FBI agent Jennifer Marsh is tasked with hunting down a seemingly untraceable serial killer who posts live videos of his victims on the Internet. As time runs out, the cat and mouse chase bec... Read allFBI agent Jennifer Marsh is tasked with hunting down a seemingly untraceable serial killer who posts live videos of his victims on the Internet. As time runs out, the cat and mouse chase becomes more personal.FBI agent Jennifer Marsh is tasked with hunting down a seemingly untraceable serial killer who posts live videos of his victims on the Internet. As time runs out, the cat and mouse chase becomes more personal.
- Awards
- 1 win total
Peter Gray Lewis
- Richard Brooks
- (as Peter Lewis)
Tim DeZarn
- Herbert Miller
- (as Tim deZarn)
Christopher Cousins
- David Williams
- (as Chris Cousins)
Featured reviews
The movie had a few things going in its favor. For one, it used reasonable technology and background, so the story wasn't far-fetched. Secondly, and most importantly in my eyes, it did NOT go for shock value. It didn't try to use gore to elicit a reaction from the crowd. Not to say that some scenes weren't rough on the eyes, but it was far from a Saw or Hostel. Thirdly, it honestly kept me on the edge of my seat for a good portion of the movie. And lastly, the ending does not drag itself out. It ends at the logical point.
That having been said, this movie will not change your life. It's a little bit of a commentary on society, but moreso, it's just an entertaining movie to watch.
That having been said, this movie will not change your life. It's a little bit of a commentary on society, but moreso, it's just an entertaining movie to watch.
25 January 2008. This played straight movie incorporates elements of SAW and MANHUNTER (or RED DRAGON) into a fusion film that carefully balances the creepy horror elements with an intelligent thriller. The plot is tight and there is a delicate underlying element of fear and anxiety built from the very beginning of the movie. The relationship between the two primary FBI agents this time around is much more authentic without the typical emotional cliques. The reveals are handled well. The music fits the movie and paces it well. The photography and shot angles add to the movie's intensity. Overall, this movie elevates itself and adds a new and important angle regarding the internet, mass media, and the issues of blatant exploitation and almost public lust for violence and disaster. UNTRACEABLE avoids being pandering and avoids being exploitative itself, the horror is presented not in exciting and titillating terms but more in a repulsive and rejecting manner. Unfortunately, the movie doesn't allow for the full development of the antagonist character and still appears much more two-dimensional even though he does across as a person to be reckoned with. In other words, this movie could have been significantly even more than what it accomplishes. Seven out of Ten Stars.
Writers Robert Fyvolent, Mark Brinker and Allison Burnett, along with director Gregory Hoblit ("Fracture"), have come up with a humdinger of a premise for their dark thriller "Untraceable." It seems that a techno-savvy serial killer has set up a website where people can go to watch him torture and murder his victims in real time. The kicker is that the degree and speed of the torture are in direct proportion to the number of viewers logged onto the site, thus making the general public morally complicit in the crimes. The always superb Diane Lane really classes up the joint playing a cyber-cop who is not only hot on the trail of the killer, but might actually be one of his intended targets as well.
The idea for "Untraceable" is probably better than the movie itself, yet, despite its weaknesses, this is a reasonably engrossing and gripping thriller, provided one can stomach the sleaziness of the material and the too-clever-by-half "ironic" ending (the movie is at least more believable in its approach than the similarly-themed "The Condemned"). "Untraceable" certainly has some depressing things to say about our natural human propensity for sadism and voyeurism, and it raises the terrifying prospect that we will now be able to use modern technology as a means of satisfying our bloodlust with total impunity. The movie might have had a sharper moral and ethical edge to it had it featured some common-folk characters debating within and amongst themselves whether or not to log onto the site, knowing that, by doing so, they would be contributing to the death of a fellow human being. But because the writers fail to incorporate such scenes into the screenplay, the premise never gets much beyond the "intriguing idea" stage. Still, the concept is compelling enough on its own to keep "Untraceable" a few steps ahead of the psycho-thriller pack.
