Japan, 250 years ago. Soetsu is a moneylender who is killed by the cruel samurai Shinzaemon. His body is dumped in the Kasenega-Fuchi river. According to legend, all who drown in the river w... Read allJapan, 250 years ago. Soetsu is a moneylender who is killed by the cruel samurai Shinzaemon. His body is dumped in the Kasenega-Fuchi river. According to legend, all who drown in the river will never surface again. 20 Years later, Shinkichi, the handsome son of Shinzaemon, coinci... Read allJapan, 250 years ago. Soetsu is a moneylender who is killed by the cruel samurai Shinzaemon. His body is dumped in the Kasenega-Fuchi river. According to legend, all who drown in the river will never surface again. 20 Years later, Shinkichi, the handsome son of Shinzaemon, coincidentally meets Toyoshiga, the daughter of Soetsu. They fall in love. It is a doomed love, ... Read all
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Both Shinkichi and Oshiga are deeply flawed characters, and the story between them is well developed. It genuinely feels like a ghost story from another era, yet still manages to be unsettling. The atmosphere and emotional weight linger long after the film ends.
Review written by artist jayakumar jrain.
"Kaidan" is an homage to the classical romantic horror stories that Japanese studios produced in the fifties and sixties. It begins with an elaborated black and white narration, that tells an old samurai/ghost tale in a classical Japanese Kabuki style. But soon after this beautiful introduction, the actual story really starts, ans if almost as if all this introductory sequence had took all the talent of Nakata. It mostly deals with a young itinerant salesman, that convinces an older singing teacher to marry him, in the medieval Japan where such a socially disturbing weeding like this one wasn't easy. When she dies, women easily felt in love with the young boy, whereas his love is doomed by his previous wife...
The story is so classical that it becomes boring and predictable. The photography is just plain and gives a televisual look to the movie (whereas Shimizu gave an amazing visual touch to his one), and the direction is quite the same : unoriginal and even sometimes lazy (whereas Kurosawa used a very inventive use of space in in movie, and a very inventive direction).
But to me, the worst element of this movie might be the lead actor, Kikunosuke Onoe, who's supposedly a charismatic character in the movie. But he's really got a enormous lack of charisma and never manage to give any credibility or substance to to his character and the story he carries. He's supposedly a master of a old Kabuki technique, but he apparently failed to transpose it on the big screen. Or I may have lacked the culture the subtility of his play required. Anyway, I just found it quite boring, and nearly felt asleep while watching his Kabuki plays.
All in all, "J-Horror" isn't a really good introduction to the Japanese modern ghosts movies. If the directors are all good, their works here look a lot like a repetition of their previous movies, that were far better. So Shimizu's "Grudge", Kurosawa's "Kairo" and Nakata's "Ring" still stay the best of the Jap'Horror movie collection.
The story begins unusually. There is a prologue but it's presented like a play--with obvious sets and a narrator. The tale involves a money lender who is viciously murdered by a samurai in order to avoid repaying an honest debt. As the man dies, he curses the man--saying that his child will one day exact revenge on the murderer's family. Believe it or not, none of this is actually needed for the film. When the murderer's son is eventually accorded his fate, it really is NOT because of his father's sins but his own, as Shinkichi is an evil and selfish man in his own right. Plus, he ends up destroying the daughter of the man his father murdered--and for this and his subsequent actions, he really deserved EVERYTHING he deserved. But, enjoyable as it was, it sure took a long time to get to this point. Very stylish, very beautiful but also too many things that got in the way of point A and point B. Good but flawed.
I can still say that I was really a fan of the movie its look and style. It's really a beautiful looking movie, that at times picks a more surreal look, which enhances the movie its atmosphere. Most of its money and efforts really went into its visuals but I had only wished they had tried to spice up the story a bit more, instead.
The movie really didn't had a very engaging story in it and it seemed to be all over the place at times. It besides just isn't a very exciting story, since you're constantly waiting for something good or interesting to happen. Sometimes there does but overall it's far too little to make this movie stand out.
Perhaps director Hideo Nakata was simply trying too hard, by putting in far too many different movie elements and genres together. He needs a good movie again desperately, since his last few movies haven't been received too well, though I'm sure he still has plenty of credit left with movies such as the original "Ringu" and "Honogurai mizu no soko kara" under his belt.
6/10
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Did you know
- TriviaThough not originally released as part of the J-Horror Theater film series, this film was eventually included as the fifth installment of the anthology. Previous releases include Infection (2004), Premonition (2004), Reincarnation (2006), and Retribution (2007).
- ConnectionsFollowed by The Sylvian Experiments (2010)
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- J-Horror Theater Vol. 5
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $5,000,000 (estimated)
- Gross worldwide
- $3,646,201
- Runtime
- 1h 55m(115 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1