As a young lieutenant aboard the Enterprise commits suicide, his shipmates deal with the loss and Deanna deals with feelings surrounding her as she and Worf begin to form a relationship.As a young lieutenant aboard the Enterprise commits suicide, his shipmates deal with the loss and Deanna deals with feelings surrounding her as she and Worf begin to form a relationship.As a young lieutenant aboard the Enterprise commits suicide, his shipmates deal with the loss and Deanna deals with feelings surrounding her as she and Worf begin to form a relationship.
- Director
- Writers
- Stars
- Ensign Marla E. Finn
- (uncredited)
- Starfleet Ensign
- (uncredited)
- Crewman Garvey
- (uncredited)
- Crewman Martinez
- (uncredited)
- Ensign Kellogg
- (uncredited)
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Featured reviews
A great plot Amazing twist
Everything you can ask for a Star trek and a TV épisode 8.5/10.
The solution is pulled from out of no where in this sub-par episode.
The only element of this episode I particularly enjoyed was the new relationship between Troi and Worf. However, like Worf's glimpse into the possibility of such a relationship in an earlier episode (one with MANY different realities), this one turns out to be unreal. Will the pair later become a pair?
Otherwise, I disliked the show because the ending seemed to come out of no where with lots of bizarre elements which make the viewer say 'what?!'. Like the Voltaire song, the "USS Make S&#@ up", the answer seemed contrived and explained with a long bit of exposition.
Below par
"Something terrible must have happened to him. It's not like Dan to take his own life"
By this point in the series some people weren't even trying any more
Dull and slow
A plot worthy of Classic Trek
Where there aren't a whole lot of fire fights nor fist fights, nor "the ship can't take it..." moments, and where there's the usual nonsense of character interaction coming to the fore (Worf and Dianna), the plot actually comes to the fore and takes precedent, as opposed to the subplots taking center stage in previous episodes to offer exposition on character interaction.
Having said that the show continues to offer soft music with an emphasis on synthesizer, horns and violin, and the usual soft lighting to give an "ease of viewing" feel in spite of the menace. And there's the Worf-Troi interaction which ... had it been in the context of the plot would have helped some, but instead is in the context of The Next Generation looking at interpersonal relations. Oh well.
Regrettably the episode ends with a "we got him off screen" moment preceded by a sort of confrontation between the characters involved. So, regrettably the plot ends with a whimper instead of a bang. As per previous reviews ... designed for a broader and younger audience.
Make of that what you will.
Did you know
- TriviaThe first time we see inside of the warp nacelles.
- GoofsWhen Riker and Worf are warned that Kwan might try to commit suicide, they are far enough away to surreptitiously order an emergency beamout without Kwan hearing them, but neither does so.
- Quotes
[last lines]
Lieutenant Worf: Counselor... When I pulled you from the plasma stream, you seemed... surprised I was alive.
Counselor Deanna Troi: Well, actually - in my hallucination, you were killed.
Lieutenant Worf: May I ask by whom?
Counselor Deanna Troi: Well, you know what they say, Mr. Worf: "Hell hath no fury like a woman scorned."
- ConnectionsReferenced in Star Trek: Elite Force II (2003)
- SoundtracksStar Trek: The Next Generation Main Title
Composed by Jerry Goldsmith and Alexander Courage
Details
- Runtime
- 46m
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1






