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- Episode aired Mar 19, 2006
- TV-MA
- 54m
IMDb RATING
8.7/10
9.1K
YOUR RATING
The family tries to cope with Tony's hospitalization and deteriorating condition, while Tony begins to hallucinate a new life parallel to his own.The family tries to cope with Tony's hospitalization and deteriorating condition, while Tony begins to hallucinate a new life parallel to his own.The family tries to cope with Tony's hospitalization and deteriorating condition, while Tony begins to hallucinate a new life parallel to his own.
Lorraine Bracco
- Dr. Jennifer Melfi
- (credit only)
Steve Schirripa
- Bobby 'Bacala' Baccalieri
- (as Steven R. Schirripa)
Sheila Kelley
- Lee
- (as Sheila Kelly)
Featured reviews
While still leaving it's viewers without resolution concerning Tony and his inner struggle to find answers, the second episode of the season does do a good job of stripping away some layers superficiality in certain characters and revealing more of their human side in attempting to cope with this tragedy. I felt the dream sequence was a bit overly-emphasized, but it truly was the only way to portray any of the emotions that Tony may be feeling in his current state. Admittedly, it was quite intriguing to see Tony break character during the dream and become just another "average Joe" facing some of the common individual's daily dilemmas.
The hospital setting did become mundane at times, but was an absolute necessity in allowing the writers to bridge the gap between the incident in the first episode and the development of future plot lines throughout the season. The amount of foreshadowing used within this episode was again very pronounced as it was in the premiere, leaving the audience with a hint of what may lie ahead while no doubt setting the stage for more unexpected twists down the road. Overall, this episode certainly would not rank in the series' top-ten. But if you are an avid follower of the Sopranos as so many of us are, there is definitely sufficient reason to tune in.
The hospital setting did become mundane at times, but was an absolute necessity in allowing the writers to bridge the gap between the incident in the first episode and the development of future plot lines throughout the season. The amount of foreshadowing used within this episode was again very pronounced as it was in the premiere, leaving the audience with a hint of what may lie ahead while no doubt setting the stage for more unexpected twists down the road. Overall, this episode certainly would not rank in the series' top-ten. But if you are an avid follower of the Sopranos as so many of us are, there is definitely sufficient reason to tune in.
One Family together forever, the dreams idea from the writer is perfect, i liked it so much.
This episode captures perfectly what you feel when you are at the point of your life when you don't know where you're going. The moment you no longer know who you are or where your choices took you. It perfectly portrays what it feels like by feeling lost, without knowing what needs to be done. And also the sense of absolute loneliness.
Honestly, I love the Sopranos. I tend to laugh and have a good time and then some parts are very serious where I cringe but this. This series this particular episode is the only one that really makes me cry. Almost like watching a movie cast away. The power meadows is in the back forest saying don't leave us daddy very sad episode yet with a happy ending. Then I think about real life actor, James garner Fenian that makes me more upset. But I love the spectacular show David, Chase, and David Nutter did an excellent job of directing this episode. "You are going to be fine Tony" the part where Carmella plays the Tom Petty CD "American girl " priceless.
So the writing the directing the acting in this entire episode is just impeccable I seriously can't think of another episode that tops this one? I know a lot of people don't like the dream sequence and all that stuff but to put Tony in a coma and make him Kevin Finnerty that's just freaking awesome. Imagine going to Disneyland and Mickey and Minnie. All the sudden were different types of characters and Disneyland. Took you for a ride. That's how good the Sopranos is. If you don't like the dream sequences tough luck! Don't watch it lol.
So the writing the directing the acting in this entire episode is just impeccable I seriously can't think of another episode that tops this one? I know a lot of people don't like the dream sequence and all that stuff but to put Tony in a coma and make him Kevin Finnerty that's just freaking awesome. Imagine going to Disneyland and Mickey and Minnie. All the sudden were different types of characters and Disneyland. Took you for a ride. That's how good the Sopranos is. If you don't like the dream sequences tough luck! Don't watch it lol.
in the second episode to the season the use of the dream sequence, to me, becomes a key element to how tony will react when/if he comes out of the coma. his voice inflection and the way he is carrying himself makes him feel more and more like just another part of the population, and the name Anthony soprano isn't internationally known, but just another shlub. if you listen closely to the lines in the dream sequence ("its dead around here"... "you could have broke your neck"..."their lookin for a perp") there are many more but after these are said the look on Tony's face suggests that he knows that something is wrong. one thing that no one is noticing is the light house in the background at 2 points. in the very beginning and in the very end of the episode. this will absolutely play a part in tony coming out of the coma, or going to the afterlife. the view from above (the helicopter) is them (doctors and family) peering down into Tony's mind trying to find him. he is living a life with another woman, a woman he truly loves and is not just married to. you can tell by the way he talks to her on the phone. i enjoyed this episode very much. i believe that the hospital scenes were meant to be boring and drawn out, this put more emphasis on the dream. watch it again and you'll notice a few things you didn't before
Did you know
- TriviaWhen James Gandolfini delivered his lines that took place in his hallucinations, he spoke with his more natural voice instead of his "Tony Soprano voice." It's a subtle difference, but definitely noticeable.
- Quotes
Vito Spatafore: [regarding Eugene] I knew him better than anybody but still... Maybe he was a homo, felt there was no one he could talk to about it. That happens, too.
- ConnectionsFeatured in The 58th Annual Primetime Emmy Awards (2006)
- SoundtracksSmoke on the Water
(uncredited)
Written by Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice
Performed by Deep Purple
Details
- Runtime
- 54m
- Color
- Sound mix
- Aspect ratio
- 1.78 : 1
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