Elaan of Troyius

No, this is not top flight TOS. But it is Season Three slipping its shackles and supplying a top 20 (of the TOS 70-odd) episode.

Early on, as the exclamations and cushions fly, the story is briefly in danger of becoming a serious embarrassment.

But the interaction of Kirk and transported princess is as galaxy-popping as Kirk's romances get... you can enjoy similar escapades in, say, Mirror Mirror, and respect more solemnly the doomed love in City on the Edge of Forever, but the second half of Elaan of Troyius is pure first love/crush aboard combat mode spaceship.

In entrapping Kirk Elaan's calculations are clear, but she gains much sympathy as someone who (First real love? Erstwhile impossible child suddenly develops maturity? Emotional depth prompted by probable immediate obliteration?) becomes responsible and even perhaps an asset to her fellow travellers.

But – issues raised on marriage and diplomacy apart – this is from the first frame a comedy turn/showcase for one of SciFi's greatest guest stars. If you like your TOS austere and intelligent you shall despair, but if you prefer it to rove through every emotional high and moreover to do so with a unending belting grin, draw up a chair. There's no deep sci fi complexity here, but there is ample genius of acting, push-boat-out costume design, and eternal questions probed of youth, beauty, marriage and - duty.

Federation space politics and diplomacy are at the forefront of the plot, exemplified earlier by the well-known "Journey to Babel" episode. Kirk and his ship do not play courier to dozens of ambassadors as before; here there's only one. Oh, and a creature known as the Dohlman (translation: spoiled brat of a princess i.e.more trouble than a 100 ambassadors), whom the ambassador must train for her role as wife to the Troyiun prince. Some ground rules to observe when hosting a Dohlman: (1) kneel in her presence; (2) do not speak unless permitted; (3) do not leave without permission; (4) provide her with the best quarters on the ship; (4a) failing that, find other quarters; (5) provide breakable objects for her, but no pillows. These are for starters. Such a sophomoric attitude does provide more entertainment than the typical 3rd season episode and there are added elements of another touchy mission for Starfleet to bring peace to a region of space, as well as an unexpected attack by a Klingon warship. The likewise warlike Elasians make the Capellans of "Friday's Child" seem quite laid back by comparison. The story holds together well with all these plot turns in the first couple of acts and this episode is not boring - that's a given.

There's a switch to more silly-like plot contrivances in the 2nd half of the episode, when Kirk becomes infected by Elaan's tears. According to legend, and 23rd-century biochemistry, tears of such a female enslave all men. This provides another excuse for Kirk to, uh, fraternize inappropriately with an alien woman who is generally regarded as off-limits. It's similar to his tryst with the female invader in "Wink of an Eye" only a few episodes earlier (Kirk really got going in this area of interstellar relations during the 3rd season). As the beyond-arrogant royal bitch, actress Nuyen was well cast; helped by her accent, she brings a suitably exotic flavor to the role, flinging knives and enjoying a meal with equal aplomb. My favorite scene is probably her put-down of Scotty; oy, watch what you say to a proud Scotsman! To the episode's credit, the audience should feel at least a twinge of pity for her by the conclusion, despite her earlier antics. One is reminded that the episode's title is "Elaan of Troyius" not 'Elaan of Elas.' She seems doomed and forsaken at the end to spend the remainder of her life behaving in a certain fashion, contrary to her nature. I also liked the space battle in this one; the music, especially, called to mind the battles of a decade later in "Star Wars."

While many of the scripts from the 3rd Season were mediocre and, in some cases, awful, this one maintained a level equal to the better stories of the first two seasons. A couple of things stand out. The battle sequence near the end, incorporating music that was never heard before or after, is tightly done with some good touches. Note Sulu's smile of admiration as Kirk announces the strategy to "pivot at Warp 2". Sulu's no dummy; he knows a great strategy when he hears one. Also, watch for the momentary glance to the left and right by Kirk after they engage warp power to the shields. He's alone, he's in command, and his next words will result in the crew's survival or death. This brief moment is utterly consistent with Kirk's character. He has voiced a fear of failure in the "critical moment" to McCoy in past conversations. This golden moment reveals his vulnerability and fear, but it's gone quickly, and he recovers to give the order. An outstanding moment in the Star Trek universe. Finally, the long-anticipated appearance of a Klingon ship was revealed for the first time. This original brilliant design by Jeffries remains the basis for Klingon ships to this day. You saw it here first. That, at the very least, makes this a notable episode.

...a super-babe. Make no mistake, this episode is a showcase for the exotic and ethereal beauty of Eurasian actress France Nuyen as Elaan. The storyline is secondary to the display of her charms and their predictable effect on perpetually-aroused James Kirk. Skimpy costumes and form-fitting gowns accentuate Nuyen's lithe, but femininely muscular build. Her vaguely French accent adds to her allure. Kirk can't help but fall prey to her feminine charms, with near-catastrophic results.

That's not to say it's a bad story. The acting, especially by Nuyen, is first-rate. It's a fun twist on the "Taming Of The Shrew" theme, and when Elaan comes around at the end one feels a sense of completion as well as a lingering sense of desolation. She has to go on with her slated "role" as consort to the enemy society's ruler for the sake of peace between their people. But I have a feeling the bridegroom-in-waiting has more of a treat in store for him than he might otherwise have anticipated.

Probably one of the better Season 3 episodes, which were generally lacking in pace and punch compared to seasons 1 and 2.

Enterprise transports Elaan, the bride promised to the King of Troyius.

This is an entertaining episode that has problems but I could not help but enjoy it.

The plot is a simple Star Trek rework of 'The Taming of the Shrew', with some Federation politics and Klingon interference thrown in. It all unfolds in a pretty fun and relatively unpredictable way.

The character of Elaan seems a bit of an antiquated notion by today's standards, particularly the scenes of her being trained to be a respectful and dutiful wife, but the concept of the 'marriage of state' is prevalent throughout history and is a good idea for an episode. I have to admit I find these scenes enjoyable, but I am one who does not take them particularly seriously. I think France Nuyen does a great job in the title role. Her character is not particularly consistent, but it's more a fault with the writing being slightly contrived to make certain things happen and to keep it all centred around Captain Kirk.

Kirk is the main focus of the story, and his interaction with Elaan is entertaining, if you can forgive the implausibility of the 'poison tears' and the (comical) threats of spanking. William Shatner carries a lot of the episode well.

I think the dilithium crystal resolution to the Klingon problem is a bit of a weak idea, but does not spoil the episode. Also, the fact of Kirk being in love with the Enterprise more than any girl in the galaxy is a great and humorous note to finish on.

Visually it is as strong and colourful as ever in the original series. I liked the costumes, hair pieces, and props. The updated effects of the remastered version are excellent.