The idea for "Untraceable" is probably better than the movie itself, yet, despite its weaknesses, this is a reasonably engrossing and gripping thriller, provided one can stomach the sleaziness of the material and the too-clever-by-half "ironic" ending (the movie is at least more believable in its approach than the similarly-themed "The Condemned"). "Untraceable" certainly has some depressing things to say about our natural human propensity for sadism and voyeurism, and it raises the terrifying prospect that we will now be able to use modern technology as a means of satisfying our bloodlust with total impunity. The movie might have had a sharper moral and ethical edge to it had it featured some common-folk characters debating within and amongst themselves whether or not to log onto the site, knowing that, by doing so, they would be contributing to the death of a fellow human being. But because the writers fail to incorporate such scenes into the screenplay, the premise never gets much beyond the "intriguing idea" stage. Still, the concept is compelling enough on its own to keep "Untraceable" a few steps ahead of the psycho-thriller pack.
Entertaining thriller about a crazed young computer geek who becomes the deranged moderator of his own "Kill With Me" live internet feed where he displays new victims being slowly tortured to death. The more hits he gets at his site, the faster the people featured on his webcam die. This is disturbing in making us realize what depths we've sunk to in our society, and what morbid curiosities can do. I especially liked that the 40-something Diane Lane is the star as the police woman who tries to apprehend the killer, instead of relying on the usual Jessica Alba or Sarah Michelle Gellar "honeys" of late.
*** out of ****
*** out of ****
That is the one word I will tell you perfectly sums up and describes my opinions towards this awesome film and it's bogus reception. Untraceable was a suspenseful thriller with great action, fun death strategies, and wonderful acting, that has a ridiculous amount of unappreciative reviews and hate aimed at it in all the areas that a lot of people have no problems with in other movies.
Diane Lane was a great actress in this film. As I have said, the performances are excellent, and she of course gives the best and she made the movie totally believable and enjoyable. While there were of course flaws, I found the story line and the movie itself to be great entertainment. I found myself yelling at the screen and telling the people in the film what to do, and I am not that interested in a film unless it manages to get my adrenaline up, which I find as a positive factor in few cases whilst viewing a movie.
There were things I found predictable, and of course the film gets a little out of hand at times, which as I said, it's not flawless, but it wasn't meant to be, and most of the time I was so interested in the movie that I wasn't making any presumptions or criticizing the faults. This was a wonderful film, that is under appreciated and if you haven't seen it, I recommend you do if you are capable of being lenient on these sorts of films.
Diane Lane was a great actress in this film. As I have said, the performances are excellent, and she of course gives the best and she made the movie totally believable and enjoyable. While there were of course flaws, I found the story line and the movie itself to be great entertainment. I found myself yelling at the screen and telling the people in the film what to do, and I am not that interested in a film unless it manages to get my adrenaline up, which I find as a positive factor in few cases whilst viewing a movie.
There were things I found predictable, and of course the film gets a little out of hand at times, which as I said, it's not flawless, but it wasn't meant to be, and most of the time I was so interested in the movie that I wasn't making any presumptions or criticizing the faults. This was a wonderful film, that is under appreciated and if you haven't seen it, I recommend you do if you are capable of being lenient on these sorts of films.
Did you know
- TriviaThe website used by the killer (www.killwithme.com) actually existed. It was owned by the movie studio and it was used to promote the film. In it, users were taken to a replica of the FBI computer used by the character Jennifer Marsh. Her desktop gets hacked by the killer who provides the visitor with four tests he/she must complete to deactivate his website. The content has now been removed, and the domain name is available for sale or lease.
- GoofsWhen Jennifer Marsh's electrical system is restored on her vehicle, she makes little effort to check the inside of the vehicle before re-entering it. A highly trained police officer, especially a FBI agent, would have enough sense to check the back seat throughly before making any attempt to re-enter a vehicle considered suspicious.
- Quotes
Owen Reilly: [types on killwithme.com blog] Did you really think I would let you people hurt that little girl?
- SoundtracksLet Me Take That
Written by Raney Shockne, Jeeve and Michael Angelo Garcia [aka Indijinouz]
Performed by Dirty Dollarz
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Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Streaming Evil
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $35,000,000 (estimated)
- Gross US & Canada
- $28,687,835
- Opening weekend US & Canada
- $11,354,069
- Jan 27, 2008
- Gross worldwide
- $52,933,513
- Runtime
- 1h 41m(101 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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