The Good Life

Jason Prayer lives his life as a round peg in the square hole of college football-obsessed Nebraska. Writer/director Stephen Berra has provided his hero with plenty of baggage so an audience can easily tag him as a stereotypical Indie protagonist. He suffers from alopecia, an auto-immune disorder which has left him completely hairless. His father has committed suicide, he lives with his mom in a shabby house besieged by debt collectors from the electricity company - and he works the day shift at a gas station where he's terrorized by a muscle car maniac.

Jason's evenings are spent assisting the senile owner of a decaying cinema, where vintage movies are projected over empty auditoriums. His prospects perk up when beautiful Indie-babe Frances shows up at the theater, and recognizes him as a kindred spirit - and later that night she drives him home after he gets beaten up by the motor-head psycho. Unfortunately the course of true love seldom runs smoothly in Indie-world, and by the end of the film it's uncertain whether Frances is escaped-from-an-asylum crazy, or a figment of Jason's imagination created by too many nights at the movies. Either way, she's the catalyst that prompts him to embark on a quest for a better life beyond freezing Nebraska - and that can't be all bad.

The story is about a small town and how life sucks for almost everyone. And we see a depiction of the various coping mechanisms - taking it with humor, the dire situation fueling aggression, escapism, acceptance and resilience. It's quite an interesting theme. Unfortunately the comparison between the different ways of handling life falls short and the focus lying solely on Webber's and Deschanel's character makes the movie one sided and weakens the whole premise. This and the attempt to give the movie a melancholic undertone makes it rather boring to watch. With less stereotyping of the other characters and a more in depth portrayal of them could have made the movie a really good one.

Overall: It's not bad and definitely worth watching on a lazy Sunday - it just doesn't live up to it's potential.

Well done but very depressing. The IMDb profile labels it Comedy/Drama but I never got even a mild chuckle. I would never watch this again nor recommend it. But, Zoey is . . . Just about the most captivating female I have ever seen in my 74 years on this planet.

Given there's already quite a number of reviews of The Good Life--it did play at Sundance, after all, I'm not going to discuss the plot of the film, except to briefly say that it's a film about the suffering and isolation of one man, Jason, in a town he's trapped in for all the wrong reasons. He is surrounded by deceitful and manipulative individuals who do nothing but bring him down and pull him further and further into desolation. That is, except for his one true friend, Gus, an old man who owns a neighborhood theater. The film deals with themes and perspectives and actions viewers don't typically find appealing on screen--and it is largely depressing. Reviews are mixed for this film, as to be expected. Some find the film hopeful or inspiring at the end--I just see it as survival.

The well-fleshed out characters in this gloomy tale are all impressively played. Mark Webber's performance as Jason is incredibly riveting and believable. As for Chris Klein, I agree with some critics who believe this might be his best role yet. Zooey Deschanel manipulates me into loving her once again. Bill Paxton's character is quirky and odd and gay, and Bill pulls it off perfectly. Gus, however, is probably my favorite character. I kept looking over at Harry Dean Stanton, who gives a heartfelt performance as a dying man, wondering, as the film progressed, how he felt watching himself play this character--at his age--and how it effects him. Of course, he's far more active than Gus...

(on my blog there was a picture of Harry Dean waving his hands in the theater at the audience, announcing "I am not a crook.")

Professional skateboarder Stephen Berra has written and directed a truly important film, built on decent story and cemented together with remarkable performances from the actors. Berra's portrait of small town America manufactures a painful environment which grabs the viewer by the throat. The film doesn't necessarily say anything new or even profound for that matter, but it's certainly an emotional experience I won't soon forget.

I've seen this movie compared to Donnie Darko several times, most recently in another comment here on IMDb, however, they're nothing alike. Donnie Darko is a beautiful, thought-provoking film, while this movie just falls flat. It tries so very hard to be deep and depressing, that it ends up almost a parody of itself. The quasi-philosophical mumblings of the main character sound like they where stolen from a manga and none of the characters seem even remotely like actual people.

My advice, watch "The Go-Getter" instead. It too has a young man who's lost both a parent and his way, it too has Zooey Deschanel, and unlike The Good Life, it has humor and it doesn't try to be something it's not.