Day of the Dove
- Episode aired Nov 1, 1968
- TV-PG
- 51m
Both humans and Klingons have been lured to a planet by a formless entity that feeds on hatred and has set about to fashion them into a permanent food supply for itself.Both humans and Klingons have been lured to a planet by a formless entity that feeds on hatred and has set about to fashion them into a permanent food supply for itself.Both humans and Klingons have been lured to a planet by a formless entity that feeds on hatred and has set about to fashion them into a permanent food supply for itself.
- Director
- Writers
- Stars
- Lt. Johnson
- (as David Ross)
- Klingon Soldier
- (uncredited)
- Klingon Crewman
- (uncredited)
- Security Guard
- (uncredited)
- Security Guard
- (uncredited)
- Lt. Lemli
- (uncredited)
- Klingon
- (uncredited)
- Klingon
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Some of the Star Trek regulars are trapped in a section of the Enterprise that has been sealed off. Futuristic weapons have been taken away and our regulars have been given swords. That puts them at a disadvantage with the warrior society the Klingons have since they prize skill in hand to hand type combat. Still our guys hold their own.
It soon becomes apparent that something is creating this competition and is feeding off the energy of hate that is created by the humans and Klingons. There's an old expression that feuds themselves take on a life of their own and sometimes it's forgotten why they start. This episode gives credence to that idea.
Michael Ansara plays the leader of the Klingons and he's well suited to the part of Kang. Ansara repeated his role in future Star Trek shows. He and William Shatner have to realize there's a common enemy out there.
It's an interesting allegory and can be applied to the state of this world's politics then and now.
This is an enjoyable episode with strong anti-war themes and some quite memorable moments.
The story contains many elements covered in previous episodes such as 'The Errand of Mercy', 'Wolf in the Fold', and the numerous occasions the crew have found themselves either under the control of more powerful and malevolent beings. It's not perfect, but the plot unfolds in an entertaining way.
I particularly liked this portrayal of the Klingons. It feels closer to the warrior portrayal that payed off so well in 'The Next Generation' and 'Deep Space Nine'. The characters Kang and Mara are integral to the plot and involved in some of the most memorable scenes. Michael Ansara gives probably the best performance of the episode.
The central theme about powerful influences upon hatred and war that feed off conflict between people is an important subject. It was particularly relevant when this episode was made and works as an effective commentary of the Cold War. Sadly it is still pertinent today, as the world is more divided then ever with institutions like governments, media, and the defence industry continuing to profit from conflict as much as ever.
We see crew members displaying irrational signs of hatred, bigotry, and a desire for revenge that is quite ugly. One scene involving Chekov is particularly dark for Star Trek.
Not all of it holds up to a modern viewing. There are some quite silly moments involving swords and some of the acting from William Shatner and Deforest Kelley strays over the top. It also trowels on its key messages with some quite preachy exchanges of dialogue.
Visually it is hit and miss for me. I like the alien special effects, set design, props, and costumes. The Klingon boot polish type makeup is not particularly good, nor the choreography of the sword fighting.
Leonard Nimoy and George Takei have solid outings as their characters appear to be the only two regulars who do not lose rationality amongst all the chaos.
For me it's a 7.5/10 but I round upwards.
The plot seems very simple, yet is deceptively brilliant: group two sets of warring factions (Starfleet & Klingons) into equal numbers of 38 each on a ship such as the Enterprise, remove all advanced weapons and arm each side with swords; then set them at each others throats. Then sit back and watch. One can envision an entire season of such a story, an endless tale of conflict on a drifting starship out in space. It's an early version of video games that wouldn't come about until over a decade later. Of course, this is a bit more sophisticated, a commentary on the nature of war and bigotry. It's very easy to hate such beings as the Klingons for most of us, especially in view of the way they were depicted on the original series, including in this episode. They come across as, at best, belligerent and vicious, in contrast to the more civilized Starfleet crew. But, as the episode progresses, we begin to see less and less differences, until, by the end, we also begin to wonder what these guys are fighting about; they're two sides of the same coin with minor idealogical differences, as mentioned way back in "Errand of Mercy." It's interesting to hear Kang's wife speak of the Federation's death camps and realize we'd heard pretty much the same thing about Klingons in this and earlier episodes. It's an exciting entry for the 3rd season, with excellent pacing, superb editing (Scotty thrusts with a sword and it cuts to the ship zooming towards us) and loads of tension. The ending is a bit too syrupy for my taste, but I still get a kick out of Kang's last shot at Kirk. Klingons just can't resist some of the baser things in life.
The crew of the Enterprise go head to toe with the surviving crew of a Klingon craft at the behest of an optical catalyst aggressor.
Did you know
- TriviaThe spinning alien entity effect was created with a child's spinning windmill bought from a stand at Santa Monica beach. Visual effects supervisor James Rugg was told to be creative as the production budget for season three had been drastically cut. He bought it after noticing how it glistened in the sunlight and filmed it against a black velvet cloth from several different angles, deliberately out of focus, turning with the help of a desk fan and with different gels on the spotlights. To help make it feel unearthly and disguise what it was, he also under-cranked the film in the camera to make it appear to spin faster and ran the film backwards.
- GoofsWhen Kirk pulls Chekov from Mara and puts him against a wall Chekov runs his palms against the wall and smears on it Mara's bronzing makeup.
- Quotes
[last lines]
Captain James T. Kirk: [to the alien entity] Get off my ship. You're a dead duck here, you're powerless. We know about you, and we don't want to play. Maybe... maybe there're others like you around, maybe you've caused a lot of suffering, a lot of history; but that's all over. We'll be on guard now, we'll be ready for you, so ship out! Come on, haul it!
Dr. McCoy: Yeah, out already!
Kang: Out! We need no urging to hate Humans. But for the present, only a fool fights in a burning house. Out!
- Alternate versionsSpecial Enhanced version Digitally Remastered with new exterior shots and remade opening theme song
- ConnectionsFeatured in Koyaanisqatsi (1982)
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