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Star Trek
S1.E18
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IMDbPro

Arena

  • Episode aired Jan 19, 1967
  • TV-PG
  • 50m
IMDb RATING
7.9/10
5K
YOUR RATING
William Shatner and Gary Combs in Star Trek (1966)
ActionAdventureDramaSci-Fi

For bringing hostility into their solar system, a superior alien race brings Captain Kirk into mortal combat against the reptilian captain of an alien ship he was pursuing.For bringing hostility into their solar system, a superior alien race brings Captain Kirk into mortal combat against the reptilian captain of an alien ship he was pursuing.For bringing hostility into their solar system, a superior alien race brings Captain Kirk into mortal combat against the reptilian captain of an alien ship he was pursuing.

  • Director
    • Joseph Pevney
  • Writers
    • Gene L. Coon
    • Fredric Brown
    • Gene Roddenberry
  • Stars
    • William Shatner
    • Leonard Nimoy
    • DeForest Kelley
  • See production info at IMDbPro
  • IMDb RATING
    7.9/10
    5K
    YOUR RATING
    • Director
      • Joseph Pevney
    • Writers
      • Gene L. Coon
      • Fredric Brown
      • Gene Roddenberry
    • Stars
      • William Shatner
      • Leonard Nimoy
      • DeForest Kelley
    • 43User reviews
    • 14Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Photos26

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    Top cast20

    Edit
    William Shatner
    William Shatner
    • Captain James T. Kirk
    Leonard Nimoy
    Leonard Nimoy
    • Mr. Spock
    DeForest Kelley
    DeForest Kelley
    • Dr. McCoy
    George Takei
    George Takei
    • Sulu
    James Doohan
    James Doohan
    • Scott
    Nichelle Nichols
    Nichelle Nichols
    • Uhura
    Jerry Ayres
    • O'Herlihy
    Grant Woods
    Grant Woods
    • Kelowitz
    Tom Troupe
    Tom Troupe
    • Lt. Harold
    James Farley
    • Lang
    Carolyne Barry
    • Metron
    • (as Carole Shelyne)
    Sean Kenney
    Sean Kenney
    • DePaul
    Bill Blackburn
    • Gorn
    • (uncredited)
    Ted Cassidy
    Ted Cassidy
    • Gorn
    • (voice)
    • (uncredited)
    Bobby Clark
    • Gorn
    • (uncredited)
    Gary Combs
    Gary Combs
    • Gorn
    • (uncredited)
    Frank da Vinci
    • Lt. Brent
    • (uncredited)
    Eddie Paskey
    Eddie Paskey
    • Lieutenant Leslie
    • (uncredited)
    • Director
      • Joseph Pevney
    • Writers
      • Gene L. Coon
      • Fredric Brown
      • Gene Roddenberry
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews43

    7.95K
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    Featured reviews

    8Hitchcoc

    Gorn Fishing!

    A convention used frequently is that of setting two opponents against each other, giving them no choice but to fight. The frequent accusations by the more advanced aliens that earth creatures are too violent is often counteracted by their own blood lust. In this episode, Kirk is pitted against the Gorn, a species of lizard man. Perhaps they could have done just a bit of work to animate his jaw, rather than making it look like a Halloween mask. This episode forces Kirk to draw on his knowledge of chemistry and warfare to face the Gorn. As the crew watches the fight continues. They parry and thrust their way. The strength of the episode has to do with lessons learned. McCoy gets in his usual shot at Spock for inaction. He seems to blame him whenever his logic doesn't solve the problem.
    10MaxBorg89

    Kirk vs. a giant lizard

    Although it may seem like a silly story on the surface (in essence, Kirk fights against a man-sized reptile), Arena is actually one of the best Star Trek episodes, being an insightful critique on the unnecessary casualties of war.

    The episode begins with the destruction of a Federation outpost, which prompts Kirk to go after the alien attacker and destroy him at all costs. During the pursuit, the Enterprise is seized by more powerful beings who send Kirk to a desert planet so that he can face his adversary: the reptilian Gorn. Whoever wins the duel will be set free; the loser will be destroyed, along with his ship and crew. Given the Gorn is much stronger than Kirk, the latter has to come up with an inventive strategy to survive.

