An English community gets testy when a refuge family is granted a plot of land on which to grow vegetables.An English community gets testy when a refuge family is granted a plot of land on which to grow vegetables.An English community gets testy when a refuge family is granted a plot of land on which to grow vegetables.
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This was a nice Little film, Nice is probably the crucial word because it did suffer from the British film comedy pitfall of using stock characters while tying everything up too "nicely" at the end. The Eddie Marsan / Olivia Coleman romance storyline must have seemed like well trodden paths through their allotted stories and they pulled off trademark, lovable loser, performances that I am sure would come across as heart-warming if we hadn't seen them many times before. And there were a few other comedy stalwarts playing within similar well ploughed furrows.
That said, there was much to commend the film - the characters were familiar but you felt a warmth for all (of whom you were intended to) and the script although a little threadbare in places had some great moments too; the Grumpy old Rebel and the Chinese family were extremely well written and played. The cinematography was much better than some comments have implied too - there is one shot of darkened clouds over the allotments and a couple of other night-time views that were pretty impressive.
Its a story about a set of allotments and the changing ethnic shape of working class society and as such it is well meaning and entertaining .. yes we have seen much of it before .. yes there have been better Brit films and if you want a hard-biting film about the state of British society or the evils of racism in Britain today, there is a lot better out there but....
I sat in a showing (late admittedly) in a major British City, in that Cities main Cinema, on a Saturday night, on only the second night after the films release, i was the ONLY viewer!! I hope that is not an indication of the films fate because it deserves better than that
That said, there was much to commend the film - the characters were familiar but you felt a warmth for all (of whom you were intended to) and the script although a little threadbare in places had some great moments too; the Grumpy old Rebel and the Chinese family were extremely well written and played. The cinematography was much better than some comments have implied too - there is one shot of darkened clouds over the allotments and a couple of other night-time views that were pretty impressive.
Its a story about a set of allotments and the changing ethnic shape of working class society and as such it is well meaning and entertaining .. yes we have seen much of it before .. yes there have been better Brit films and if you want a hard-biting film about the state of British society or the evils of racism in Britain today, there is a lot better out there but....
I sat in a showing (late admittedly) in a major British City, in that Cities main Cinema, on a Saturday night, on only the second night after the films release, i was the ONLY viewer!! I hope that is not an indication of the films fate because it deserves better than that
I recently saw this movie and thought it was charming and funny. The comedy was subtle in places, laugh-out-loud in others, but always well-placed.
I would disagree with the notion that some of the characters are superfluous or under- developed... I thought they were subtle, well-played and a great collection of people. I didn't find it hard to imagine them digging away somewhere on an allotment!
I do agree with the comment about Benedict Wong, this was a great performance, I also really liked Eddie Marsan and Philip Jackson's characters.
As for the name, I rather like "Grow Your Own" as a title!
I would disagree with the notion that some of the characters are superfluous or under- developed... I thought they were subtle, well-played and a great collection of people. I didn't find it hard to imagine them digging away somewhere on an allotment!
I do agree with the comment about Benedict Wong, this was a great performance, I also really liked Eddie Marsan and Philip Jackson's characters.
As for the name, I rather like "Grow Your Own" as a title!
I saw a preview of this and absolutely loved it. It was very funny (the scene where the cranky old men test out the ring tones for instance is a classic) and touching. I loved the fact that it had none of the usual faces that you see in Britcoms. I didn't recognise anyone in it apart from Benny Wong - who was amazing in this - and the very funny girl from Hot Fuzz, who was just as funny in this. I love the fact that it keeps about ten different stories rolling along. I also loved all the gardening stuff. It reminded me of The Secret Garden and it gave the whole thing a bit of poetry and beauty that you just don't see in films about working class people normally.
I deeply suspect that 'tfitoby' is missing the point of what I found to be an extraordinarily sensitive and subtle piece of social comment. The point is HOPE and the vehicle is COLOUR. From the social to the physical, Richard Laxton peppers his film with the symbolism of diversity and change. From the stark, colourless winter emerges the blooming promise of spring, (using mirrored panning shots at either end of the film: Katherine Mansfield's time-honoured narrative tools in celluloid). From inconspicuous attire, evolves the vibrant 'panache' of Hawaiian shirts. The dichotomy of confinement is also explored (a space normally connected with travel, trade and promise presents itself as a physical and mental incarceration, whilst the physically enclosed space of the allotments represents freedom, social and cultural responsibility and diversity - not to mention what the intrusive nature of the communications industry). These are not humorous issues, but I feel that genuine and warming comedy helps to highlight, implicitly and explicitly in this film, the myriad of social problems and joys - we face today. I suggest very strongly that 'tfitoby' takes another look - perhaps he could watch it on one of the BBC's prime viewing slots, say, on a Sunday evening?
I didn't expect a movie about asylum seekers and allotments to be one of my favourite movies. But it's British quirkyness is absolutely charming. Where else in the world do they have allotments? but more importantly, I think it perfectly captures the great British love-hate of foreigners. We like them but hate them at the same time. In this movie we have the typical mistrust yet somehow that's broken down. Partly it's through food - yes we do love our takeaways here in the UK don't we? and partly through skills (yes we are short of a few) and partly through romance.
It's a movie that I think is really topical and all UKIP supporters should see!
It's a movie that I think is really topical and all UKIP supporters should see!
Did you know
- SoundtracksDeck the Halls
Traditional
Performed by Ian McKenzie
Arranged by Simon Whiteside
lyrics by Thomas Oliphant (uncredited)
Published by BDI Music / BBC Worldwide Ltd
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- The Allotment
- Filming locations
- Caryl Street, Toxteth, Liverpool, Merseyside, England, UK(allotment scenes)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross worldwide
- $498,278
- Runtime
- 1h 41m(101 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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