IMDb RATING
5.2/10
9.3K
YOUR RATING
Based on the true story of the double initial killings in Rochester, NY.Based on the true story of the double initial killings in Rochester, NY.Based on the true story of the double initial killings in Rochester, NY.
- Awards
- 1 nomination total
Andrew Fiscella
- Len Schafer
- (as Andy Fiscella)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This crime thriller centers on a detective named Megan (Eliza Dushku) who investigates a series of child murders in upstate New York. But Megan suffers from a mental illness, the symptoms of which get worse as she delves deeper into the killings. She hears strange voices and sees "visions" related to the victims.
With low light levels and muted colors, combined with creepy background music, the film's first half creates an effective thriller atmosphere. We see the outline of the killer, but never the face. Will Megan solve the murders and overcome her illness, or will the inept police supersede, to botch the case? As viewers, we root for Megan to succeed.
Although the script idea originates from a real-life murder case, referred to generally as the "double initial" serial killings, which terrorized upstate New York in the early 1970s, the film's overall plot and main characters are fictional. The story setting is the present, not the 1970s. The scriptwriter created the Megan character out of thin air. And the story's outcome deviates considerably from the outcome of the real-life case. The film's writer wrote a fictional plot, based on a real-life premise. The film's second half fails to convince, largely because of its clichéd plot contrivances.
Visuals consist of an annoying widescreen projection and some hokey CGI effects, in the form of "ghosts". But the low lighting contributes tension, as does some clever low-angle camera shots. And the director relies mostly on a hand-held camera, which enhances realism. Overall casting and acting are fine.
"The Alphabet Killer" gets off to a great start. But it falters in the second half, owing to fictional plot points that dilute the underlying real-life premise. I would have preferred a narrative that followed the true story, though I understand that the reason for not doing so was budget constraints. By lowering one's expectations, the viewer may find the film worthwhile, either as a fictional thriller or as a character study of a woman fighting her own demons.
With low light levels and muted colors, combined with creepy background music, the film's first half creates an effective thriller atmosphere. We see the outline of the killer, but never the face. Will Megan solve the murders and overcome her illness, or will the inept police supersede, to botch the case? As viewers, we root for Megan to succeed.
Although the script idea originates from a real-life murder case, referred to generally as the "double initial" serial killings, which terrorized upstate New York in the early 1970s, the film's overall plot and main characters are fictional. The story setting is the present, not the 1970s. The scriptwriter created the Megan character out of thin air. And the story's outcome deviates considerably from the outcome of the real-life case. The film's writer wrote a fictional plot, based on a real-life premise. The film's second half fails to convince, largely because of its clichéd plot contrivances.
Visuals consist of an annoying widescreen projection and some hokey CGI effects, in the form of "ghosts". But the low lighting contributes tension, as does some clever low-angle camera shots. And the director relies mostly on a hand-held camera, which enhances realism. Overall casting and acting are fine.
"The Alphabet Killer" gets off to a great start. But it falters in the second half, owing to fictional plot points that dilute the underlying real-life premise. I would have preferred a narrative that followed the true story, though I understand that the reason for not doing so was budget constraints. By lowering one's expectations, the viewer may find the film worthwhile, either as a fictional thriller or as a character study of a woman fighting her own demons.
Eliza Dushku is the one who delivers in this fairly predictable serial killer story, reminiscent of such films as "Gothika" and "Jennifer Eight". There are also a lot of serial killer movie alumni populating the lesser roles of this film, like Bill Moseley, Timothy Hutton, Tom Noonan and Cary Elwes. They don't really matter though, because it's all about Dushku's character Megan Paige and her late onset schizophrenia which makes it very difficult for her to crack the case of the Alphabet killer, as well as keep the confidence of her fellow police officers.
Movies that focus on characters with mental disorders are often interesting and unpredictable, like Polanski's "Repulsion" or Fincher's "Fight Club" because they makes the audience question what's reality in the movie and what's just playing out inside the mind of the main character. Unfortunately this isn't one of those movies. Instead of trying to make the audience share in Megan's delusions, they are clearly separated and labeled to avoid any confusion, or excitement for that matter. Instead we are made to watch her from the outside and see her struggling to connect with her colleagues and convince them that she's completely sane despite her textbook "crazy person" behavior. Like I said, Dushku delivers a solid performance as a distraught, emotionally unstable and sometimes delusional police woman. It's just hard to get invested in her character because of the boring predictable story she slowly fights her way through.
There is not a single supporting character that comes off as more than some kind of one-dimensional stereotype. There's the honest cop, the crooked cop, the former lover, the one true friend, the calm doctor, the obvious suspect, the creepy priest and eventually, for a brief time at the end, the killer... non of them with any significant character development or depth. This movie isn't painful to watch and it's not poorly made, it just suffers from lack of imagination on the directors part and some sloppy writing. See it, don't see it... doesn't really matter.
