Midnight Sun

"Midnight Sun" 2006 Japan

Viewed: July 25, 2007

***.5 Very Good

This film falls into the category of "pure love", which is all the rage, now in Japan. Though the film lacks some realism and details, it is emotionally convincing. A 16 year old girl in Japan has a rare disease where exposure to sunlight can prove fatal. "Midnight Sun" is both a family drama and adolescent romance. The film moves at a very leisurely pace. I was impressed with this film, though not perfect, gets all the emotions right. Plenty of time is allowed for character development and story. The sense of isolation of the girl is quickly established. Unusual for the genre of adolescent romance, we see the involvement of the parents. The director is in touch with real feelings and situations and knows how to express them in a natural way. I felt early on in the film, it would be unique and special.

The leading character role is played by a real life musician. This is Japan, so parts of the song lyrics will not quite make sense, but somehow feel right for the individual expressing them.

Emotionally, the film succeeds very well, expressing the melancholy and isolation of the girl. The parents and best friend character are well written and acted. The use of humor is effective and helps to balance the film from becoming too sad. Near the end, the film takes a narrative leap, perhaps to save time, but I felt this weakened the film a little.

If you're a romantic and feeling based person, you will definitely enjoy this film. I know some will be cynical to this film, which is all about characters, situations and emotions, and lacks a little in realistic details. Overall, this film is better than usual for an adolescent romance-family drama story. I took this film seriously, because it realistically expresses the characters, situations and emotions. Recommended for romantic at hearts of all ages.

Overall I thought that the cinematography stole the show. The story is very moving if you allow yourself to get drawn into it; though I should say I watched it in two sittings and I imagine many will find it too much of a drag to watch all at once.

I thought that the father's part made it quite interesting and elevated is above TV movie status. There is a nice balance between the older/younger perspectives which gives the film some much needed depth. Sometimes this was rather laboured (the beach scene near the end) and sometimes it worked perfectly (when he was talking with the doctor).

I'm not sure what the target audience is, it seems to be a vehicle for YUI but the incidental music is a lot better than her songs!

Rating: 9.5 (rounded up to 10) In a film industry full of similar "sick girl" films, there was a certain something to Taiyou no Uta (Midnight Sun) that made me come back to it again and again. That little something, as I discovered, turned out to be the rare, extra dosage of realism the movie brings to audiences.

Films with so many conflicting emotions tend to feel cheapened out by the conclusion, whether it's because the director chooses to purposely ignore or skip through vital elements of the movie or by introducing a deus ex machina. Thankfully, Taiyou no Uta does neither. Circumstances and how the plot is executed feel remarkably genuine, as is most of the acting. For example, the director chooses to provide the parents of the lead actress with prominent roles; rare but all the more believable. Dialogue between lead actress and lead actor are also convincing, and most importantly, nothing feels rushed.

If any film could be said to be dependent on 1 actor/actress, Taiyou no Uta would be a strong contender. That's not to say the other actors can be disregarded, in fact one might even contend Takashi Tsukamoto and Goro Kishitani as Koji Fujishiro and Kaoru's father, respectively, did a better job than YUI as Kaoru Amane. However, YUI simply overshadows them with her sheer talent as a musician.

YUI, a real-life artist, plays her role convincingly, especially so for a debut actress. However where she truly shines is when she sings. Watching her pour out her heart singing whilst playing a guitar (or without one later in the movie) is a sight hard to tear your eyes off of, and was, at least for me, the most memorable scenes in the movie. In a way, Taiyou no Uta without YUI would be similar to Superman without Christopher Reeves: imaginable, but surely worse off.

Despite the film's slow pacing at the beginning, the film feels much shorter than the listed 2 hours. In an almost irrevocable way, the movie draws you in and builds up for the tear-jerking finish. Thankfully, the film lacks the surplus of melodramatics so often used to finish movies such as this. The movie concludes surprisingly quick, but simply and bittersweet - a heartfelt emotion, and all the more surprising that such a simple ending could cause so many emotions.

All in all, a recommended film primarily for romantics, but I daresay anyone from any demographic would enjoy it. Watch this film for a breath of fresh air, and remember if you're the sentimentalist, to bring along a box (or boxes) of tissue.

So I watched the American remake about two years ago, but recently I've been getting into a lot of Asian films. I found this movie and quickly realized that this was the original version. I enjoyed this version a lot more because it had a lot of more details and it was just overall more enjoyable, there was more to the story and characters, they had a lot more personality. I recommend this movie 100% it's wholesome but very sad.

I'm a sucker for romances of such nature, and I thought romances usually fall broadly under two categories - one bearing films like Midnight Sun, and the other being romantic comedies. It's a sweet love story between a busker with a great voice, and an unskilled surfer dude. It's a tale about a love with an end date put on it, and it makes you wonder if it's only with an end in sight, that you try and make the most our of everything, rather than to waste time and take things for granted.

Japanese singer Yui plays Kaoru, a girl inflicted with a rare disorder, which makes her nocturnal. She cannot go out in the sun as the UV rays will wreck havoc on her skin and kill her, and so, from birth, has been kept indoors most of the time, and let out an night to allow her to do what she loves most - busking at a secluded corner at her neighbourhood. She has a crush on Koji (Takashi Tsukamoto), a surfer dude, an average guy with an average life. Each night, she observes him, without his knowledge, from her bedroom window, until one day when she picks up enough courage to make the first move.

Welcome to the world of Japanese romance movies once again, where beautiful cinematic shots are used to enhance locales and make them so integral in the story. Where love is saccharine sweet, and the leads oh-so-beautiful. The songs too, written and sung by Yuri, grows on you, and I won't be surprised if the soundtrack for the movie is selling like hot cakes.

What I thought raised the movie to a different level, is how parents are involved. Usually, in most romances, the parents are out of the picture. Here, they are so very much part of the entire set up, and while they do take the backseat at times, there're scenes dedicated just for the parents, and especially the father figure. It's always especially painful to see your child suffer under an incurable disease, and as a parent, incapable of lifting a finger to help, because you just can't, definitely hurts. Here, the melodrama works full steam, but I thought it was a nice touch to be inclusive of those who always provide unconditional love - parent to child.

Clocking at two hours, the initial pacing is a bit slow when establishing characters and premise, but once that's done, the movie's a breeze. It's an excellent date movie, so guys, take your lady love to this movie, and of course, Yui is opportunity for you to ogle ;-) Remember to bring those tissues!