Kaoru has a sickness that hindered her to go out when the sun is up. Despite this sickness, she fell in love with a boy named Koji. If she decides to pursue her love, it will mean risking he... Read allKaoru has a sickness that hindered her to go out when the sun is up. Despite this sickness, she fell in love with a boy named Koji. If she decides to pursue her love, it will mean risking her life.Kaoru has a sickness that hindered her to go out when the sun is up. Despite this sickness, she fell in love with a boy named Koji. If she decides to pursue her love, it will mean risking her life.
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I'm a sucker for romances of such nature, and I thought romances usually fall broadly under two categories - one bearing films like Midnight Sun, and the other being romantic comedies. It's a sweet love story between a busker with a great voice, and an unskilled surfer dude. It's a tale about a love with an end date put on it, and it makes you wonder if it's only with an end in sight, that you try and make the most our of everything, rather than to waste time and take things for granted.
Japanese singer Yui plays Kaoru, a girl inflicted with a rare disorder, which makes her nocturnal. She cannot go out in the sun as the UV rays will wreck havoc on her skin and kill her, and so, from birth, has been kept indoors most of the time, and let out an night to allow her to do what she loves most - busking at a secluded corner at her neighbourhood. She has a crush on Koji (Takashi Tsukamoto), a surfer dude, an average guy with an average life. Each night, she observes him, without his knowledge, from her bedroom window, until one day when she picks up enough courage to make the first move.
Welcome to the world of Japanese romance movies once again, where beautiful cinematic shots are used to enhance locales and make them so integral in the story. Where love is saccharine sweet, and the leads oh-so-beautiful. The songs too, written and sung by Yuri, grows on you, and I won't be surprised if the soundtrack for the movie is selling like hot cakes.
What I thought raised the movie to a different level, is how parents are involved. Usually, in most romances, the parents are out of the picture. Here, they are so very much part of the entire set up, and while they do take the backseat at times, there're scenes dedicated just for the parents, and especially the father figure. It's always especially painful to see your child suffer under an incurable disease, and as a parent, incapable of lifting a finger to help, because you just can't, definitely hurts. Here, the melodrama works full steam, but I thought it was a nice touch to be inclusive of those who always provide unconditional love - parent to child.
Clocking at two hours, the initial pacing is a bit slow when establishing characters and premise, but once that's done, the movie's a breeze. It's an excellent date movie, so guys, take your lady love to this movie, and of course, Yui is opportunity for you to ogle ;-) Remember to bring those tissues!
Japanese singer Yui plays Kaoru, a girl inflicted with a rare disorder, which makes her nocturnal. She cannot go out in the sun as the UV rays will wreck havoc on her skin and kill her, and so, from birth, has been kept indoors most of the time, and let out an night to allow her to do what she loves most - busking at a secluded corner at her neighbourhood. She has a crush on Koji (Takashi Tsukamoto), a surfer dude, an average guy with an average life. Each night, she observes him, without his knowledge, from her bedroom window, until one day when she picks up enough courage to make the first move.
Welcome to the world of Japanese romance movies once again, where beautiful cinematic shots are used to enhance locales and make them so integral in the story. Where love is saccharine sweet, and the leads oh-so-beautiful. The songs too, written and sung by Yuri, grows on you, and I won't be surprised if the soundtrack for the movie is selling like hot cakes.
What I thought raised the movie to a different level, is how parents are involved. Usually, in most romances, the parents are out of the picture. Here, they are so very much part of the entire set up, and while they do take the backseat at times, there're scenes dedicated just for the parents, and especially the father figure. It's always especially painful to see your child suffer under an incurable disease, and as a parent, incapable of lifting a finger to help, because you just can't, definitely hurts. Here, the melodrama works full steam, but I thought it was a nice touch to be inclusive of those who always provide unconditional love - parent to child.
Clocking at two hours, the initial pacing is a bit slow when establishing characters and premise, but once that's done, the movie's a breeze. It's an excellent date movie, so guys, take your lady love to this movie, and of course, Yui is opportunity for you to ogle ;-) Remember to bring those tissues!
This is a story about Kaoru (the pretty and talented actress Yui), a 16 year old girl who lives with her parents and has the condition XP, which means she could die if she is exposed to sunlight. So, every evening she goes to town square and plays songs on her guitar. Also, she watches fellow teen Koji from her window, becoming interested in him. This story is about her dealing with the illness and the relationship between her and Koji. To be sure, there are other films like this (like "A Walk To Remember"), but the film is shot with much care for its surroundings. Also, the supporting cast is good, which makes the film more compelling. Of course its somewhat sad but its also sweet. Its obviously not for everyone but its good, with the actress Yui especially being very believable in the role of Kaoru.
Midnight Sun is a film I looked high and low for; hoping that my time spent would be well worth it. Midnight Sun will no doubt bring to mind films like A Walk to Remember, and considering there are a number of features out there that depict couples where one of them is gravely ill, the film does indeed have a sense of predictability. Despite this, it is cute, inspiring, youthful and tender, and though there are sadder films of a similar nature out there (I'm looking at you A Millionaire's First Love), this film is still capable of making you shed a tear (or ten).
Kaoru (Yui) is a teenage girl whose main connection with the outside world is her window. She sits and stares by day at the lives of those outside, unable to join them because of a rare genetic disorder that makes a case of bad sunburn the least of her worries. The feature packs in enough information about her condition to help us understand its severity, and makes Kaoru even more sympathetic.
