Suddenly Human

Enterprise encounters a human boy raised by a different species.

This is an okay episode with good performances.

The story has some interesting themes, particularly the cultural clash aspects and the question of wellbeing of an individual in this type of situation.

For me it is portrayed with some contrivances and instances of over explanation. Do we need Troi to address Picard's role dealing with the situation? Is it even the correct approach? Does it feel forced into the story to fit Picard's character development? Would Worf have been a better fit to lead the story? Is the eventual "I've learned something today" speech simplistic or even necessary? Has Picard been portrayed as too astute a leader in previous episodes to accept he would not see the right course of action from the start? Why introduce a certain character only to disregard her at the story's resolution?

I think these aspects plus some others tend make the characters and plot feel a bit silly for getting to the extreme situations they are faced with.

That being said the performance of Patrick Stewart (as always) lifts the material significantly. So much so you can buy into most situations because he is such an engaging actor. He is supported well by Sherman Howard in certain scenes. Chad Allen does his best with the material he has in the key role of Jono, but the emphasis is more on the conflict between Enterprise and Talarians than the effect on his character.

A strong episode about a battle we too often see played out in the media today.

A child adopted at a young age, and raised with a good family, is suddenly taken away from the only home they have ever known, simply because his biological family now asserts a claim on them.

Regardless who the winner is in these situations, the only victim in any such battle is going to the child. Instead of possibility of growing up with two family's, they will now have to give up one of them.

How often we lose that which should have been our main focus all along. The best for the child and what they want.

Enjoyed watching this episode again.

I was reminded of the missed opportunity I'd pictured when the episode first came out:

Why did they not draw some parallels to Worf's upbringing?

I understand wanting to show Picard trying out parenting skills, but there was a clear opportunity to at LEAST mention and use one scene to reflect a comparison to how Worf would have felt had he been challenged to return to Earth/Earth parents, or to Klingon empire when he was that age.

Still a good episode.

Flaws:

* Didn't even mention a strong parallel between the kid and Worf, let alone explore it

* Picard, in Kirk mode, gives the kid back. I think just maybe some experts in trauma and psychological abuse should have looked at the situation instead of Picard coming to an epiphany based on the kid immediately before trying to murder him?

* The possibility that Jono just might be experiencing Stockholm Syndrome, or some other psychological damage, is only barely discussed.

* Jono's living relative is his grandmother, an ADMIRAL in Starfleet. Just maybe she would like to have been consulted before Picard gives her grandson back?

* Chad Allen as Jono is given extremely clunky lines to say.

* Jono playing his obnoxious music really loud. Yes, a teen acting as a teen. But several other annoying bits, like Jono acting like a caged animal when they try to remove his gloves, all the kids squealing for some reason.

* Dreadfully contrived dilemma. Why in the world can't the kid have contact with his human relatives?

This was a very thoughtful episode, and actually made me tear up at the end. I love Star Trek for the Science Fiction plots, not the soap opera in space episodes. TOS Wink of an Eye (where people were sped up so that they sounded like insects), TOS Requiem for Methuselah (where a man aged hundreds of years and never died), TNG Best of Both Worlds, (where you have enemies that are nearly unconquerable and yet hey find a way to defeat them), and the TNG one (what's it called?) where Beverly Crusher ends up alone on the ship after seemingly having crew members vanish one after the other. But for a human drama episode, this was pretty good, and far more interesting than Worf and his son.