The Devil in the Dark

I sympathized with the plight of the first man, Schmitter, we see killed in this episode. He reminded me of the trepidation associated with being a lone security guard at night somewhere - the type of work I did briefly about 20 years ago. Of course, I was never in danger of being burned to a crisp, as the colony chief (Lynch) is fond of describing. The monster in the dark here, murdering members of a deep mining colony, creates a scary impression in the first act. We don't really see it in the early scenes and, as many of us realize, the best monsters are sometimes left to the imagination. 'Big and shaggy' is one voiced description, but it actually turns out to resemble a big, lumpy pepperoni pizza, skittering along the ground like a silicon centipede - a limitation of the show's budget, unfortunately. This also shows in the latest matte painting, famous to Trek fans, the only way to convey a long shot of the mining operations.

But, the whole theme of this episode is about what's on the inside, rather than outward appearances, anyway. Sure, this Horta, a newly-discovered silicon-based life-form, looks like a mindless monster at first glance. Thanks to Spock's telepathic ability (probably the best use of a Vulcan mind meld for plot purposes), we learn it's a highly intelligent, even sophisticated creature. Besides Spock's instrumental use of his talent, McCoy gets to supersede his usual medical routine - healing a creature resembling rocks or asbestos. He also gets to utter one of his most famous lines, "I'm a doctor, not a bricklayer!" I found it very true-to-life in his scene where he exults in his success, though he's unable to get Kirk to share in his enthusiasm - Kirk's too busy organizing results. The episode throws unexpected turns in character & motivation at the audience as the story progresses; Spock champions the need to possibly preserve this discovered life as Kirk takes his usual stand on preventing the deaths of any red-shirts (no half measures, as in "The Man Trap"). But later, it's Kirk who, for some reason, holds back on firing a killing blast, as if the heat of the hunt had worn off and he'd had time to reflect on Spock's point (I believe it was during this episode's filming that Shatner learned his father had died). Uncharacteristic for most of the first season, this has a happy ending. The conflict stems from the needs of basic capitalism, such as meeting standard quotas, versus protecting the natural environment and its inhabitants - a space age version of protecting owls from the tractors of modern advancement. Somehow, despite many killings and a sense that everything could go to hell at any moment with one raised phaser, Kirk and Spock manage to broker an agreement which satisfies everyone. I guess people and silicates are more reasonable in the 23rd century.

Enter the Horta, possibly the show's ugliest prop, but still manages to convey an alien presence. Or in this case, a monster, one who's terrorizing the grunts in a mining colony. It's an extermination mission and that episode-long buildup is how the creature takes on a life of its own, no matter the level of production values. And it's a story of hard-won tolerance, thanks to that twist ending.

But it's also a good showcase for the Kirk-Spock-McCoy relationship. Isolated from the rest of the crew, this mystery is left to them to solve. All kidding aside, it's a great episode all around.

8/10

Leonard Nimoy's Vulcan mind meld proves of invaluable assistance in this Star Trek episode. Life may not look anything like it does on earth and it may not even function bodily as we do on earth. But life can be found in the strangest of places.

Consider this planet which looks to be made of solid rock, yet something is killing off the miners in Ken Lynch's crew. Which is why he sent a distress call and the Enterprise responds.

Lynch's men are not being killed, in fact they're being burned to a crisp. It's being done by a creature we learn calls itself a Horta and to our eyes it's not aesthetically pleasing.

This Star Trek story reduces life to a problem of communication. The Horta has a very good reason for doing what it does.

It's a good moral this story has, all we need in the Universe is better communication.

This may not be the most exiting or incredible episode they've made, but in my opinion it remains as one of Star Trek and the Sci-Fi genre's most original episodes. Most ideas from retro Sci-Fi series especially including Star Trek has been reused several times, this one the other hand remains mostly as a one time triumph. This among the episodes that impressed me the most towards the end.

Another thing I like with this episode is how it has accomplished to create such and exiting and captivating story with such few special affects. Now without criticizing the episode I must admit the effects are very dated, but then again what can you expect from a TV show from 1967? But still the creature ("Horta") in this episode is basically just a carpet with some coloured rubber on it. Yet you forget this after about 1 minute and you only start thinking about it as what it's supposed to be. Also the caves don't exactly look like rock, but again you forget it after a few minutes. This episode is a living proof on how good acting and a good story, can make you ignore the visual effects.

The acting from the main cast is as usual great. This episode features the series second mind meld by Spock and is one of my favourites. So to say it simple Leonard Nimoy is definitely a scene stealer here, and his acting is excellent. Not that Kirk or Bones don't get their share of the episode but Spock is the most intriguing in this one. i like the fact that the episode is not about one specific character but evolves around the trio handling an alien problem. Also it's nice to see an episode who doesn't only happen on the Enterprise.

Like most Star Trek episodes this episode tells us to have an open mind. I won't spoil the story, but evolves around what in the start seems like a typical monster story. It has killed several humans and therefore must be killed. But is that really all there is to it? I can assure you that the explanation in the end, will not disappoint you. This is still my favourite Star Trek TOS episode and i give it a 10/10.

The Horta is a globular mass that turns out to be thinking, feeling being. If, indeed, a crew such as those of the enterprise were to exist, they would need to be sensitive to the complexities of various life forms. A miner has died a horrible death, bathed in acid. The other miners, searching for some really valuable ore, have encountered this creature who seems to be able to meld itself with rock. The minders seek assistance and Spock, McCoy, and Kirk come to the rescue. There is the obligatory confrontation with phaser fire and injury. However, things get much more complicated as the actions of the Horta seem to be stimulus/response. The creature seems to understand. Spock uses the Vulcan mind meld to find out what is going on. The creature is badly hurt by the phaser fire and McCoy is asked to heal, leading to one of the best lines, "Dammit, Jim, I'm a doctor, not a bricklayer." The creature is silicon based, hence the reference to repairing rock. It's a sort of touching episode in some ways and has a satisfactory lesson.