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The Sopranos
S6.E2
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  • Episode aired Mar 19, 2006
  • TV-MA
  • 54m
IMDb RATING
8.7/10
9.1K
YOUR RATING
James Gandolfini in The Sopranos (1999)
CrimeDrama

The family tries to cope with Tony's hospitalization and deteriorating condition, while Tony begins to hallucinate a new life parallel to his own.The family tries to cope with Tony's hospitalization and deteriorating condition, while Tony begins to hallucinate a new life parallel to his own.The family tries to cope with Tony's hospitalization and deteriorating condition, while Tony begins to hallucinate a new life parallel to his own.

  • Director
    • David Nutter
  • Writer
    • David Chase
  • Stars
    • James Gandolfini
    • Lorraine Bracco
    • Edie Falco
  • See production info at IMDbPro
  • IMDb RATING
    8.7/10
    9.1K
    YOUR RATING
    • Director
      • David Nutter
    • Writer
      • David Chase
    • Stars
      • James Gandolfini
      • Lorraine Bracco
      • Edie Falco
    • 23User reviews
    • 2Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Photos12

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    Top cast66

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    James Gandolfini
    James Gandolfini
    • Tony Soprano
    Lorraine Bracco
    Lorraine Bracco
    • Dr. Jennifer Melfi
    • (credit only)
    Edie Falco
    Edie Falco
    • Carmela Soprano
    Michael Imperioli
    Michael Imperioli
    • Christopher Moltisanti
    Dominic Chianese
    Dominic Chianese
    • Junior Soprano
    Steven Van Zandt
    Steven Van Zandt
    • Silvio Dante
    Tony Sirico
    Tony Sirico
    • Paulie 'Walnuts' Gualtieri
    Robert Iler
    Robert Iler
    • A.J. Soprano
    Jamie-Lynn Sigler
    Jamie-Lynn Sigler
    • Meadow Soprano
    Aida Turturro
    Aida Turturro
    • Janice Soprano Baccalieri
    Steve Schirripa
    Steve Schirripa
    • Bobby 'Bacala' Baccalieri
    • (as Steven R. Schirripa)
    Joseph R. Gannascoli
    Joseph R. Gannascoli
    • Vito Spatafore
    Dan Grimaldi
    Dan Grimaldi
    • Patsy Parisi
    Jerry Adler
    Jerry Adler
    • Hesh Rabkin
    Ron Leibman
    Ron Leibman
    • Dr. Lior Plepler
    Henry O
    • Monk #1
    Sheila Kelley
    Sheila Kelley
    • Lee
    • (as Sheila Kelly)
    Ho Chow
    Ho Chow
    • Monk #2
    • (as Ho 'Oyster' Chow)
    • Director
      • David Nutter
    • Writer
      • David Chase
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews23

    8.79K
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    Featured reviews

    buddhanmarley

    Perchance to Dream

    While still leaving it's viewers without resolution concerning Tony and his inner struggle to find answers, the second episode of the season does do a good job of stripping away some layers superficiality in certain characters and revealing more of their human side in attempting to cope with this tragedy. I felt the dream sequence was a bit overly-emphasized, but it truly was the only way to portray any of the emotions that Tony may be feeling in his current state. Admittedly, it was quite intriguing to see Tony break character during the dream and become just another "average Joe" facing some of the common individual's daily dilemmas.

    The hospital setting did become mundane at times, but was an absolute necessity in allowing the writers to bridge the gap between the incident in the first episode and the development of future plot lines throughout the season. The amount of foreshadowing used within this episode was again very pronounced as it was in the premiere, leaving the audience with a hint of what may lie ahead while no doubt setting the stage for more unexpected twists down the road. Overall, this episode certainly would not rank in the series' top-ten. But if you are an avid follower of the Sopranos as so many of us are, there is definitely sufficient reason to tune in.
    900Yasser

    Pure Carm episode....

    One Family together forever, the dreams idea from the writer is perfect, i liked it so much.
    10tarantinobosi

    Pure existentialism

    This episode captures perfectly what you feel when you are at the point of your life when you don't know where you're going. The moment you no longer know who you are or where your choices took you. It perfectly portrays what it feels like by feeling lost, without knowing what needs to be done. And also the sense of absolute loneliness.
    10nicktusk-95591

    Best episode in my opinion

    Honestly, I love the Sopranos. I tend to laugh and have a good time and then some parts are very serious where I cringe but this. This series this particular episode is the only one that really makes me cry. Almost like watching a movie cast away. The power meadows is in the back forest saying don't leave us daddy very sad episode yet with a happy ending. Then I think about real life actor, James garner Fenian that makes me more upset. But I love the spectacular show David, Chase, and David Nutter did an excellent job of directing this episode. "You are going to be fine Tony" the part where Carmella plays the Tom Petty CD "American girl " priceless.

    So the writing the directing the acting in this entire episode is just impeccable I seriously can't think of another episode that tops this one? I know a lot of people don't like the dream sequence and all that stuff but to put Tony in a coma and make him Kevin Finnerty that's just freaking awesome. Imagine going to Disneyland and Mickey and Minnie. All the sudden were different types of characters and Disneyland. Took you for a ride. That's how good the Sopranos is. If you don't like the dream sequences tough luck! Don't watch it lol.
    bigs166

    a view from above

    in the second episode to the season the use of the dream sequence, to me, becomes a key element to how tony will react when/if he comes out of the coma. his voice inflection and the way he is carrying himself makes him feel more and more like just another part of the population, and the name Anthony soprano isn't internationally known, but just another shlub. if you listen closely to the lines in the dream sequence ("its dead around here"... "you could have broke your neck"..."their lookin for a perp") there are many more but after these are said the look on Tony's face suggests that he knows that something is wrong. one thing that no one is noticing is the light house in the background at 2 points. in the very beginning and in the very end of the episode. this will absolutely play a part in tony coming out of the coma, or going to the afterlife. the view from above (the helicopter) is them (doctors and family) peering down into Tony's mind trying to find him. he is living a life with another woman, a woman he truly loves and is not just married to. you can tell by the way he talks to her on the phone. i enjoyed this episode very much. i believe that the hospital scenes were meant to be boring and drawn out, this put more emphasis on the dream. watch it again and you'll notice a few things you didn't before

    Related interests

    James Gandolfini, Edie Falco, Sharon Angela, Max Casella, Dan Grimaldi, Joe Perrino, Donna Pescow, Jamie-Lynn Sigler, Tony Sirico, and Michael Drayer in The Sopranos (1999)
    Crime
    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drama

    Storyline

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    Did you know

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    • Trivia
      When James Gandolfini delivered his lines that took place in his hallucinations, he spoke with his more natural voice instead of his "Tony Soprano voice." It's a subtle difference, but definitely noticeable.
    • Quotes

      Vito Spatafore: [regarding Eugene] I knew him better than anybody but still... Maybe he was a homo, felt there was no one he could talk to about it. That happens, too.

    • Connections
      Featured in The 58th Annual Primetime Emmy Awards (2006)
    • Soundtracks
      Smoke on the Water
      (uncredited)

      Written by Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice

      Performed by Deep Purple

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    Details

    Edit
    • Release date
      • March 19, 2006 (United States)
    • Country of origin
      • United States
    • Official site
      • Official Facebook
    • Language
      • English
    • Filming locations
      • Costa Mesa, California, USA
    • Production companies
      • Chase Films
      • Home Box Office (HBO)
      • Brad Grey Television
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 54m
    • Color
      • Color
    • Sound mix
      • Dolby
      • Dolby Digital
    • Aspect ratio
      • 1.78 : 1

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