Six Californians start a club to discuss the works of Jane Austen, only to find their relationships -- both old and new -- begin to resemble 21st century versions of her novels.Six Californians start a club to discuss the works of Jane Austen, only to find their relationships -- both old and new -- begin to resemble 21st century versions of her novels.Six Californians start a club to discuss the works of Jane Austen, only to find their relationships -- both old and new -- begin to resemble 21st century versions of her novels.
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Pleasant; Characters and Resolution Did Not Convince, Engage or Arouse Feeling
The characters and resolution didn't convince or engage me, though. I just did not believe, at any point, that these were real people. I especially did not believe the final scene. "He ended up with her? I don't think so," was what I kept thinking. I didn't believe the final couplings, and I did not care.
I had the same problem with this movie that I had with the book on which it was based. Both book and movie felt like writerly exercises to me. I felt as if the writer, Karen Joy Fowler, got this neato schematic idea in her writing class, "Aha! A book club of bourgeois people who read Jane Austen and fall in love!" and went about filling in the pieces of that puzzle without ever investing any of the characters with real human warmth.
One characterization stands out, though. Emily Blunt as a depressive woman with a bad mother, a mediocre marriage, and a temptation to do very bad things, creates a moody air all by herself. It's as if she came in from the set of a daring indy movie. I hope she's given chances in the future to live up to the promise she shows here.
Enjoyable to watch with a great ensemble cast
Though this movie will never win an academy award and it's premise revolves around a well-known British author, this is a very "Hollywood" movie.
The ensemble cast is like a large-scale painting with each character portraying different colours and brush strokes. Their diversity brings perspective and depth to the story.
I loved Bernadette's (Kathy Baker) ballsy and ebullient pseudo-matriarchal figure; and I silently cheered for Jocelyn (Maria Bello) to break out of her disciplined and 'in-control' habits, but it was Emily Blunt's portrayal of Prudie that shone a light giving the sharpest and most emotional contrast of all. She, who steadfastly distanced herself from the social class she grew up in, and worked tirelessly to elevate herself "to the manor born", convinced herself, with her stylish bob, Chanel-esquire attire and fanciful forays into french phrasology, that she was beyond the mundane and ordinary. She convinced me she was both strong and fragile, and my heart broke along with hers. What a lovely performance.
This isn't high-brow film by any means. The audience's biggest challenge is listening for and extracting the many Austen quotes that get zipped and zinged throughout the film. We are ultimately drawn to watching the ever-changing relationships, like petri dishes being poked and provoked.
This movie will be enjoyable even for those unfamiliar with Jane Austen's novels. A visually appealing, emotionally satisfying, safe and somewhat predictable film. Most likely to be pegged as a chick flick because it's heavy on relationships. Guys' loss.
Jane Austen in California
The premise of the film is simple but irresistible. Six Californians decide to get together once a month to discuss each one of Austen's six novels in turn. The group has some cohesiveness--most of the people are friends, and the group includes a mother and her daughter. However, there is a newcomer--a young man--who is not familiar with Austen, but is charming enough, and eager enough, to be accepted because the group lacks a sixth member.
All of the women are in a lesser or greater crisis at some point in the movie, and the film intertwines their problems with the problems faced by Austen's heroines. The parallel is apt enough--the women, like Austen's heroines, are attractive and reasonably comfortable financially. Most of their problems center around love, or lack of love, which, again, follows Austen's plots.
There's a problem with the movie--every one of the main characters is extremely attractive. Surely, there must be some average-appearing women and men in the Sacramento area. One of the actors--Emily Blunt-- is so beautiful that it's hard to believe she's real. It's also hard to believe that she would have married--and would stay with--her insensitive lout of a husband. (I've never seen Blunt in a film before. When I checked her images in Google, she just looked like one more very attractive young actor. In this movie, she's other-worldly.) I would have liked the movie more if some of the characters had the appearance of people you meet in the real world.
The film will work better if you know Jane Austen's novels and characters. However, even if you don't, "The Jane Austen Book Club" is still worth seeing. Incidentally, it's not a chick-flick. I don't see why men would like the movie any less then women. It's a good film for anyone who likes to read and likes to think.
