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In this documentary, the show's emcee, Vince Vaughn, and four stand-up comedians hand-picked by Vaughn, travel the country and perform in 30 cities. This film documents the interactions on a... Read allIn this documentary, the show's emcee, Vince Vaughn, and four stand-up comedians hand-picked by Vaughn, travel the country and perform in 30 cities. This film documents the interactions on and off stage along the way.In this documentary, the show's emcee, Vince Vaughn, and four stand-up comedians hand-picked by Vaughn, travel the country and perform in 30 cities. This film documents the interactions on and off stage along the way.
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In Vince Vaughn's Wild West Comedy Show: 30 Days & 30 NightsHollywood to the Heartland, if the four relatively unknown comics (a "Guido," an Ohio rube, an Arab, and a non-descript guy) accompanying Vaughn on a 30 day tour of 30 cities had been better, the documentary would have been better as well. Sadly this tepid montage of the trip is rarely funny, rarely imaginative, although the infectious good will of Vaughn saves it from total banality.
Jerry Seinfeld's Comedian (2002) and the arch Aristocrats (2005) have far more humorous moments while also revealing the humanity of the performers. Vaughn tries with limited success to show the heart of the comics between acts, but, alas, not one is interesting enough to have more than a beer with.
As with most of these documentaries, there are only snippets of the acts and then cutting to another performer or a personal note. Thus, we can never understand fully why a comedian will or will not make the big time. One thing I do know, this January graveyard toss off will not make it big time. I'll ask you in December if you think it should be nominated for best documentary; you'll haveto research it on IMDb to remember.
Jerry Seinfeld's Comedian (2002) and the arch Aristocrats (2005) have far more humorous moments while also revealing the humanity of the performers. Vaughn tries with limited success to show the heart of the comics between acts, but, alas, not one is interesting enough to have more than a beer with.
As with most of these documentaries, there are only snippets of the acts and then cutting to another performer or a personal note. Thus, we can never understand fully why a comedian will or will not make the big time. One thing I do know, this January graveyard toss off will not make it big time. I'll ask you in December if you think it should be nominated for best documentary; you'll haveto research it on IMDb to remember.
In 2005, Vince Vaughn organizes a traveling road show starting from Hollywood. They would do 30 shows in 30 cities traveling across the country. He is joined by friends Jon Favreau, Justin Long and several standup comics. Along the way, there are special guests like Dwight Yoakam and Peter Billingsley.
The comedians aren't that funny. They've got a few lines but they aren't that funny. It would help for their personal stories if I like their sets more. It's nice to see Yoakam play and Peter Billingsley talk about his early friendship during the filming an anti-steroid abuse PSA. The behind the scenes stuff is more compelling. The self-doubt is interesting. Vince comes off as a nice friendly guy. There isn't enough on the humorous side but it does come with a side of humanity.
The comedians aren't that funny. They've got a few lines but they aren't that funny. It would help for their personal stories if I like their sets more. It's nice to see Yoakam play and Peter Billingsley talk about his early friendship during the filming an anti-steroid abuse PSA. The behind the scenes stuff is more compelling. The self-doubt is interesting. Vince comes off as a nice friendly guy. There isn't enough on the humorous side but it does come with a side of humanity.
It seems as though a lot of people were expecting a comedy show, as opposed to a documentary on a comedy show. Its a shame they have to pan the film for not dazzling them with humor, when it has so much more to offer. I find the filmmaker's choices and the honesty of those on camera riveting (i.e. insecurity, heckling, bad jokes, good jokes, grateful to ungracious and back again) Maybe I wouldn't have enjoyed the show in person (on an off night), but I truly enjoyed the evolution of the show from Vince's eyes. I want to make love to him. A similar film is THE COMEDIAN, being in show business I find the material incredibly compelling, those of you who like sports or Larry the Cable Guy obviously, it wouldn't be for you. Interestingly there were no women on the crew or in the show . . . hmmmmm
In 2005, actor Vince Vaughn gathered together a handful of comedians from The Comedy Store in Hollywood - Ahmed Ahmed, John Caparulo, Bret Ernst and Sebastian Maniscalco - built an extended stand-up show around their acts, then took it on the road for a 30-city-in-30-day whirlwind tour across the United States, starting in Los Angeles and ending in Chicago, with 28 stops in between. Vaughn also brought a few documentary filmmakers along for the ride, the result being "Vince Vaughn's Wild West Comedy Show," an at best fair-to-middling account of that event.