    Of the many examinations of the futility of war that Star Trek has offered, Arena is undoubtedly one of the more interesting ones, all because of its central idea: the preconception that all conflicts must end with the total annihilation of one of the two conflicting sides. The episode's presentation of the villain also plays on man's natural fear of all things unknown or different, making for 45 minutes of intelligence and tension that still resonate four decades on (despite the fact that the Gorn is obviously a stuntman in a suit).
    8nicofreezer

    The most dated Star trek episode

    This episode really feel like 1966, while the others one didnt. But still I was entertain for a full hour It was a pretty great episode despique the old special effect.
    9snoozejonc

    Kirk is centre stage but for me Spock makes this one

    The Enterprise finds itself drawn into conflict with another species.

    This is a classic episode with strong themes, great character moments and some enjoyable camp value.

    The story is about the violent nature of humans but contains a typically Star Trek slice of hope for a better future. The narrative is simple, starting with a fairly intense situation that twists it into something different and more compelling. I love how ingenuity and intelligence drives the combat scenes as opposed to physical prowess or firepower. For me the final resolution is what makes it special, delivering an important arc for Captain Kirk and making a beautiful statement about the positive side of humanity.

    Although Kirk mostly takes centre stage, It is one of my favourite Spock episodes with some superb bridge moments where he respectfully and plausibly challenges Kirk. These exchanges are loaded with tension by making Spock's sharp observations fairly subtle and understated. Later on there are some great moments when Spock is in command but submits to the logic of being powerless to do anything, whilst McCoy finds himself overcome with emotion.

    I enjoyed the camp moments for the unintended humour. The creature effects, (or lack of) being the most obvious with the iconic scenes of Captain Kirk battling stuntmen in an outrageous rubber suit. Also, one moment where Uhura screams in reaction to something is another great example.

    Generally I think the visuals are good. I particularly enjoyed the use of the location to make a suitably alien environment. One iconic zoom out from Kirk scrambling up Vasquez Rocks is superb. The direction of the actors body language in the bridge scenes is also good considering they were just scenes of people watching something unfold on a big screen. It is done in a way that translates how the characters feel about the situation.

    All performances are great, my favourite being Leonard Nimoy who is fantastic in all scenes. I'm not sure if it's intentional or not but it feels like this story is being seen from Spock's perspective and he lives and breathes the character. William Shatner is also strong as he is the main focus of everything. Deforest Kelley doesn't have as much screen time, but when McCoy contributes he is as great as ever.
    9Bogmeister

    Kirk's instinctive revulsion to Reptiles

    This is the one with Kirk battling a captain of an enemy ship; this other captain happens to resemble a man-like lizard. He or it hisses at Kirk and even speaks, promising a quick, merciful death - it certainly feels cold-blooded. It's based on a fairly famous short story by sf author Fredric Brown, though Gene Coon conceived the piece thinking it was original. That's because it's such a primal, simple plot which almost any writer could come up with: the essence of warfare is distilled down to the most basics of just two individuals, who go at it mano-a-mano (see also the TV Movie from 1970, "The Challenge"). Though this episode is one of Trek's best action stories, it's also a commentary on the needlessly huge casualties which occur during a war: why sacrifice thousands of individuals when an issue could be solved by the death of just one? This story kind of points out that maybe our nations, instead of engaging in traditional war, should just send our best soldiers or leaders; let them fight it out, thereby saving many other lives. It sounds pragmatic, or maybe too clinical; either way, when it becomes as personal as it does here, the results may not be as expected.

