Cargo 200

A lot of the reviewers of this movie in the media seem to overlook the fact that Balabanov as a director repeatedly demonstrated a very deadpan and a very dark sense of humor. The joke's certainly on them. Watch taking this into consideration.

A few more notes. The movie is loosely based on real events, some of the more unfortunate of which allegedly happened with one of the director's friends. The movie caused a major scandal at the 2007 Kinotavr movie festival (Russia's Sundance, pretty much). The awards are given based on the movie critics' vote. That vote was in favor of "Cargo 200" for "Best movie." The festival jury, however, overturned the results of the movie critics' vote and split the award between "Gruz 200" and another movie.

Finally... I dig Balabanov, I despise Gaspar Noe, and here's why. Balabanov doesn't take himself too seriously.

It is a film about the death of totalitarianism in separately taken country. Year 1984, the life gloom of the Soviet power was condensed to the limit... Those who lived in USSR may cry when watching it. It is so cruel and at the same time so true. Every single part of you will tremble in the watching process. It is inspired from real facts, won't let anybody indifferent, I mean for those who knows at least something about the cinematography... Roles are played perfectly, just how it was meant to be played. People with weak heart and people that loves American Pie series, skip it, you won't like it anyway. For the rest, what can I say, you HAVE to see this movie. 9 out of 10

Lars Von Trier and Coen brothers can retire. A must!

This is the best Balabanov's movie so far. May be it is not appreciated yet (just 6.9 points) but it is a masterpiece. A very honest look back at the 80's, very dark of course - not the Red Square and Pokrovsky Cathedral, sorry. I liked his movie "Of Freaks and Men", was disappointed by "Zhmurki", but with "Cargo" Balabanov is back and better than ever.

This is a very important movie especially for Russians who are rethinking now their Soviet past, but for Americans also, for obvious reasons... The term "cargo 200" was given to soldiers who found their way back to the motherland in zinc coffins.

The title of the film is a code name for the return home of a body from the battle field. The reason why this title is chosen becomes clear early in the film - but the build of the film would allow a lot of different titles and each one of them would be matching for this film goes far beyond a body returning from the battle field. As the story rolls the film switches back and forth between a number of people and tells their respective tales - and the way all of them connect in one way or the other. The stories are not altogether happy but are not too dark either so the film doesn't turn too dreary. It is very grim though. As each of the stories turns to its conclusion one can not escape the biting cold reality of them.

Played out well enough to be believable and quick enough to be entertaining this film does pretty well. It's ending is fitting, its after-taste is bitter. But, above all, it's an interesting watch.

8 out of 10 broken bottles of vodka

Out of so many garbage russian cinema titles we saw the past two decades, this one is not trash and is outstanding. Not just because of a shock value, but the true-like depiction of Soviet Union in 1980s, good script and ok actors. Hell, this movie captivated me to the end. It's worth it.