DumbLand

The amount of times the central character brings up the concept of hypothetically defecating in his own backyard... beautiful.

Since September of last year, I have been borrowing four to six films each week from the Harold Washington Library, which boasts an impressive DVD collection. (The HWL truly is a circulating library: three-quarters of its films are out at any given time!) Recently, I was thrilled to find The Short Films of David Lynch. Yesterday, knowing little about the animated series, I picked up Dumbland. I'm here to report that, for David Lynch fans, watching the eight episodes is half an hour well-spent.

The most remarkable feature of these brief pieces are their soundtracks. Each episode has its own rhythm. Respiratory and digestive systems provide percussion. Outrageous voices accent pauses' ends. Physical violence supplies the beats. Chirping birds and buzzing sockets brush along the edges. Many other elements fill out the orchestra. The pacing of the crude animation often keeps in sync with the sound, but the soundtrack itself struck me as Lynch's primary interest in creating and disseminating this work. In a way, these eight shorts are unique Lynchian rhythms.

That said, the situations are odd, ugly, profound, dumb and funny as hell. And there's enough space within them to reflect on how absurd we humans can be. I can't say that I'll watch the collection again, but for anyone who revelled in the movements that is the suite Inland Empire, Dumbland is worth half an hour of your time.

Dumbland is not for all. In fact Dumbland maybe in for nobody except Lynch and that's what make it funny and a collective cartoon. Violent? Yes. Profanity? Yes. Absurd? Yes. A piece of garbage? Never. Dumbland is a wonderful picture of some Americans that don't have brains and hit wife and kids for fun. From México I can say I love it! My favorite episodes are: 1- My teeths are bleeding, all the noise around and violence make me wanna scream and put me behind my bed. 2- Get the stick! Yeah baby get it and learn a lesson: some people never be thankful for your actions. 3- Ants. The more Lynch episode of all, music, surrealism and a very sweet revenge...

David Lynch's crude and crudely drawn take on South Park presents us with a nightmare of disturbing clichés about suburban middle class families. The father is a hideous monster with three teeth and a disproportionately large circular mouth-hole from which are uttered the most horrendous guttural noises, the son and mother are permanently horrified, incoherent creatures for whom terror is a way of life. A number of equally absurd characters are introduced throughout the series.

Lynch is not famous for his comedies (i.e. On the Air, aspects of Wild at Heart), and I am not particularly fond of comedies in general. However, there were a couple of scenes in Dumbland which made me laugh out loud. There are some clever bits of animated cinematography - where Lynch conveys wide ranges of reaction in his characters through a syntactical arrangement of shots as opposed to facial expressions (which never really vary in Dumbland).

I believe Lynch was really trying to give his audience a straight-forward, if disturbing, animated comedy here. Interestingly, he chose to follow in the footsteps of the recent wave of ultra-low-brow humor (i.e. most Will Farrell films) while adding elements of vicious social critique and classic cartoon violence and gross-out humor. While the blend doesn't really work very well here, it is nothing if not Lynchian.

Worth seeing by Lynch fans.

I picked up the "Dumbland" DVD around this time last year, despite the poor marks other sites had given it. I consider myself a David Lynch fan, even though his output has been erratic (in terms of both quality and content) over the past three decades. The first time I watched "Dumbland," I was dumb-founded and more than a little angry at the end of its 33 minutes--the animated series of 8 short episodes, previously available only to paying members of Lynch's website, was a total wash...awful sound, awful stories, and probably the worst animation known to man (at least a child's flipbook of drawings wouldn't cause a migraine). Near the end, I was semi-entranced by the dancing ants who sing a taunting song at our obnoxious, white-trash 'hero,' thinking a little of Lynch's bizarro craft was clawing at the surface. Foregoing a review then, I decided to watch the DVD a second time before giving an opinion. (I know Lynch well enough to realize his films often play better upon repeated viewings.) Well, the time has come. One year later, "Dumbland" is...still not that great, but a little better than my initial viewing. I don't care what pretentious justifications you have for this fitting into the Lynch Pantheon of Strange, its (clearly deliberate) efforts to be a subversive, "anti-entertainment" come across as obnoxious all the same: not only is the animation horrible, it is incredibly abrasive on the 'ol eyes (the white is so bright, in fact, that it is like watching black squiggles dance on a fluorescent lightbulb); and the sound mix is also poor, with the 'hero's screams louder than any other character. Again, I have no doubt that Lynch intended ALL of this, but if this is his new tactic of alienating audiences, it's pretty lame to stoop to aural/visual abrasion for its own sake.

That being said, the first 2-3 episodes have a certain quirky humor that is not apparent upon an initial viewing--trouble is, the gags (along with that damned animation) become VERY repetitive after that. Lynch's imagery of suburbia is crude and bizarre, including a panicked, scarecrow-haired wife; an androgynous embryo of a child; a blood-vomiting uncle; duck-f*cking neighbors; ants with attitudes; smiling flies; and tanks driving down the street, among other strange happenings. All of this is pure Lynch, and while "Dumbland"'s crudity doesn't merit "Eraserhead"-style analysis and debate, it ultimately makes for a low-budget, low-class, low-expectation, and low-level hypnotic experience (though that could just be attributable to the spiral that starts each episode).