IMDb RATING
6.4/10
1.8K
YOUR RATING
A young man learns the fighting techniques of Sanda from a coach. The two become best friends as the young man prepares to enter an underground tournament, competing against some of the top ... Read allA young man learns the fighting techniques of Sanda from a coach. The two become best friends as the young man prepares to enter an underground tournament, competing against some of the top fighters of the world.A young man learns the fighting techniques of Sanda from a coach. The two become best friends as the young man prepares to enter an underground tournament, competing against some of the top fighters of the world.
- Director
- Writer
- Stars
Eddie Cheung
- Ma Ho-Keung
- (as Cheung Siu Fai)
Wai-Kwong Lo
- Chan Sun
- (as Kenneth Low)
Johnny Chen
- Wai
- (as a different name)
Shiu-Hung Hui
- Worker Ming
- (as Hui Siu Hung)
Wong Chun
- Worker Chi
- (as Chun Wong)
Pounh Chong Soong
- Referee
- (as Soong Pounh Chong)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This is a martial arts movie with a story that for the most part isn't compelling. Only the ending is a bit crude and brutal and come to think of it completely ridiculous. I think the director wanted to add some drama to make this movie more interesting. What the director seems to have forgotten that he doesn't need the drama, because he has Jacky Wu / Wu Jing (known from Tai Chi Boxer). When he does his thing, you are in for a treat. The man has some skill and he shows it whenever he can. The martial arts in this movie is great and that alone is the reason to watch this movie. The pace however is a bit slow. This due to the story. If they really wanted to make a interesting story they should have used "The Captain" more, since he was a great character. Instead we are confronted with some abstract fatalistic love story that does not make any sense. Who is to blame for that? Dennis Law , ladies and gentlemen. If you want more proof of his incompetence then go watch Fatal Move which was meant as a sequel to S.P.L. with Donnie Yen. Director Dennis Law is an example of a film maker who really shouldn't be in the business since he lacks vision and creativity. He basically copies and pastes stories and themes and combines them without adding something fresh or original and then thinks he is finished. Most of the time he is lucky that he is surrounded by competent people who more than once improve the film considerably. But it does beg the question why talented people like Sammo Hung, Simon Yam and Wu Jing would be involved with his productions at all.
In any case try to ignore the story and focus on the action. It's hard hitting and exhilarating.
In any case try to ignore the story and focus on the action. It's hard hitting and exhilarating.
I give it a 10.It's a movie full of soul.It starts pretty funny, gets into serious talking.But the ending and the characters make everything possible.It's about life, it's about priorities, it's about the human soul.If the soul is too damaged it will never survive happier times, it will crumble under it's own weight.Gives perspective on life....most people won't understand or appreciate it. The actors are playing a serious and simple act, they don't have fancy words or eccentric habits. The scenes are pretty simple and focus on the characters. I would not miss this movie if i like to see the unseen. The main characters are like children, they are in a pure form of existence, they are mortals, they are human.
Wu Jing is Kong Ko, a Chinese kung fu champion in Hong Kong briefly for a theatrical performance. He is approached by some influential figures in the underground fighting league who recognise his potential but turns them down as he has honourable intentions and wants to be "the next Jet Li" without resorting to illegal or underhand means. However, the intoxicating Siu Tin (Miki Yeung) convinces him to take part, and a delicately nuanced and tense action thriller/romance ensues. Kong is an honourable and respectful fighter, and is taught to be more brutal and ruthless by the brilliant and thrifty Captain (Ronald Cheng) as his tactics can only get him so far. To the end however he remains true to his principles, no matter how far he strays from his path. An action packed, moving and in places, beautiful and well characterised Hong Kong thriller. Definitely worth a watch.
Hmm, the synopsis listed on this page made me wonder if I'd seen a different film.
Jacky Wu plays a kung fu champion whose skills are apparently performance only (i.e. all technical with zero combat experience), yet when he feels pressured by the girl wooing him to provide, he goes against his moral code of using his skills for violence to compete in an illegal street fight. Naturally, one easy win tempts another fight, for more money, and so, things quickly descend...
On the surface this is an above-average film (thanks to Jacky Wu's typically excellent fight scenes), but by the time the final credits roll, the subtleties of the way the characters acted and said certain things becomes clear and it's this aspect which lifts the script from something very enjoyable to something brilliant. Others may (quite foolishly) refer to all this as superfluous, or insult the writer for adding unnecessary dramatic elements, but for me, this screenplay involved more psychology than 90% of drama... and they're as boring as hell too!
In terms of action or great fight sequences this may not be Jacky Wu's best film, however, in terms of depth and entertainment, it rates up there with the best flicks released in the same year, all genres, all nations. My only problem was that a K1 fighter would very doubtfully engage in such a showy form and would be hardly likely to use kung fu techniques at all (karate, kickboxing or muay Thai would have been expected).
A good film well worth watching with a lot more to it than I've bothered to brush upon here. I'm personally now looking out for more Ronald Cheng (Captain) flicks as his acting and martial arts skills were impressive.
Jacky Wu plays a kung fu champion whose skills are apparently performance only (i.e. all technical with zero combat experience), yet when he feels pressured by the girl wooing him to provide, he goes against his moral code of using his skills for violence to compete in an illegal street fight. Naturally, one easy win tempts another fight, for more money, and so, things quickly descend...
On the surface this is an above-average film (thanks to Jacky Wu's typically excellent fight scenes), but by the time the final credits roll, the subtleties of the way the characters acted and said certain things becomes clear and it's this aspect which lifts the script from something very enjoyable to something brilliant. Others may (quite foolishly) refer to all this as superfluous, or insult the writer for adding unnecessary dramatic elements, but for me, this screenplay involved more psychology than 90% of drama... and they're as boring as hell too!
In terms of action or great fight sequences this may not be Jacky Wu's best film, however, in terms of depth and entertainment, it rates up there with the best flicks released in the same year, all genres, all nations. My only problem was that a K1 fighter would very doubtfully engage in such a showy form and would be hardly likely to use kung fu techniques at all (karate, kickboxing or muay Thai would have been expected).
A good film well worth watching with a lot more to it than I've bothered to brush upon here. I'm personally now looking out for more Ronald Cheng (Captain) flicks as his acting and martial arts skills were impressive.
After seeing Jacky Wu Jing in "Kill Zone", I was excited to see "Fatal Contact". That excitement died quickly when I realized it was a wire-fu movie. There's not one single fight scene that doesn't use wire work extensively. I'm not talking about a jump here or a kick there either, it's the whole fight scenes. Jacky is good. His fight with Donnie Yen in Kill Zone is classic. That's why I don't understand the overkill with wires here. Why not use the guy's real talent. I like realistic fight scenes and this doesn't have a single one. It's not impressive when a guy does a flip off of a stack of wooden pallets if he is using a wire. The same can be said for spin kicks. The rest of this movie is equally bad. Terrible dialogue, acting, story, and one of the worst endings in movie history.
Did you know
- TriviaJacky Wu trained in Sanda for the film in Beijing and was nearly knocked out by one of the Sanda team members.
- ConnectionsReferences King Kong (1933)
- SoundtracksTHEME SONG
Performed by Ronald Cheng
Composed by Ian Kasela
Lyrics by Xia Zhi
OP: PT EMI Publishing Indonesia
SP: Gold Label Music Ltd.
- How long is Fatal Contact?Powered by Alexa
Details
Box office
- Gross worldwide
- $633,350
- Runtime
- 1h 50m(110 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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