The relationship Kaoru has with her parents (played by Goro Kihitani and Kuniko Asagi) is a distant one, not least because of their peripheral role. This is a shame considering how entertaining they are. By day, her parents work, and even when they are home, Kaoru feels some resentment, for being denied the same opportunities as her peers, while also treating them like her best friends (which may remind viewers of the Korean film ...ing).
Though her friend Misaki (Airi Toriyama) stops by often to talk about school, Kaoru's main joy is the night, when she can go out and busk, Yui's vocal and guitar skills been an incredible joy to watch. Though both she and Jamie Sullivan are ill and musically talented, the resemblance ends there, Kaoru longing not only for normality, but for love.
Every day, Koji (Takashi Tsukamoto) a teenage boy, walks by Kaoru's window, his life, regardless of how plain he modestly makes it seem, filling her with a deep desire to meet him. Though stuck at home for most of her life, Kaoru demonstrates how confident she is when she chases after him one evening when they happen to meet, resulting in an awkwardly cute and enjoyably humorous moment. Her lack of experience talking with boys makes for a bad first impression, though it's clear when they meet again that Koji has been smitten.
Despite her condition, Kaoru maintains a healthy degree of confidence, she and Koji inspiring one another to see each other's talents. Though the leads are young, there is no denying their acting chops in this coming of age film about identity, sacrifice, love and maturity. Though the audience is constantly aware of Kaoru's condition, the film does not burden us with constant reminders, instead allowing the love story to blossom, while Kaoru's battle slowly becomes the highlight of the narrative.
Themes like jealousy, cynicism or rage are not present, the film, despite its content, focusing more on beauty than anything else, which makes for an enjoyable two hours. Music plays a strong role in the film, and when not been serenaded by Yui's voice, the strings of violins are being plucked to create an emotional score that fits perfectly with the drama.
Though I could add the film does little in the way of making new content, considering we are all well versed in the story of boy meets girl; boy falls for girl; boy finds girl is sick, Midnight Sun does this in such a way that the familiar story still feels fresh and entertaining. Perhaps sometime next year the film will get the extra attention it deserves with the arrival of the American remake.
Kaoru (Yui) is a teenage girl whose main connection with the outside world is her window. She sits and stares by day at the lives of those outside, unable to join them because of a rare genetic disorder that makes a case of bad sunburn the least of her worries. The feature packs in enough information about her condition to help us understand its severity, and makes Kaoru even more sympathetic.
The relationship Kaoru has with her parents (played by Goro Kihitani and Kuniko Asagi) is a distant one, not least because of their peripheral role. This is a shame considering how entertaining they are. By day, her parents work, and even when they are home, Kaoru feels some resentment, for being denied the same opportunities as her peers, while also treating them like her best friends (which may remind viewers of the Korean film ...ing).
Though her friend Misaki (Airi Toriyama) stops by often to talk about school, Kaoru's main joy is the night, when she can go out and busk, Yui's vocal and guitar skills been an incredible joy to watch. Though both she and Jamie Sullivan are ill and musically talented, the resemblance ends there, Kaoru longing not only for normality, but for love.
Every day, Koji (Takashi Tsukamoto) a teenage boy, walks by Kaoru's window, his life, regardless of how plain he modestly makes it seem, filling her with a deep desire to meet him. Though stuck at home for most of her life, Kaoru demonstrates how confident she is when she chases after him one evening when they happen to meet, resulting in an awkwardly cute and enjoyably humorous moment. Her lack of experience talking with boys makes for a bad first impression, though it's clear when they meet again that Koji has been smitten.
Despite her condition, Kaoru maintains a healthy degree of confidence, she and Koji inspiring one another to see each other's talents. Though the leads are young, there is no denying their acting chops in this coming of age film about identity, sacrifice, love and maturity. Though the audience is constantly aware of Kaoru's condition, the film does not burden us with constant reminders, instead allowing the love story to blossom, while Kaoru's battle slowly becomes the highlight of the narrative.
Themes like jealousy, cynicism or rage are not present, the film, despite its content, focusing more on beauty than anything else, which makes for an enjoyable two hours. Music plays a strong role in the film, and when not been serenaded by Yui's voice, the strings of violins are being plucked to create an emotional score that fits perfectly with the drama.
Though I could add the film does little in the way of making new content, considering we are all well versed in the story of boy meets girl; boy falls for girl; boy finds girl is sick, Midnight Sun does this in such a way that the familiar story still feels fresh and entertaining. Perhaps sometime next year the film will get the extra attention it deserves with the arrival of the American remake.
So I watched the American remake about two years ago, but recently I've been getting into a lot of Asian films. I found this movie and quickly realized that this was the original version. I enjoyed this version a lot more because it had a lot of more details and it was just overall more enjoyable, there was more to the story and characters, they had a lot more personality. I recommend this movie 100% it's wholesome but very sad.
VERY GOOD. Touching, captivating, and affecting film. It is an oriental style romantic drama of that kind that presents an obstacle to make the protagonist's love relationship more difficult and further favor the construction of the plot. That is the search for an impossible love. Oriental films are, for the most part, interesting, as they escape a little bit from that kind of usual narrative found in Hollywood or Western films. I've seen a lot of them and I liked just about everyone. I liked the story and the characters that are beautiful, friendly, and fun. The sung songs are cool and the soundtrack is appropriate for the context. I recommend it to anyone who likes romantic dramas. This film will not disappoint you.
Did you know
- TriviaMidnight Sun (2018) is an American remake of this Japanese movie.
- ConnectionsRemade as Midnight Sun (2018)
- How long is Midnight Sun?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Una canción para el sol
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- See more company credits at IMDbPro
Box office
- Gross worldwide
- $7,634,058
- Runtime
- 1h 59m(119 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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