The Mirror
- Episode aired Oct 20, 1961
- TV-PG
- 25m
IMDb RATING
6.5/10
2.8K
YOUR RATING
Central American revolutionary Ramos Clemente receives a gift from General De Cruz, the tyrant that Ramos deposed: a mirror that shows Ramos images of his potential assassins.Central American revolutionary Ramos Clemente receives a gift from General De Cruz, the tyrant that Ramos deposed: a mirror that shows Ramos images of his potential assassins.Central American revolutionary Ramos Clemente receives a gift from General De Cruz, the tyrant that Ramos deposed: a mirror that shows Ramos images of his potential assassins.
Featured reviews
Peter Falk in this episode of the Twilight Zone showed another facet of his talent in playing a Castro like new dictator of an unnamed South American country. The fatigues and beard that Falk wore made him rather unmistakable. Castro is quite a bit taller though.
In any event Falk has led a peasant revolt and he's newly arrived in power and now in the presidential palace he's hearing the ever present sound of firing squad. Sending for his predecessor Will Kulava he wants to do a bit of gloating. Instead Kulava goes bravely to his demise, but not before willing to Falk the mirror in his presidential office which he says will reveal your enemies, real and potential before they strike.
The mirror does show some interesting things to Falk, but as this is the Twilight Zone is it real or is Falk's conscience playing tricks on him.
We never really know, but that's the beauty of this Twilight Zone episode. Very Edgar Allan Poe like, a tell tale heart or a tell tale mirror.
In any event Falk has led a peasant revolt and he's newly arrived in power and now in the presidential palace he's hearing the ever present sound of firing squad. Sending for his predecessor Will Kulava he wants to do a bit of gloating. Instead Kulava goes bravely to his demise, but not before willing to Falk the mirror in his presidential office which he says will reveal your enemies, real and potential before they strike.
The mirror does show some interesting things to Falk, but as this is the Twilight Zone is it real or is Falk's conscience playing tricks on him.
We never really know, but that's the beauty of this Twilight Zone episode. Very Edgar Allan Poe like, a tell tale heart or a tell tale mirror.
This episode reflects reality in so many facets. Who among us hasn't, at one time or another, become our worst enemy. The acting was outstanding. This was by far one of the best episodes. The people who gave this episode a poor review are similar to the main character, in that they are afraid to admit we are our own worst enemy.
There's no suspense. It's another one of those stories where the absolute power corrupts. Castro (or whomever) is given a chance to correct the evils of his predecessor. Of course, he betrays everyone. He has a magic mirror that shows people betraying him and he strikes out at them. It turns out that the mirror is a means to an end that was already there. He is paranoid from day one and begins to insulate himself immediately. He is harsh and a pure jerk within minutes of taking power. The sad thing is that the episode is so doggone dull that it goes nowhere and has no insights for us. One of Serling's weakest outings. Peter Falk is OK but he has nothing to work with.
I had long heard about the "Fidel Castro episode" of TWILIGHT ZONE, and finally watched it last night. Yes, it is a bit heavy-handed, but I still enjoyed it. Peter Falk was always a likable actor, and he is very effective as the maniacal dictator. The setting of the Baroque hall in which the entire episode takes place is realistic and effective, resembling the colonial architecture you often find in Latin America. You can practically feel the tropical heat, the sand and the grime. In addition, it was a pleasant surprise to see Will Kuluva (with whom I was previously familiar as "Mr. Ferguson" in the hour-long episode "The New Exhibit") as the outgoing leader of the country. Kuluva had a fine speaking voice and presence. The episode has a notable musical score - surprisingly including a harpsichord, suggestive of a crumbling Baroque façade.
Some other reviewers here feel that the appearance and accents of Clemente's henchmen reflected negative caricatures of Latinos. The actors appear to have been a mix of Italians, Greeks, Jews and one Hispanic. I found their portrayals above all to be a caricature of unkempt militant leftist types. "Latino" did not exist as a racial category in 1961; these were "Latin Americans." Audiences were not ethnically and racially hypersensitive back then, as today.
I do think Serling missed an opportunity with the priest character. Priests, in addition to moral authorities, are also agents of mercy and forgiveness. It would have been not only effective writing but obligatory pastoral practice for the priest to try to lead Clemente to repentance and confession - and explicitly to invoke God! - before he killed himself. The priest seems little more than a "preachy" plot mechanism.
On a final note, I am happy to see that Rod Serling was a liberal in the classic sense and was anti-communist, indeed anti-tyranny of any kind.
Some other reviewers here feel that the appearance and accents of Clemente's henchmen reflected negative caricatures of Latinos. The actors appear to have been a mix of Italians, Greeks, Jews and one Hispanic. I found their portrayals above all to be a caricature of unkempt militant leftist types. "Latino" did not exist as a racial category in 1961; these were "Latin Americans." Audiences were not ethnically and racially hypersensitive back then, as today.
I do think Serling missed an opportunity with the priest character. Priests, in addition to moral authorities, are also agents of mercy and forgiveness. It would have been not only effective writing but obligatory pastoral practice for the priest to try to lead Clemente to repentance and confession - and explicitly to invoke God! - before he killed himself. The priest seems little more than a "preachy" plot mechanism.
On a final note, I am happy to see that Rod Serling was a liberal in the classic sense and was anti-communist, indeed anti-tyranny of any kind.
When the peasant Ramos Clemente (Peter Falk) leads a successful revolution in his undefined country, the former dictator General De Cruz (Will Kuluva) advises that his mirror is magic and can anticipate who will murder him. Clement becomes paranoid and kills each one of his revolutionary comrades believing that they want to murder him.
"The Mirror" is a predictable episode based on the paranoid behavior of a man unprepared to lead a nation. The despicable analogy to the charismatic leader Fidel Castro and the Cuban revolution is not a subtle, but a direct message; but the story of the corruption of the absolute power of a tyrant is reasonable. My vote is six.
Title (Brazil): "O Espelho" ("The Mirror")
Note: On 13 July 2023, I saw this episode again.
"The Mirror" is a predictable episode based on the paranoid behavior of a man unprepared to lead a nation. The despicable analogy to the charismatic leader Fidel Castro and the Cuban revolution is not a subtle, but a direct message; but the story of the corruption of the absolute power of a tyrant is reasonable. My vote is six.
Title (Brazil): "O Espelho" ("The Mirror")
Note: On 13 July 2023, I saw this episode again.
Did you know
- TriviaLeaders mentioned in the episode:
- Rafael Trujillo - Dominican Republic
- Fidel Castro - Cuba
- Fulgencio Batista - Fidel's Predecessor
- Quotes
Ramos Clemente: I want to know, why do I have so many enemies?
Father Tomas: It is the story of all tyrants, General. They have but one real enemy, and this is the one they never recognize... until too late.
- ConnectionsFeatured in Twilight-Tober-Zone: The Mirror (2022)
Details
- Runtime
- 25m
- Color
- Aspect ratio
- 1.33 : 1
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