Suddenly Human

A strong episode about a battle we too often see played out in the media today.

A child adopted at a young age, and raised with a good family, is suddenly taken away from the only home they have ever known, simply because his biological family now asserts a claim on them.

Regardless who the winner is in these situations, the only victim in any such battle is going to the child. Instead of possibility of growing up with two family's, they will now have to give up one of them.

How often we lose that which should have been our main focus all along. The best for the child and what they want.

When a disabled ship's tiny crew is brought on board the Enterprise, they assume they have been kidnapped and mistreated. They are Talarian's except for one, a handsome, blonde teenaged boy. He considers himself one of them and fears the crew. It turns out that when he was a little boy, the Talarians killed his parents. His only living relative is his grandmother who happens to be an admiral in Starfleet. He is put in a different setting than his crewmates and Picard, reluctantly, becomes his mentor. It is eventually revealed that the Captain of a Talarian vessel adopted him after the fatal battle. He wants his son back. The issue becomes, how do we treat someone who has only known one way of life. The initial effort is to return him to his childhood roots. He understands this but it miserable with it. He is also expected to act as those on the Enterprise do. The alien Captain gives Picard an ultimatum. Give the boy back or face all out war with heavy casualties. An interesting dilemma and worth a look.

Watched this episode a couple weeks ago on H&I. I saw a mannequin in the left hand seat on the bridge, where Wesley usually sits, as it zoomed in to Riker on the bridge. I was trying to show this to my sister, even signed up for Paramount plus, and this scene has been cut or edited and is not available on any version I can fine. Did anyone else watch this and see this mannequin? I find it very hard to believe that I am the only person in 30 years to catch this mannequin on screen.

This was a very thoughtful episode, and actually made me tear up at the end. I love Star Trek for the Science Fiction plots, not the soap opera in space episodes. TOS Wink of an Eye (where people were sped up so that they sounded like insects), TOS Requiem for Methuselah (where a man aged hundreds of years and never died), TNG Best of Both Worlds, (where you have enemies that are nearly unconquerable and yet hey find a way to defeat them), and the TNG one (what's it called?) where Beverly Crusher ends up alone on the ship after seemingly having crew members vanish one after the other. But for a human drama episode, this was pretty good, and far more interesting than Worf and his son.

Enterprise encounters a human boy raised by a different species.

This is an okay episode with good performances.

The story has some interesting themes, particularly the cultural clash aspects and the question of wellbeing of an individual in this type of situation.

For me it is portrayed with some contrivances and instances of over explanation. Do we need Troi to address Picard's role dealing with the situation? Is it even the correct approach? Does it feel forced into the story to fit Picard's character development? Would Worf have been a better fit to lead the story? Is the eventual "I've learned something today" speech simplistic or even necessary? Has Picard been portrayed as too astute a leader in previous episodes to accept he would not see the right course of action from the start? Why introduce a certain character only to disregard her at the story's resolution?

I think these aspects plus some others tend make the characters and plot feel a bit silly for getting to the extreme situations they are faced with.

That being said the performance of Patrick Stewart (as always) lifts the material significantly. So much so you can buy into most situations because he is such an engaging actor. He is supported well by Sherman Howard in certain scenes. Chad Allen does his best with the material he has in the key role of Jono, but the emphasis is more on the conflict between Enterprise and Talarians than the effect on his character.