Nightmare as a Child

Were I giving out TZ Oscars, I'd give one to Janice Rule for her compelling turn as the troubled Helen Foley. And while I'm at it, I'd give a junior-sized one to little Terry Burnham as the sinister 10-year old girl, Markie. Between them, they really grab viewers though nothing much happens except the subtle dialog. Just who is this kid, and how is it she knows so much about the adult Helen and her mother's mysterious death. Overall, it's psychological drama at TZ's most insidious, and more dependent on good acting than most.

I really like that initial staging where little Markie sits on the stairs as if she's just stepped down from above, like from Helen's brain or maybe the Twilight Zone itself. Plus, she's so angelic looking. Could she be Serling's version of the Bad Seed (1956) despite her innocent looks. All in all, it's another first-rate installment from the series's magical first year.

Helen Foley (Janice Rule) meets a little girl who clearly knows a lot about her. Helen is uneasy in the little girl's inquisitive presence. Then an older man called Seldon (Shepherd Strudwick) appears on the scene. Both visitors are concerned with the memory of Helen.

A very psychologically infused episode that would have been harder to figure out at the time. As is the case with many other entries this kind of theme has been done a lot since (and if you think about it there's a TZ a bit like this in series five , but done with a middle- aged adult not a child).

Fairly good but without any gleaming hallmark of TZ greatness.

Janice Rule went on to be a psychoanalyst in the 1970's,as well as continuing her long acting career,but this would hardly qualified her.

This is a little more human episode. Are we dealing with the memories, repressed at childhood, or are we seeing the supernatural at work. Whether the young woman is actually experiencing this or thinking it doesn't matter. It is in her psyche and she must try to come to grips with it. The little girl's presence is certainly eerie, but this is about loneliness and fear and reclamation. The acting performances are quite good and the little girl is better than most. Serling loved to work the the ghosts of people's pasts, but usually it was some thing that they had done and they are now being punished for. This has a little of the lady caught in the bus station. Those observing would say she was on the brink of insanity. The difference comes in; the understanding. A good episode.

The absolute best "Twilight Zone" episodes grab you by the throat straight from the beginning and practically drown you in a pool of mystery and ominousness… "Nightmare as a Child" is such a fantastic episode. Immediately from the very first sequence, when female protagonist Helen Foley comes home to her apartment and meets a little girl sitting on the staircase, you can genuinely sense that the atmosphere is tense and foreboding. There's something peculiar about the girl, who only refers to herself by her nickname Markie. Is she real or just a ghostly appearance? Is she good or bad? Those and other questions remain compellingly vague for a mere 5-10 fascinating. The more experienced thriller/Sci-Fi fanatic then obviously figures out what's going on, but the tale nevertheless remains incredibly tense. Little Markie overwhelms Helen with private observations about herself and asks whether or not she noticed someone earlier that day who looked familiar to her. Shen then receives another unexpected visitor and slowly realizes that Markie attempted to warn her for something. "Nightmare as a Child" is another magnificent TZ-episode, subtly dealing with difficult themes like unprocessed traumas and suppressed memories. Written by Rod Serling himself, the episode is intelligent and original, while the experienced TV-director Alvin Ganzer provides with a continuously sinister ambiance. Janice Rule gives an impressive performance as the insecure and vulnerable damsel-in-distress, but she also gets excellent support from young Terry Burnham as Markie and – especially – from Shepperd Strudwick as the smooth and inconspicuous but mischievous stranger.

I've seen just about every episode of the Twilight Zone, and I can say with relative confidence that this one scared me the most (and still does). Yes, it's pretty obvious what's really going on by the time it's revealed but people who say this is a detriment to the story misunderstand that this is really a suspense story not a mystery. The main source of anxiety on the viewer's part is the question of "when will Helen figure it out? Will it be in time?" The moment of realization for Helen is paired with the scariest cut in Twilight Zone history (in my opinion). The acting is really great and the casting was perfect.