    The episode begins at a shattered Federation outpost. The Enterprise was called over to the planet by a bogus call. There's some impressive set design here for a TV show; the outpost, though wrecked, still looks neat, with vaguely Roman-like architecture (catch those two globules at the entrance, representing symbols of the Federation). This episode also touches on a concept not addressed much in all the Trek shows: the possible intrusion by the expanding Federation into another civilization's space. Suppose we find a planet with no intelligent life; we begin colonization; then, several months later, we find out another society has laid claim to this region of space a year earlier. What happens now? The answer suggested here by Spock is - bring on the diplomats. In the 3rd act, everything shifts to an asteroid, where Kirk meets his deadly-looking opponent - the sudden shot introducing the Gorn still sends shivers down my spine, even if it is a man in a suit. The Gorn was revamped much later on the "Enterprise" show with computer FX, but I still prefer this slow-moving version. Kirk can outrun the Gorn, but the lizard-man is much stronger; it's an interesting contest. Kirk's solution in finding a method of killing the stronger enemy is a bit too pat, but nonetheless exciting.

    Related interests

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    Action
    Still frame
    Adventure
    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drama
    James Earl Jones and David Prowse in Star Wars: Episode V - The Empire Strikes Back (1980)
    Sci-Fi

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      This is the first episode to:
      • establish that the Enterprise's cruising speed was warp 6
      • be directed by Joseph Pevney, brought in by producer Gene Coon. Pevney was known for his fast work, and finished this episode - originally expected to be shot in seven days (one day extra) - in six days, remaining on schedule, for which he received a $500 bonus. This comes out to $,4533.42 in 2022 adjusted for inflation
      • establish the existence of a "Federation". The word was first used in The Corbomite Maneuver (1966) as First Federation, but it was the name of Balok's organization. This episode refers to the "Federation," which was fully named later in A Taste of Armageddon (1967).
      • make a reference to "Star Fleet", when Kirk makes an entry into the recorder given him by the Metrons. He asks that "Whoever finds it, please get it to Star Fleet."
      • be broadcast in color by the BBC, when it was first shown in the UK in November 1969
      • establish that transporters cannot beam through deflector shields
    • Goofs
      Early in their fight, Kirk and the Gorn are interlocked. The Gorn, with its great strength could have fatally crushed Kirk's chest and back and could have caused fatal injury by biting Kirk's head, ending the fight very quickly.
    • Quotes

      Metron: You surprise me, Captain.

      Captain James T. Kirk: How?

      Metron: By sparing your helpless enemy, who surely would have destroyed you, you demonstrated the advanced trait of mercy. Something we hardly expected. We feel that there may be hope for your kind. Therefore, you will not be destroyed. It would not be... civilized.

      Captain James T. Kirk: What happened to the Gorn?

      Metron: I sent him back to his ship. If you like, I shall destroy him for you.

      Captain James T. Kirk: No. That won't be necessary. We can talk. Maybe... reach an agreement.

      Metron: Very good, Captain. There *is* hope for you. Perhaps, in several thousand years, your people and mine shall meet to reach an agreement. You're still half savage. But there is hope. We will contact you when we're ready.

    • Crazy credits
      The closing credits are set against a combination background of stills from that episode, previous and future episodes - as per usual Star Trek: TOS practice.
    • Alternate versions
      Special Enhanced version Digitally Remastered with new exterior shots and remade opening theme song. Highlights include a wider angle on the Cestus outpost showing more destruction (and removing an oddly-placed chunk of metal in the foreground) and the never-before-seen Gorn ship.
    • Connections
      Featured in Bill & Ted's Bogus Journey (1991)
    • Soundtracks
      Theme From Star Trek
      Written by and credited to Alexander Courage

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    Details

    Edit
    • Release date
      • January 19, 1967 (United States)
    • Country of origin
      • United States
    • Official sites
      • handitv
      • Official Facebook
    • Language
      • English
    • Filming locations
      • Vasquez Rocks Natural Area Park - 10700 W. Escondido Canyon Rd., Agua Dulce, California, USA(Fight with the Gorn N34.486018 W118.313123)
    • Production companies
      • Desilu Productions
      • Norway Corporation
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 50m
    • Color
      • Color
    • Sound mix
      • Mono
    • Aspect ratio
      • 4:3

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