Some of the backstage stuff is of moderate interest - particularly the comics offering a free show to some Hurricane Katrina refugees and Ernst's touching reflections on his older brother who died of AIDS. But one can only hope that we're not being treated to the best of the on-stage material here. For if truth be told, there aren't nearly as many laughs to be gleaned from these performances as one might expect given the caliber of talent involved. At best, the routines elicit a few hearty chuckles, along with a surprising number of humor-deprived dead spots. The behind-the-scenes activities are marginally more entertaining (the interviews with the boys' families are sometimes quite informative and amusing), but the movie doesn't provide nearly the depth of insight into the world of standup comedy that, say, Jerry Seinfeld's "Comedian" did a few years back.
Still the guys in the group are likable enough and their camaraderie ultimately becomes infectious, earning the movie at least a lukewarm recommendation, especially for devotees of the subject.
Some of the backstage stuff is of moderate interest - particularly the comics offering a free show to some Hurricane Katrina refugees and Ernst's touching reflections on his older brother who died of AIDS. But one can only hope that we're not being treated to the best of the on-stage material here. For if truth be told, there aren't nearly as many laughs to be gleaned from these performances as one might expect given the caliber of talent involved. At best, the routines elicit a few hearty chuckles, along with a surprising number of humor-deprived dead spots. The behind-the-scenes activities are marginally more entertaining (the interviews with the boys' families are sometimes quite informative and amusing), but the movie doesn't provide nearly the depth of insight into the world of standup comedy that, say, Jerry Seinfeld's "Comedian" did a few years back.
Still the guys in the group are likable enough and their camaraderie ultimately becomes infectious, earning the movie at least a lukewarm recommendation, especially for devotees of the subject.
Greetings again from the darkness. Not a bad idea from producers and best buds Vince Vaughn and Peter Billingsley. A documentary road trip with four comedians doing 30 shows in 30 cities over 30 days sets the stage for a wide range of emotions and activity. The first misstep was going with four mostly unknown comedians. Because of this, the movie really needs to help us get to know them ... which we just barely do.
The second misstep was that the actual stand-up was sparse and frankly, just not that funny. The back-stage stuff proved much better. I was actually kind of let down when the acts were performing.
Because there were so many cities, we really never get a flavor of any one particular town, although Buck Owens in Bakersfield was kind of cool. Sadly we get more shots of Billingsley sleeping than we do much interaction offstage between the comics. The side trip during Hurricane Katrina could have been much better.
Vince Vaughn is a very charismatic and talented guy so that gives the film a slight edge over what it probably deserves. The reality is that most of these guys just aren't very funny onstage and come across here as a bit sad off-stage.
The second misstep was that the actual stand-up was sparse and frankly, just not that funny. The back-stage stuff proved much better. I was actually kind of let down when the acts were performing.
Because there were so many cities, we really never get a flavor of any one particular town, although Buck Owens in Bakersfield was kind of cool. Sadly we get more shots of Billingsley sleeping than we do much interaction offstage between the comics. The side trip during Hurricane Katrina could have been much better.
Vince Vaughn is a very charismatic and talented guy so that gives the film a slight edge over what it probably deserves. The reality is that most of these guys just aren't very funny onstage and come across here as a bit sad off-stage.
Did you know
- Quotes
Sebastian Maniscalco: One day your name is up in lights and the next day it's on a nametag.
- ConnectionsFeatured in HBO First Look: Vince Vaughn's Wild West Comedy Show (2008)
- SoundtracksToo Much
Written by Bernard Weinman & Lee Rosenberg
Performed by Elvis Presley
Courtesy of SONY BMG Strategic Marketing Group/RCA Records Label
By Arrangement with Sony BMG Music Entertainment
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Vince Vaughn's Wild West Comedy Show: 30 Days & 30 Nights - Hollywood to the Heartland
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $603,894
- Opening weekend US & Canada
- $464,170
- Feb 10, 2008
- Gross worldwide
- $603,894
- Runtime
- 1h 40m(100 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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