Wild West Comedy Show: 30 Days & 30 Nights - Hollywood to the Heartland

I just got back from a free preview of this movie at school and I thoroughly enjoyed it. I was laughing almost the whole time. Listening to them talk about themselves and each other helped to gain an insight to the tour. Also, being able to hear their back stories helped to understand where their material came from. After the viewing, Bret Ernst came out for a Q&A with the audience and he's a great guy. He's very humble about this movie and what it's doing for not only his career, but for the career of the rest of the guys on the tour. I would highly recommend this movie to anyone who wants to laugh. This isn't a straight up comedy movie, but a documentary about the tour with parts of the tour mixed in. It's a funny movie with heart that shows what these guys go through to entertain us to make us laugh.

This movie should be a stand-up concert film, but for some reason its a road movie instead. The comedians are funny when you do get to see them on stage, but most of the movie is spent looking at a "Raiders of the Lost Ark" map trace the trip across America, cut with footage of the tour bus and then an audience laughing. Insert a cliché song about the city we're about to visit. They pad the movie out with a last minute Katrina benefit show, which seemed kind of melodramatic (especially for a comedy). Vince Vaughn even shows up on occasion throughout the film to show us his range of talent (see wedding crashers...NOT!). The money shot is definitely Vince and his friend Peter Bilingsley acting out their parts from a steroids after-school special.

Although I tried to forget it, I remember actually paying to see this when it was first released. I also remember thinking to myself..."Maybe Vince actually got his hands on some pretty funny talent. THis looks like it could be fun!" Absolutely not. Worst assumption I could've possibly made was thinking this was actually going to be a "funny" experience for me. I hardly remembered the dragged out jokes that were in this film until i tried viewing it again the other night. I figured that maybe, just maybe i missed something the first time and since i was in the comfort of home it'd be a little better the next go around, but yet again...with another bad assumption I was WRONG. Save your time...save your money...because this film represents and is all that is wrong with the words: NOT FUNNY.

Greetings again from the darkness. Not a bad idea from producers and best buds Vince Vaughn and Peter Billingsley. A documentary road trip with four comedians doing 30 shows in 30 cities over 30 days sets the stage for a wide range of emotions and activity. The first misstep was going with four mostly unknown comedians. Because of this, the movie really needs to help us get to know them ... which we just barely do.

The second misstep was that the actual stand-up was sparse and frankly, just not that funny. The back-stage stuff proved much better. I was actually kind of let down when the acts were performing.

Because there were so many cities, we really never get a flavor of any one particular town, although Buck Owens in Bakersfield was kind of cool. Sadly we get more shots of Billingsley sleeping than we do much interaction offstage between the comics. The side trip during Hurricane Katrina could have been much better.

Vince Vaughn is a very charismatic and talented guy so that gives the film a slight edge over what it probably deserves. The reality is that most of these guys just aren't very funny onstage and come across here as a bit sad off-stage.

In Vince Vaughn's Wild West Comedy Show: 30 Days & 30 Nights—Hollywood to the Heartland, if the four relatively unknown comics (a "Guido," an Ohio rube, an Arab, and a non-descript guy) accompanying Vaughn on a 30 day tour of 30 cities had been better, the documentary would have been better as well. Sadly this tepid montage of the trip is rarely funny, rarely imaginative, although the infectious good will of Vaughn saves it from total banality.

Jerry Seinfeld's Comedian (2002) and the arch Aristocrats (2005) have far more humorous moments while also revealing the humanity of the performers. Vaughn tries with limited success to show the heart of the comics between acts, but, alas, not one is interesting enough to have more than a beer with.

As with most of these documentaries, there are only snippets of the acts and then cutting to another performer or a personal note. Thus, we can never understand fully why a comedian will or will not make the big time. One thing I do know, this January graveyard toss off will not make it big time. I'll ask you in December if you think it should be nominated for best documentary; you'll haveto research it on IMDb to remember.