Ponyo

As a long-time fan of Studio Ghibli and especially Hayao Miyazaki films, I went to the film right on the opening day. When I went out of the theater I had this strange feeling that something was missing, this "magical" feeling I was experiencing in all Miyazaki films before, but I couldn't say why it failed this time. After I thought about the other Ghibli movies, I may know the reason: this film had most of the elements of a great Miyazaki anime: cute characters, wonderful key animation, a great soundtrack composed by Joe Hisaishi and the warm story telling giving you the feeling of watching a high quality Japanese animation film. However, two elements were lacking: a deep story and dramaturgy. The purpose of this film was obviously to entertain small children with a simple story line as in case of "Totoro", so a complicated story as been told in "Spirited Away" or "Princess Mononoke" is not really necessary, but on the other hand, this story was simply too superficial. I could not connect to the main characters, because there was no character development, dramatic scenes were only limited and did not last very long. I really hate to give only 7 stars for a Miyazaki film, because I would give 10 stars to all previous movies right away, but this time it was simply not this wonderful "ghibli experience".

I have recently watched this film, and have decided to comment on it.

the best way to watch this film is to not expect what you have seen in the past by Miyazaki. Miyazaki is well known for his work on on Spirited away and Howl's moving castle. well for western viewers anyway. both of them films were kind of similar to each other but at the same time completely different. However Ponyo is a whole different type of story and animation all together.

The story follows "Ponyo" a fish that has the face a girl. After Ponyo runs away from her home at the bottom of the sea, she find a whole new world she never knew was out there, and new trouble as well, when she almost caught by a fishing boat, she was rescued by a five year old boy known as Sousuke.

the story then follows the two of them and the pure friendship between a boy and a fish. can Ponyo really stay with Sousuke forever ?

I feel the movie was inspired by "The little mermaid" and at the same time similar to "Tonari no Totoro"

the movie is very short and you have very little time to learn about the characters in this movie. But the Characters a fish and a little boy so how much are you expecting to learn about them? the film is set over about what seems to be 3 days, I think this is why the movie is so short.

I really enjoyed watching this movie and I hope you all enjoy this movie as well

While Hayao Miyazaki's movies have always been hit-or-miss with me with regards to story, they are unequivocally gorgeous to the eye, with characters of simple animation against a backdrop of artistic images. Ponyo sticks to that formula, with a lead character so adorable I want a plush doll of her and scenery so pretty it wouldn't look out of place framed up as a picture on a wall.

The story, on the other hand, I didn't enjoy quite as much as his last two wide-releases, Spirited Away and Howl's Moving Castle. It was just a tad too juvenile, coming across as more for kids and leaving adults to just enjoy the animation.

I was also disappointed that the score done by Joe Hisaishi, who also the scores for the above-mentioned two movies, wasn't nearly as memorable this time around. While I can't quite recall Howl's score now, I still remember it being one of the most beautiful I had ever heard. Ditto Spirited's - though I only remember it being very complementary to the movie. Maybe it's because Ponyo is more juvenile fare that the score isn't quite as haunting. In any case, this movie is still a must-watch for fans of anime or Miyazaki.

Quite simply, i was tickled pink watching this in the movie theatre and grinned from ear to ear; eyes wide open whilst trying to take all the details in that are at the same time insanely simple, fresh, yet incredibly sophisticated, breathtaking and in imaginative.

In terms of audience age range, it is probably pre Totoro. The plot works because of the pure heart of 5 years olds who are focused in what they want and conscientious in their pursuit. They lives in a world that is unspoilt by cynicism and cultural learning of how everything is 'suppose' to work. While most critics might disregard this film due to the lack of a 'message' or 'plot' film (Although it is in there somewhere), it is precisely for this reason the film should be cherished. Too often our judgement are impeded by our own limitations of cinematic and cultural standing. Like most of Miyasaki's film, each is totally unique but undeniably Miyasaki. Ponyo may at times feel so unique and fresh, it may feel alien like.

The viewing experience provide a wonderful change from all the generic children's products that are generally commercialised to please the adult demographics (ie/ Animals that talks like their human counterparts, Eddie Murphy in Shrek.) It is perhaps comforting to know that good old fashioned hand drawn cells still work so incredibly well in this digital era where Toystory/WallE/Shrek/Cars generally triumph. It therefore feeling rather nostalgic at the same time makes the film feels timeless, a bit like how Totoro and Jungle Book hasn't really aged.

The subtleties of each character's expression and body language is captured in such nuanced interpretation that digital films like Wall-e can never compete on, or if it does, it would be a very expensive process. It would be a big pity for Wall-E to win over this one at the Oscars, and it probably will this year. Yet it might be quite unfair to compare the 2 mediums, as it is really the craftsmanship and the story telling that wins at the end of the day. For this, Miyasaki is a true master of

I recently watched Omohide Poro Poro and it put me in the mood for some more Studio Ghibli that I hadn't seen before, which led me to Ponyo. The film is similar to Disney's Little Mermaid as it sees a fish wishing to become human as she builds a friendship with a human. This change causes real problems with the balance between the worlds of land and water, not least with her father who is desperate to get her back. Although it appears quite a childish film, I am used to these films having plenty for adults as well and indeed I thought that the themes of tsunamis and friendship would have plenty behind it for those looking, but sadly this was not the case and this is pretty much a film with everything front and centre.

This is not a massive problem though because it is basically a kids movie and does no harm by playing to its target audience. The story is a nice simple one of friendship and adventure and I appreciated it being told in a straight and warming fashion, even if the adult part of me wanted a bit more than I was being given. The characters are simple too – from the central children through to the adults. The animation is the saving grace for an adult watching with kids, because it is visually really good with plenty of interest that is imaginative and beautifully drawn; perhaps not a consistent factor but for sure a large proportion of the film is a feast.

Ponyo is still a film for kids first and foremost though and, like me, those coming to the film hoping for Spirited Away etc may be disappointed to find that it is a much simpler film than those others may have led them to believe and indeed they are likely to get bored with it as adults, animation excepted. However it is still a warming and charming kids film with bright simple characters and action and as such it is worth a look if you plan to share it with children.