An undercover cop's daughter is murdered. Believing the mob she's investigating is responsible, she abandons her mission for revenge. Her former colleagues must stop her before chaos ensues.An undercover cop's daughter is murdered. Believing the mob she's investigating is responsible, she abandons her mission for revenge. Her former colleagues must stop her before chaos ensues.An undercover cop's daughter is murdered. Believing the mob she's investigating is responsible, she abandons her mission for revenge. Her former colleagues must stop her before chaos ensues.
- Director
- Writers
- Stars
Marlon Kerr
- Arron White
- (as Marlon Sage Kerr)
- Director
- Writers
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I'm still in shock, the following morning, at how atrocious this film was, and how I managed to sit through it with only short breaks to the loo and the fridge. This film has nothing to recommend it whatsoever - the plot is dire, the dialogue impossibly stilted and contrived, and the acting rates among the worst displays I have ever has the misfortune to witness. The gratuitous female violence will draw a few fans, granted, but even those fetishists will have a hard time sitting through such appalling pap. I could single out Donna Air for worst actress of the decade (a woman blessed with the looks of an east European model and a hard-to-identify Welsh-sounding accent attempting to carry off the role of a tough cop) but that would be to let the rest of the cast off too lightly; neither the main roles nor the bit-parts were played with an conviction or credibility. I guarantee this film will have you screaming in horror or laughing hysterically, depending on how you feel about devoting an evening to a truly dreadful piece of cinema.
No pun intended - and I reckon some might feel that I am "upgrading" the movie or elevating it with my summary line ... maybe you do not even care about that though. What you should care about though: low budget movies ... if you can't stand them ... I would be surprised why you are here in the first place, but even so ... this really takes things to a new (low) level ... I assume for many.
Do not expect this to have actors in the traditional sense ... or none that really entice you ... take control of your screen ... anyone who is able to reel you in ... glue you to their lips ... wait is that last one a pun or innuendo? Hopefully not ... jokes aside, the movie is quite ... out there to describe it mildly ... I have a heart for low budget efforts so I reckon I rated it a bit higher than I had to. Effects are ok, if you consider the budget ... nothing more ... or nothing much more. Story is quite ... weird.
Do not expect this to have actors in the traditional sense ... or none that really entice you ... take control of your screen ... anyone who is able to reel you in ... glue you to their lips ... wait is that last one a pun or innuendo? Hopefully not ... jokes aside, the movie is quite ... out there to describe it mildly ... I have a heart for low budget efforts so I reckon I rated it a bit higher than I had to. Effects are ok, if you consider the budget ... nothing more ... or nothing much more. Story is quite ... weird.
It wasn't easy, but I was curious, so carried on watching it. My advise, if you manage to watch the first 35 minutes, the dynamics change and the pace becomes faster. Seems as if something changed in the whole movie. Theoretically it's the same director...
Otherwise the end of the movie is a bit surprising. The plot could have been developed to an exciting thriller with more artistic approache to the faith that governed the story, so that opportunity was missed. I guess being a low budget movie you cannot expect better cinematography neither. The six stars are for the movie after 35min. Before that I'd give maybe 3 stars.
This film has a reasonable story and is a decent enough action-filled romp.
However, the dialogue is truly awful in places.
The casting of Donna Air as a policewoman was a truly awful decision.
She did not look at all believable in this role.
Some of the acting is third rate.
Victoria Broom and the police chief's performances were particularly poor, I thought.
Claire Goose's performance, on the other hand, was very good and really quite believable.
A 6 is pretty generous here.
Lectureral
However, the dialogue is truly awful in places.
The casting of Donna Air as a policewoman was a truly awful decision.
She did not look at all believable in this role.
Some of the acting is third rate.
Victoria Broom and the police chief's performances were particularly poor, I thought.
Claire Goose's performance, on the other hand, was very good and really quite believable.
A 6 is pretty generous here.
Lectureral
Wasted enough of my time watching the film to waste much more reviewing it, so suffice to say it was bad.
Acting = bad. Characters = bad. Script = bad. Story = bad. Fight sequences = bad. Driving in a wobbly car = bad. The over-illuminated dashboard = bad. The editing and score almost reached the dizzy heights of mediocre...but not quite and still = bad.
It started off bad then progressed to a new level of bad especially when being introduced to moody cop saying 'same sh1t, different day' to himself...and he was also one of the writers.
In fact, let's just comment about the writing. You know when one film pays homage to another by using some of the script...seems the writers thought this would be good but then changed every other word to avoid being the same resulting in what can only be described as...you've guessed it = bad.
What it looked like, was a school project with no budget and 25 script writers disagreeing so much that every piece of dialogue was an unsuccessful compromise.
Best bit was watching Donna Air being beaten up in a girl fight.
It was bad, okay? Not even one of 'Girl's Aloud' in the cast saves it.
My wife summed it up as the final credits rolled and she said, to the screen, "You should all be ashamed of yourselves". And if you do get this far, just ask yourself why all the detectives were blessed/cursed with OCD? Monk wannabes?
Acting = bad. Characters = bad. Script = bad. Story = bad. Fight sequences = bad. Driving in a wobbly car = bad. The over-illuminated dashboard = bad. The editing and score almost reached the dizzy heights of mediocre...but not quite and still = bad.
It started off bad then progressed to a new level of bad especially when being introduced to moody cop saying 'same sh1t, different day' to himself...and he was also one of the writers.
In fact, let's just comment about the writing. You know when one film pays homage to another by using some of the script...seems the writers thought this would be good but then changed every other word to avoid being the same resulting in what can only be described as...you've guessed it = bad.
What it looked like, was a school project with no budget and 25 script writers disagreeing so much that every piece of dialogue was an unsuccessful compromise.
Best bit was watching Donna Air being beaten up in a girl fight.
It was bad, okay? Not even one of 'Girl's Aloud' in the cast saves it.
My wife summed it up as the final credits rolled and she said, to the screen, "You should all be ashamed of yourselves". And if you do get this far, just ask yourself why all the detectives were blessed/cursed with OCD? Monk wannabes?
Did you know
- GoofsWhen Margaret shoots at the police detectives in the street, she drops the gun after it's empty. Nobody bothers to pick up the gun (evidence!) from the street and just go into pursuit.
- Quotes
Jade Jennings: Don't you dare tell me that now Billy Hills. You're sposed to love me not make me feel like some cheap fucking tart!
- How long is Bad Day?Powered by Alexa
Details
Box office
- Budget
- £750,000 (estimated)
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