The Alternative Factor

The threat which Kirk and the Federation face here is nothing less than the complete annihilation of our entire universe - surely the gravest cosmic problem encountered in Trek's history. It's one of those wild cosmic concepts more prevalent on the TNG series, not restricted to a quadrant or even just our galaxy, but everything. However, the execution of this story and the faulty pace of this episode is rather deplorable. There's way too much repetition throughout: Kirk and some crew beam down to a planet's surface, they go back up to the Enterprise, then back down to the planet, over & over, it seems, with no results; Lazarus falls off a cliff a 2nd time...or is it a 3rd? Much of the attempted efforts to explain the dangerous cosmic effect come off as gobbledygook - is it a doorway in space? A hole between two universes? A corridor with explosions at both ends? Say what? There's also confusion on whether Kirk is dealing with a time traveler here or hopping to parallel dimensions (better realized in "Mirror,Mirror" early in the 2nd season). I finally gathered in the end that the threat revolved around matter and anti-matter of two duplicate objects coming together; but, boy, what a headache to get there.

Kirk, Spock and the others encounter a weird guy named Lazarus on a barren planet following a 'winking out' of all existence. He rants on about his nemesis, an enemy which looks humanoid but is a monster. By the 2nd act, we realize this Lazarus is insane, but Kirk & especially McCoy aren't so quick on the uptake, while Spock just calls him a liar. After a few very spacey phrases by this Lazarus, I would think they'd realize the guy's not all there when Lazarus says "Kill! Kill! Kill! Kill! Kill!" Yet, as in a few other weak episodes, an obvious nutcase like this one is given free reign within the Enterprise and this causes problems later (I think Kirk did assign security at some point, but they lost Lazarus a minute later). Then we get that 'cosmic effect' and negative images in slow motion for the 4th or 5th time, meant to convey a struggle between - wait for it - two Lazarus dudes! And as we all know, two into one won't go. This episode gets my vote for the worst one of the first season, a precursor to all those really bad, boring ones in the third season. I do give it more stars than those due to a genuinely chilling denouement at the conclusion.

Yes, it's true, this is one of the worst episodes in the entire series, right down there with "The Empath." Yes, Lazarus is one of the most irritating characters, always falling off cliffs to move the story (such as it is) along.

The *only* thing that's interesting in this episode is when Lazarus finally explains how his cat-and-mouse with his alternate-universe counterpart came about. Both the sci-fi physics element and the madman element of the premise are fascinating. But this explanation comes in the last 5 minutes of the show, after 40 minutes of exhausting shenanigans -- too late to even buy the "r" in the word "redeem."

I would love to know the backstory about how this episode went from fascinating concept to crummy filmed episode. Perhaps that would help ease the pain that this entry's very existence creates in the beating heart of the series.

Another interesting bit about this episode is that with it, the series nearly bottoms out before rocketing to the top with the very next episode, "City on the Edge of Forever." From the very bottom, the only way to go is up.

I love these old STAR TREK episodes but this must be one of the lamest ever. I couldn't figure out what on earth was going on - nor could Kirk and Spock by the sound of them. Spock keeps making strange and frankly incomprehensible statements like "it's possible...very possible." It's either possible or not, make up your mind, Mr Spock.

Meanwhile, a man falls off a cliff, again and again, and is cured by a small plaster, though blood drips from his mouth. The best parts are Kirk's line "I want facts, not poetry!" and the Enterprise crew hanging out in the recreation room smirking at the state of the canteen coffee while the goatee man prowls about looking ragged. Couldn't Bones have loaned him a spare suit at least?

It's still all splendid fun, of course, and I recommend it wholeheartedly over all modern TV programmes.

There is a solid sci-fi premise here, though the stakes should have been dialed way back. I hated this as a kid and now just see it as extremely silly.

But turkey though it may be, EVERYBODY remembers this one. I actually liked the George Jettson personal spaceship.

To be fair, any potential this episode had was destroyed by the original actor cast as Lazarus not showing up. The replacement went directly from casting to shooting with no time to prepare. Despite being handed a quite complex role.

According to "Star Trek; the Inside Story" by Solow and Justman (the two original producers of the Star Trek series) there were some contractual issues with the actor who was supposed to play the guest lead, and thus this caused some scheduling issues which cascaded into other areas of production.

Result; this episode.

Well, what can a guy say about an installment that was supposed to be the crown jewel of Trek, but wound up being a bucket of swill? An "A" for effort... err... maybe.

Things that I spotted; there's an exterior shot showing Kirk and Spock leading a search team, but the actors are their stunt doubles, and not Shatner and Nimoy. The lead character seems prone to injury, and the science fiction in this episode is more fiction than science.

I'll say this, the reason I tend to prefer classic 1960's Trek to the TNG+ era, is because the first season of TOS Trek is psychological; the second season is sociological, while the third season is more interpersonal (with all its flaws). This episode really strove to be a true science-fiction story, and not some encoded amalgam conveying a comment on contemporary society.

No, this episode really wanted to post the question of sacrifice to save two realms of existence. As stated earlier, director Gerd Oswald wanted the son of a famous actor who had star power (the name escapes me). Said actor was drunk and didn't show up for the shoot. SAG threw the book at the actor for breaking his contract, and torpedoing what could've been an interesting, and a true first pure sci-fi masterpiece for this very memorable series.

But, blaming the guest star for all the foibles isn't fair. Truth is the writing was a little weak in this episode. Without a psychological formula to rely on this episode was truly trying to break new ground. But, because the author(s) did not know enough about the science they were dealing with, and only the philosophical dilemma of what they wanted to pose for the audience, the story falls flat.

Even so, it's still fun to see our favorites run around on the screen to save the Federation (and everyone else in this case) from a fate worse than death.

Not a sterling installment. Watch only in passing... if at all.