A sister and brother face the realities of familial responsibility as they begin to care for their ailing father.A sister and brother face the realities of familial responsibility as they begin to care for their ailing father.A sister and brother face the realities of familial responsibility as they begin to care for their ailing father.
- Nominated for 2 Oscars
- 17 wins & 33 nominations total
- Burt
- (as Hal Blankenship)
- Real Estate Agent
- (as Laura Palmer)
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Featured reviews
Two siblings (played by Laura Linney & Philip Seymour Hoffman) are burdened with the task of taking care of their estranged father who they learn is suffering from dementia. The comedy is just enough to keep it from getting too depressing but not so much that it upstages the gravity of the situation.
The pacing is appropriately slow. You'll find no car chases, shootouts, contrived romances or M-Night-Shyamalanian twists; the story is not even very significant. Instead, pay attention to the relationships between the characters, their emotional disconnection from each other & the world, and their efforts to confront their lack of intimacy. What's interesting about this movie is that it begins with no details about the characters, but slowly the past emerges and is only fully explained in the final scene.
If you like movies about real life, I think you'll enjoy this. And if you're interested in films about families/people dealing with illnesses & disorders, also check out "Away From Her", "Autumn Hearts", and "Phoebe in Wonderland" ...all good movies without the standard Hollywood cheese.
This is a story about two siblings, Wendy (Laura Linney, who earned a surprise - and much deserved - Oscar nomination for this performance) and Jon Savage (Philip Seymour Hoffman) who have to take care of their ailing, estranged father, Lenny (Philip Bosco). Fathers and kids relationships have been discussed in tons of movies, but Tamara Jenkins (real life wife of Jim Taylor, co-author of Alexander Payne's scripts - they both produced this movie, by the way) managed to create something fresh and beautiful in its own simplicity (and, at the same time, so complex and painfully real, for all of those who've had difficult family relationships - and who hasn't?). "The Savages" reminds me of Noah Baumbach's "The Squid and the Whale", also starring Laura Linney - but with a little less humor, and perhaps even more heart. Hoffman and Bosco are also great, as usual. Jenkins proves that she's a very sensitive writer/director, and I'm excited to check whatever she does next. I'm rooting for either her or Diablo Cody ("Juno") to win the Oscar for best original screenplay next month (coincidentally, both movies have The Velvet Underground's "I'm Sticking With You" in the soundtrack). 10/10.
Jon, Hoffman's character, a drama professor is less devastated by the reality, though perhaps not by the memory. Wendy, Linney's character, is torn apart by both. There's another story line as well. Jon has just been separated from his long time girl friend, a Polish drama teacher whose visa has expired. Wendy, who's been trying to write a play about her childhood trauma and seeking a grant to permit her to do so, is having sex with an older married man (more at his convenience than hers).
But the story is mainly about their search for a nursing home that will have their father. (Wendy would prefer a beautiful space that offers "assisted living" which her father can no longer manage.) And after they've found the nursing home, they have to cope with their father's demented behavior and their own emotional states. After Lenny dies, the script seeks a hopeful but unconvincing resolution. The brief, uncertain up-tick at the end does not make this film any less of a downer. But the acting is superb. It's to be expected of Linney and Hoffman. Though it's not likely that many viewers will have noticed Bosco before, he's been an excellent stage actor and, in some ways, his may be the most impressive performance of the three.
"The Savages" is a real and authentic film. It uses the pain of dealing with dementia as a backdrop, to explore the relationship of two siblings. Laura Linney's excellent portrayal of Wendy Savage, a daughter in deep denial, is captivating. Her emotional turmoil and her manipulation of others makes her character very deep and interesting. Jon Savage, on the other hand, repeatedly and brutally brings Wendy back on the ground. This strained interaction keeps the tension going throughout the film. Fortunately, this painful and difficult times enables them too understand themselves and care for each other. The ending is sad, but satisfying and human.
"The Savages" is realistic film that people can easily relate to.
Did you know
- TriviaDavid Harbour cited Philip Seymour Hoffman's performance as being an influence on his role as Alexei Shostakov in Black Widow (2021).
- GoofsJon Savage drives his Polish girlfriend to the airport at 6:30 AM, in broad daylight. But in November in Buffalo, it would be pitch dark at this hour (even on November 1, sunrise isn't until 7:46).
- Quotes
Jon Savage: Dad's not the one that has a problem with the Valley View. There's nothing wrong with Dad's situation. Dad's situation is fine. He's never gonna adjust to it if we keep yanking him outta there. And, actually, this upward mobility fixation of yours, it's counterproductive and, frankly, pretty selfish. Because it's not about Dad, it's about you and your guilt. That's what these places prey upon.
Wendy Savage: I happen to think it's nicer here.
Jon Savage: Of course you do, because you are the consumer they want to target. You are the guilty demographic. The landscaping, the neighborhoods of care; they're not for the residents, they're for the relatives. People like you and me who don't want to admit to what's really going on here.
Wendy Savage: Which is what, Jon?
Jon Savage: People are dying, Wendy! Right inside that beautiful building right now, it's a fucking horror show! And all this wellness propaganda and the landscaping, it's just there to obscure the miserable fact that people die! And death is gaseous and gruesome and it's filled with shit and piss and rotten stink!
- SoundtracksI Don't Want to Play in Your Yard
Written by Henry W. Petrie (as Henry Petrie), Philip Wingate, and Dick Manning
Performed by Peggy Lee
Courtesy of Geffen Records
Under license from Universal Music Enterprises
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Details
- Release date
- Country of origin
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- Also known as
- Дикуни
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Box office
- Gross US & Canada
- $6,623,082
- Opening weekend US & Canada
- $151,859
- Dec 2, 2007
- Gross worldwide
- $10,653,221
- Runtime
- 1h 54m(114 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1