Movies that focus on characters with mental disorders are often interesting and unpredictable, like Polanski's "Repulsion" or Fincher's "Fight Club" because they makes the audience question what's reality in the movie and what's just playing out inside the mind of the main character. Unfortunately this isn't one of those movies. Instead of trying to make the audience share in Megan's delusions, they are clearly separated and labeled to avoid any confusion, or excitement for that matter. Instead we are made to watch her from the outside and see her struggling to connect with her colleagues and convince them that she's completely sane despite her textbook "crazy person" behavior. Like I said, Dushku delivers a solid performance as a distraught, emotionally unstable and sometimes delusional police woman. It's just hard to get invested in her character because of the boring predictable story she slowly fights her way through.
There is not a single supporting character that comes off as more than some kind of one-dimensional stereotype. There's the honest cop, the crooked cop, the former lover, the one true friend, the calm doctor, the obvious suspect, the creepy priest and eventually, for a brief time at the end, the killer... non of them with any significant character development or depth. This movie isn't painful to watch and it's not poorly made, it just suffers from lack of imagination on the directors part and some sloppy writing. See it, don't see it... doesn't really matter.
I like films about killers, especially those with an interesting little story or something that makes them a bit different. The Alphabet Killer doesn't disappoint in this respect.
I'll admit, the start was pretty poor, I felt it was quite disjointed and it seemed as though a lot of scenes that should have been there to develop the plot were on the cutting-room floor. However, once we get into the middle and latter stages of the film, we definitely see a marked improvement.
I think Eliza Dushku played her role well in this, and I felt the slant of Megan's mental illness playing such a large part in the story made her character more believable, and added interest to the film.
Overall, this was a nicely put together film. It had little gore or anything really adult-themed, so if that's what you're after this isn't for you. If you want a killer movie portrayed more through the eyes of the main detective than is usual, you might like this. Yeah, you'll probably suss it out, but that's half the fun.
I'll admit, the start was pretty poor, I felt it was quite disjointed and it seemed as though a lot of scenes that should have been there to develop the plot were on the cutting-room floor. However, once we get into the middle and latter stages of the film, we definitely see a marked improvement.
I think Eliza Dushku played her role well in this, and I felt the slant of Megan's mental illness playing such a large part in the story made her character more believable, and added interest to the film.
Overall, this was a nicely put together film. It had little gore or anything really adult-themed, so if that's what you're after this isn't for you. If you want a killer movie portrayed more through the eyes of the main detective than is usual, you might like this. Yeah, you'll probably suss it out, but that's half the fun.
I only basically wanted to see the location shots of my crap city, and surely did notice a few! The part that really drove me insane is the use of cell phones and laptops. I noticed the cars were pretty old looking but when the dad of Wanda hands over HER CELL PHONE to the cops for her contacts-- the movie was just dead to me after that. The kid was 12 year old and the year was 1972. Also I wasn't sure about the time frame because I think the killer struck again well before two years after the first girl's death.
I know it was only supposed to be "based on" these murders, but if they went to all the trouble of actually filming on location in Rochester, why didn't they go for a little more credibility? It was just meh, but again, fun for the location shots, and Eliza Deshku is always very good in everything.
I know it was only supposed to be "based on" these murders, but if they went to all the trouble of actually filming on location in Rochester, why didn't they go for a little more credibility? It was just meh, but again, fun for the location shots, and Eliza Deshku is always very good in everything.
Saw the rating of 6/10 on here and decided to give this a try. Bad mistake!
I thought this was the worst serial killer movie I have ever seen. You know it's a bad sign when the serial killer seems more sane than the lead character.
The lead character was not very bright nor likable, and I spent most of the movie hoping for her demise.
Just because it's loosely based off a real life event does not mean it should become a movie.
I would NOT recommend this movie at all.
I thought this was the worst serial killer movie I have ever seen. You know it's a bad sign when the serial killer seems more sane than the lead character.
The lead character was not very bright nor likable, and I spent most of the movie hoping for her demise.
Just because it's loosely based off a real life event does not mean it should become a movie.
I would NOT recommend this movie at all.
Did you know
- TriviaBased on the true story of the double initial killings in Rochester, NY.
- Goofs(at around 52 mins) When Megan goes into Len's house to talk to her, she is not wearing latex gloves, her fingerprints would be all over everything.
- Quotes
[first lines]
Megan Paige: Mostly the job is to ask questions. The frustrating part, the part that drives you crazy, is that the people you really want to talk to are dead.
- ConnectionsEdited into The Alphabet Killer: Alternate Scene (2009)
- SoundtracksSkeleton (She's So Cool)
Written by Nils Alpha / Jukka Sebatian
Performed by Alpha Kids
Details
Box office
- Budget
- $2,000,000 (estimated)
- Gross US & Canada
- $29,784
- Opening weekend US & Canada
- $11,000
- Nov 9, 2008
- Gross worldwide
- $106,596
- Runtime
- 1h 38m(98 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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