Very nice! Sensable AND sensitive
The modern day Jane Austen book club members act out love lives and turmoil (and triumphs) very much in parallel with a Jane Austin book, as I understand their plots to be (I have seen them all in movies, but never in print). This reminded me of Shakespeare in Love, where the modern writers performed a brilliant art that went beyond mere parroting or mimicry. I suspect a Jane Austen reader/fan would recognize much, and see in-jokes and intelligent references that I missed. But, I think it is saying something good about the movie to note that I learned something about Austin's books, but also followed the plot, was thoroughly entertained and interested throughout, and felt a involved with what happened. Again, I'm not part of the Austin cognoscenti, but I at least felt "in on the jokes" and in on the plot as well. I was included by the movie.
Some of the plot points veered toward the girlie for a moment, but never completely went off down that road. That is, with the chatty older lady Kathy Baker's character initially showing contempt for men, and hints of a lesbian theme, at first I was ready for a rant. Or at least a put-down of males, like the last 10 minutes of "Steel Magnolias." But everybody lightened up, and basically respect and affection was shown to all, ultimately. Although, returning for a moment to the lesbian thing, I did not for one minute actually buy that the daughter, Allegra, was gay--- not that there would be anything wrong with that (note the Seinfeld reference). But as a comment on the movie, on the narrative and the portrayals, it just didn't FEEL real or true. Not even "movie true." But the actors were competent and otherwise convincing, all around, so I found myself able to dismiss that dissonant note with relative ease.
If you are a guy, don't be afraid of this movie. It's pleasant, and about real-enough things that concern us, too. After all, for most of us, relationships involve men and women, so here's something that is a bit about both, but the perspective is nonetheless clearly from the distaff side, which intrigued me. I enjoyed it! BTW--- I went to a special "art series" showing at the cinema where I am visiting. I went alone. Throughout the movie, however, I could hear many female voices laughing, and seemingly chuckling with agreement when certain truths and characters' foibles were brought to light--- and never in a mean way. So maybe it rings true for the ladies as well.
Not Just for Jane Austen Fans
While it is not particularly realistic, the characters are interesting and likable, the acting is good, and it is not filled with violence and vulgarity, something that seems to be hard to find in the movie theater right now.
All the actors are good but Emily Blunt really stands out. She could end up being a big star. And who knew that Maggie Grace was a real actress and not just the bimbo she played on "Lost."
"The Jane Austen Fan Club" is not a masterpiece and you can probably wait for it to show up on video, but with the poor variety currently available in the theaters, it is the best thing out right now.
Did you know
- TriviaAlthough they play teacher and student, Emily Blunt is only a year older than Kevin Zegers.
- GoofsWhen Allegra is separating eggs for the flan, she puts the first couple of yolks in the bowl with the whites, defeating the purpose of separating them. She is then seen taking the yolks out with the egg shell as she does this. (The actors had a limited number of takes available and Maggie Grace was forced to do this so she would not waste a take.)
- Quotes
Grigg Harris: What about me? Am I your friend? Or am I just some... some widget to help you make Sylvia feel better about herself? Why did you invite me to be part of your book club? No, what went through your mind the first time you saw me? "There's a man who is *dying* to read every book Jane Austen ever wrote." Is that what you thought?
Jocelyn: No.
Grigg Harris: But I thought, "What a beautiful woman. I hope she looks over at me." I thought if I read your favorite books that you would read mine. But no... no, no. You just want to be obeyed. That's why you have dogs.
- Crazy creditsThe credits are displayed next to behind-the-scenes stills of the cast and crew during the production process.
- SoundtracksNew Shoes
Written by Paolo Nutini, James Duguid and Mathew Benbrook
Performed by Paolo Nutini
Courtesy of Warner Music U.K. Ltd.
By Arrangement with Warner Music Group Film & TV Licensing
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Câu Lạc Bộ Sách Jane Austen
- Filming locations
- La Traviata, 301 Cedar N. Ave, Long Beach, California, USA(Grigg and Sylvia having dinner)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $3,575,227
- Opening weekend US & Canada
- $148,549
- Sep 23, 2007
- Gross worldwide
- $7,163,566
- Runtime
- 1h 46m(106 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1







