For bringing hostility into their solar system, a superior alien race brings Captain Kirk into mortal combat against the reptilian captain of an alien ship he was pursuing.For bringing hostility into their solar system, a superior alien race brings Captain Kirk into mortal combat against the reptilian captain of an alien ship he was pursuing.For bringing hostility into their solar system, a superior alien race brings Captain Kirk into mortal combat against the reptilian captain of an alien ship he was pursuing.
- Director
- Writers
- Stars
- Metron
- (as Carole Shelyne)
- Gorn
- (uncredited)
- Gorn
- (voice)
- (uncredited)
- Gorn
- (uncredited)
- Gorn
- (uncredited)
- Lt. Brent
- (uncredited)
- Lieutenant Leslie
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
The episode begins with the destruction of a Federation outpost, which prompts Kirk to go after the alien attacker and destroy him at all costs. During the pursuit, the Enterprise is seized by more powerful beings who send Kirk to a desert planet so that he can face his adversary: the reptilian Gorn. Whoever wins the duel will be set free; the loser will be destroyed, along with his ship and crew. Given the Gorn is much stronger than Kirk, the latter has to come up with an inventive strategy to survive.
Of the many examinations of the futility of war that Star Trek has offered, Arena is undoubtedly one of the more interesting ones, all because of its central idea: the preconception that all conflicts must end with the total annihilation of one of the two conflicting sides. The episode's presentation of the villain also plays on man's natural fear of all things unknown or different, making for 45 minutes of intelligence and tension that still resonate four decades on (despite the fact that the Gorn is obviously a stuntman in a suit).
This is a classic episode with strong themes, great character moments and some enjoyable camp value.
The story is about the violent nature of humans but contains a typically Star Trek slice of hope for a better future. The narrative is simple, starting with a fairly intense situation that twists it into something different and more compelling. I love how ingenuity and intelligence drives the combat scenes as opposed to physical prowess or firepower. For me the final resolution is what makes it special, delivering an important arc for Captain Kirk and making a beautiful statement about the positive side of humanity.
Although Kirk mostly takes centre stage, It is one of my favourite Spock episodes with some superb bridge moments where he respectfully and plausibly challenges Kirk. These exchanges are loaded with tension by making Spock's sharp observations fairly subtle and understated. Later on there are some great moments when Spock is in command but submits to the logic of being powerless to do anything, whilst McCoy finds himself overcome with emotion.
I enjoyed the camp moments for the unintended humour. The creature effects, (or lack of) being the most obvious with the iconic scenes of Captain Kirk battling stuntmen in an outrageous rubber suit. Also, one moment where Uhura screams in reaction to something is another great example.
Generally I think the visuals are good. I particularly enjoyed the use of the location to make a suitably alien environment. One iconic zoom out from Kirk scrambling up Vasquez Rocks is superb. The direction of the actors body language in the bridge scenes is also good considering they were just scenes of people watching something unfold on a big screen. It is done in a way that translates how the characters feel about the situation.
All performances are great, my favourite being Leonard Nimoy who is fantastic in all scenes. I'm not sure if it's intentional or not but it feels like this story is being seen from Spock's perspective and he lives and breathes the character. William Shatner is also strong as he is the main focus of everything. Deforest Kelley doesn't have as much screen time, but when McCoy contributes he is as great as ever.
The episode begins at a shattered Federation outpost. The Enterprise was called over to the planet by a bogus call. There's some impressive set design here for a TV show; the outpost, though wrecked, still looks neat, with vaguely Roman-like architecture (catch those two globules at the entrance, representing symbols of the Federation). This episode also touches on a concept not addressed much in all the Trek shows: the possible intrusion by the expanding Federation into another civilization's space. Suppose we find a planet with no intelligent life; we begin colonization; then, several months later, we find out another society has laid claim to this region of space a year earlier. What happens now? The answer suggested here by Spock is - bring on the diplomats. In the 3rd act, everything shifts to an asteroid, where Kirk meets his deadly-looking opponent - the sudden shot introducing the Gorn still sends shivers down my spine, even if it is a man in a suit. The Gorn was revamped much later on the "Enterprise" show with computer FX, but I still prefer this slow-moving version. Kirk can outrun the Gorn, but the lizard-man is much stronger; it's an interesting contest. Kirk's solution in finding a method of killing the stronger enemy is a bit too pat, but nonetheless exciting.
Did you know
- TriviaThis is the first episode to:
- establish that the Enterprise's cruising speed was warp 6
- be directed by Joseph Pevney, brought in by producer Gene Coon. Pevney was known for his fast work, and finished this episode - originally expected to be shot in seven days (one day extra) - in six days, remaining on schedule, for which he received a $500 bonus. This comes out to $,4533.42 in 2022 adjusted for inflation
- establish the existence of a "Federation". The word was first used in The Corbomite Maneuver (1966) as First Federation, but it was the name of Balok's organization. This episode refers to the "Federation," which was fully named later in A Taste of Armageddon (1967).
- make a reference to "Star Fleet", when Kirk makes an entry into the recorder given him by the Metrons. He asks that "Whoever finds it, please get it to Star Fleet."
- be broadcast in color by the BBC, when it was first shown in the UK in November 1969
- establish that transporters cannot beam through deflector shields
- GoofsEarly in their fight, Kirk and the Gorn are interlocked. The Gorn, with its great strength could have fatally crushed Kirk's chest and back and could have caused fatal injury by biting Kirk's head, ending the fight very quickly.
- Quotes
Metron: You surprise me, Captain.
Captain James T. Kirk: How?
Metron: By sparing your helpless enemy, who surely would have destroyed you, you demonstrated the advanced trait of mercy. Something we hardly expected. We feel that there may be hope for your kind. Therefore, you will not be destroyed. It would not be... civilized.
Captain James T. Kirk: What happened to the Gorn?
Metron: I sent him back to his ship. If you like, I shall destroy him for you.
Captain James T. Kirk: No. That won't be necessary. We can talk. Maybe... reach an agreement.
Metron: Very good, Captain. There *is* hope for you. Perhaps, in several thousand years, your people and mine shall meet to reach an agreement. You're still half savage. But there is hope. We will contact you when we're ready.
- Crazy creditsThe closing credits are set against a combination background of stills from that episode, previous and future episodes - as per usual Star Trek: TOS practice.
- Alternate versionsSpecial Enhanced version Digitally Remastered with new exterior shots and remade opening theme song. Highlights include a wider angle on the Cestus outpost showing more destruction (and removing an oddly-placed chunk of metal in the foreground) and the never-before-seen Gorn ship.
- ConnectionsFeatured in Bill & Ted's Bogus Journey (1991)
- SoundtracksTheme From Star Trek
Written by and credited to Alexander Courage
Details
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- Filming locations
- Vasquez Rocks Natural Area Park - 10700 W. Escondido Canyon Rd., Agua Dulce, California, USA(Fight with the Gorn N34.486018 W118.313123)
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