Devastated Peter takes a Hawaiian vacation in order to deal with the recent break-up with his TV star girlfriend, Sarah. Little does he know, Sarah's traveling to the same resort as her ex -... Read allDevastated Peter takes a Hawaiian vacation in order to deal with the recent break-up with his TV star girlfriend, Sarah. Little does he know, Sarah's traveling to the same resort as her ex - and she's bringing along her new boyfriend.Devastated Peter takes a Hawaiian vacation in order to deal with the recent break-up with his TV star girlfriend, Sarah. Little does he know, Sarah's traveling to the same resort as her ex - and she's bringing along her new boyfriend.
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A miraculous movie!
And I can't, for the life of me, quite figure out why I liked this so much. I guess the filmmakers succeed in making the welter of comic bits, scenes, and images come across like genuine romantic sweet chaos. How they succeeded is beyond my comprehension.
And maybe that's the point. Some films are good, some are bad, and some are sort of like miracles. Their power is inexplicable; and that's how FSM felt to me.
It was boffo, a bit over-the-top, a tad muddled, a mix of character study, revelation, and farce. And, as things unfolded, by dint of pacing and sheer comic/character acting power, I came to really care about the characters; and I loved it! I glowed through most of FSM.
Here's a way of looking at it: FSM was sort of like Shakespearean romantic farce. Maybe that explains why I liked it; because my mind already has a little engine for processing this kind of narrative stuff, built up from past experiences watching Shakespeare In The Park!
It also comes down to artistic sincerity. Most romance flicks are a little insulting because they're not sincere. There was something, in the end, believable and therefore redeeming about the characters and their silly little Hawaiian comedy of errors and feints.
And that's a miracle, in my book! This is not an ordinary date flick.
And you thought *you* were sensitive...
Immediate warning to those sensitive to full frontal male nudity: it is present and more than once. That out of the way, the pic was pretty affable, containing more than a handful of good laughs as well as more than a lot of generally comically captured sex scenes. Many of the secondary characters also play enjoyably silly roles. And there is a funny musical component to the pic that also includes an amusing rendition of puppet-related works.
I suppose I do have to level a little criticism for the theme being a little slight, but there still is something to be said for healing of personal wounds and learning to "move on". Those that have seen other Apatow relationship pics will probably see a number of similarities (slacker dude learns to grow up, gross out comedy, etc), even though Apatow didn't write or direct this piece. The film is also a bit on the long side, like many comedies that come from the Apatow crew and you do notice it. Some judicious trimming and relegating of some scenes (including numerous flashbacks) to DVD extras would've been helpful.
Finally, I wish that more character could be drawn from both Sarah Marshall and Peter's newfound love interest, hotel employee Rachel as they played fairly two-dimensional, but I'm glad that Sarah didn't end up a one-note character as well. I didn't love the conclusion of the breakup story arc because I felt that it was a bit of a cop-out, but it didn't ruin the film. Lastly, Peter was written a little on the edge of believability in terms of being oversensitive, so you really have to buy his character, otherwise the film will break on you.
Essentially, this is a congenial, enjoyable, but rude/crude film with a share of laughs and more Jason Segel than you probably ever wanted to see. Recommended for those who like some story with their laughs and can handle the vulgar, sexual, and nude content. 8/10.
Apatow's Crew Sets the Comedy Bar for Hollywood
A romantic comedy that is actually funny? Wow, I didn't think those existed any more
Sarah Marshall: hot actress, beautiful, and a fun person, just broke up with her musician boyfriend, Peter. He's just heartbroken and needs to get away for a while, so he goes to Hawaii, but guess what? Sarah is there with her new rock star boyfriend, Aldous Snow, and things are not seeming to go his way. But when he meets Rachel Jenson, the nice and really pretty hotel clerk, they go out and he ends up realizing that maybe this break up wasn't such a big deal after all.
Forgetting Sarah Marshall is a funny movie, I guarantee you are going to laugh. I do have one complaint, the male nudity, now it's not that I'm a prude at all, just this was more uncomfortable than funny with Jason exposing all his assets. I don't know, just that type of humor isn't funny with me, male or female, just depending on the joke, but this was more awkward. But I do think this is a fun movie, it has a great story and really makes you laugh and just have a good time with these characters, it's a good recommendation from me.
7/10
Funny and sweet without seeming too formulaic
This was a funny movie! It's a more mature than your average comedy. It survives comedically without leeching off too many other bits of pop culture, unlike Knocked Up. There is the exception of some funny spoofs of CSI and Ghost Whisperer, two fatted calfs rip for killing. Everyone is allowed to be funny, even the women, and they are. I enjoyed the occasional "Scrubs" style cut-aways which were frequently funny. The best one has to be the week Peter spent in the same pair of sweat pants.
This was a lucky stroke from from first time director Nicholas Stoller and first time writer (in addition to lead actor) Jason Segel. I hate making comparisons to other actors, but I kept thinking of Judge Reinhold when I saw Segel. Not that that's a strike against him.
Segel is a fresh face in the comedy genre, and is adept at playing sympathetic slacker and funny man in one. Kirsten Bell acts much better in this than Heroes, and it's a nice change of pace to not recognize Paul Rudd in appearance and character immediately. Bill Hader is funny as always. What really comes across in this film is that everyone, even Sarah Marshall, seems like a 3-dimensional character. Hopefully the days in comedies when people are bitchy or vile just for the hell of it are gone. Even the shallow pop star Aldous Snow (Russell Brand), who is the rival to Peter, is likable. There's no animosity between the two men. It's nice to have a comedy where we don't have to demonize anyone.
It's a cute film, sometimes hilarious, but the first half is definitely funnier than the second half. I might pick it up on DVD sometime.
B+
Did you know
- TriviaKristen Bell injured her knee while filming a horse scene, which didn't make the final cut. In scenes towards the movie's ending, she walks with a slight limp.
- GoofsWhen Rachel is in the water telling Peter to jump off the cliff, her blue life belt is visible under and above the water as she bobs around.
- Quotes
Darald: What's the state fish of Hawaii?
Dwayne the Bartender: The Humuhumunukunukuapua'a. Yeah, bitch!
- Crazy creditsShortly after the end credits start, there is an advertisement for Sarah Marshall's new NBC crime drama, "Animal Instincts" in which her costar is Jason Bateman.
- Alternate versionsThe unrated version runs almost six minutes longer than the theatrical version and has a few extended scenes and scenes not included in the theatrical version which include the characters partaking in a yoga class.
- ConnectionsEdited from Forgetting Sarah Marshall: Deleted and Extended Scenes (2008)
- SoundtracksLove You Madly
Written by John McCrea
Performed by Cake
Courtesy of Columbia Records
By Arrangement with Sony BMG Music Entertainment
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- ¿Cómo sobrevivir a mi ex?
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $30,000,000 (estimated)
- Gross US & Canada
- $63,172,463
- Opening weekend US & Canada
- $17,725,330
- Apr 20, 2008
- Gross worldwide
- $105,833,257
- Runtime
- 1h 51m(111 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1






