laura Linney and Philip Seymour Hoffman are accomplished actors and it is not surprising that they were great and very natural. Philip Bosco too is brilliant as the demented father but we don't see anything of his character beyond that. The father-children is the third angle of the film and this too is authentically portrayed. The children are in a state of ambivalence about their father who was mean and abusive but whom they also want to help. Among the other performances, relative newcomer Gbenga Akinnagbe stands out.

What i liked most about it is the chemistry between the brothers but even the small moments between the main characters and the supporting ones was quite well shown within a limited screen-time, like the moment between Jon and Cara did display their true feelings and the few moments between Jimmy and Wendy show the impact it has on Wendy. Jenkins shows her good understanding of family relations and brings some of her own experience into the film. The struggle of the two siblings to get noticed, to deal with their own problems and that of their family is one many of us can associate with and it is cleverly shown with a touch of comedy in this genuine funny little film. i wanted to watch this movie at a theatre with a friend but she didn't seem too enthusiastic but I'm glad that I finally caught it. I'm looking forward to watching it on DVD again.

Any film that features Laura Linney and Philip Seymour Hoffman is certainly worth seeing, and the acting in "The Savages" is excellent, not only by Linney and Hoffman but by Philip Bosco who plays their father, Lenny, an elderly man suffering from dementia. The story line - - two grown children facing the task of caring for a failing parent -- is all too familiar in real life, and anyone who's been through it knows how emotionally wrenching it can be. The complication here is that both children feel that they were mistreated by their father during childhood.

Jon, Hoffman's character, a drama professor is less devastated by the reality, though perhaps not by the memory. Wendy, Linney's character, is torn apart by both. There's another story line as well. Jon has just been separated from his long time girl friend, a Polish drama teacher whose visa has expired. Wendy, who's been trying to write a play about her childhood trauma and seeking a grant to permit her to do so, is having sex with an older married man (more at his convenience than hers).

But the story is mainly about their search for a nursing home that will have their father. (Wendy would prefer a beautiful space that offers "assisted living" which her father can no longer manage.) And after they've found the nursing home, they have to cope with their father's demented behavior and their own emotional states. After Lenny dies, the script seeks a hopeful but unconvincing resolution. The brief, uncertain up-tick at the end does not make this film any less of a downer. But the acting is superb. It's to be expected of Linney and Hoffman. Though it's not likely that many viewers will have noticed Bosco before, he's been an excellent stage actor and, in some ways, his may be the most impressive performance of the three.

This film, along with "Away from Her" are the best elder-films I've seen all year (2007).

There is an honesty to the movie about a brother and sister relationship that is genuine and heart warming. Philip Seymour Hoffman (Jon, the professor) and Laura Linney (as Wendy, aspiring playwright)are perfectly cast in the roles of the sister and brother who have to deal with their obnoxious, foul-mouthed elderly father, Lenny, played by Philip Bosco in a riveting performance.

Their childhoods have been difficult, abuse is hinted at along with a runaway mother. They are now confronted with the care and responsibility of their father who has been deemed incompetent (and penniless). The effects of their childhood on these now adult children is played out well. They are incapable of intimacy with potential partners and even with each other.

How they slowly gain an understanding of themselves and each other is an ongoing major thread of the movie and is beautifully depicted. A one of a kind sibling movie. 9 out of 10. Recommended.

If you look for honesty portrayed in film, you can't do much better than The Savages. This is an example of the type of film that rarely sees the light of day, simply because it refuses to compromise. Despite it's grim subject matter, there is plenty of humor in this film, which mainly arises from the absurdity of situations that feel so genuinely familiar. All the performances across the board are fantastic, and Ms. Jenkins was miraculously able to get funding for a film that didn't include the casting of a single "pretty young thing". Every single person in the the film genuinely looks like the real article (note: for equally impressive casting, check out Sarah Polly's "Away From Her".) There are numerous places where this film could've taken a turn into typical Hollywood schmaltz and portrayed situations in a less-than-honest way, but it's director and actors refused to go there. Thank goodness they didn't.