The Alphabet Killer

Eliza Dushku (Megan Paige) was simply distracting. The film was dull with terribly stereotypical characters. Simple as that.

i just lost interest in the film. I honestly don't understand how other reviews hype Eliza's performance as 'amazing.' I was not impressed. Unfortunately, the only memorable piece of the film was her bland, unconvincing, portrayal of the lead role. She seemed confused, and noticeably self-conscious throughout the film. She is a very pretty girl, and maybe she has chops, but i'm still not confident she does yet.

If you're looking for a run-of-the-mill serial killer flick and you are easily drawn into stories despite sub-par acting.. This film may be a decent couple hours of mindless entertainment. If you are looking for anything else.... Im afraid you will not find it in this movie.

Bland is the right word to describe this movie. Absolutely nothing interesting, nothing new and a cruelly stupid plot.

Eliza Dushku is pretty but that is all she is. In most parts of the movie she walks and talks like a zombie. Not sure if that is how delusional people would behave, but her performance looks comical. And since the whole movie circles around her, she single handedly manages to bring the entire movie down.

I really hope to see her cast in a better and more suitable role.

This is one such movie where everything looks bad, right from the acting, music, script, dialog, plot – everything.

I was shaking my head and hoping to see the movie end at some point.

Stay away from this one – unless you want to totally waste your time.

This crime thriller centers on a detective named Megan (Eliza Dushku) who investigates a series of child murders in upstate New York. But Megan suffers from a mental illness, the symptoms of which get worse as she delves deeper into the killings. She hears strange voices and sees "visions" related to the victims.

With low light levels and muted colors, combined with creepy background music, the film's first half creates an effective thriller atmosphere. We see the outline of the killer, but never the face. Will Megan solve the murders and overcome her illness, or will the inept police supersede, to botch the case? As viewers, we root for Megan to succeed.

Although the script idea originates from a real-life murder case, referred to generally as the "double initial" serial killings, which terrorized upstate New York in the early 1970s, the film's overall plot and main characters are fictional. The story setting is the present, not the 1970s. The scriptwriter created the Megan character out of thin air. And the story's outcome deviates considerably from the outcome of the real-life case. The film's writer wrote a fictional plot, based on a real-life premise. The film's second half fails to convince, largely because of its clichéd plot contrivances.

Visuals consist of an annoying widescreen projection and some hokey CGI effects, in the form of "ghosts". But the low lighting contributes tension, as does some clever low-angle camera shots. And the director relies mostly on a hand-held camera, which enhances realism. Overall casting and acting are fine.

"The Alphabet Killer" gets off to a great start. But it falters in the second half, owing to fictional plot points that dilute the underlying real-life premise. I would have preferred a narrative that followed the true story, though I understand that the reason for not doing so was budget constraints. By lowering one's expectations, the viewer may find the film worthwhile, either as a fictional thriller or as a character study of a woman fighting her own demons.

Eliza Dushku is the one who delivers in this fairly predictable serial killer story, reminiscent of such films as "Gothika" and "Jennifer Eight". There are also a lot of serial killer movie alumni populating the lesser roles of this film, like Bill Moseley, Timothy Hutton, Tom Noonan and Cary Elwes. They don't really matter though, because it's all about Dushku's character Megan Paige and her late onset schizophrenia which makes it very difficult for her to crack the case of the Alphabet killer, as well as keep the confidence of her fellow police officers.

Movies that focus on characters with mental disorders are often interesting and unpredictable, like Polanski's "Repulsion" or Fincher's "Fight Club" because they makes the audience question what's reality in the movie and what's just playing out inside the mind of the main character. Unfortunately this isn't one of those movies. Instead of trying to make the audience share in Megan's delusions, they are clearly separated and labeled to avoid any confusion, or excitement for that matter. Instead we are made to watch her from the outside and see her struggling to connect with her colleagues and convince them that she's completely sane despite her textbook "crazy person" behavior. Like I said, Dushku delivers a solid performance as a distraught, emotionally unstable and sometimes delusional police woman. It's just hard to get invested in her character because of the boring predictable story she slowly fights her way through.

There is not a single supporting character that comes off as more than some kind of one-dimensional stereotype. There's the honest cop, the crooked cop, the former lover, the one true friend, the calm doctor, the obvious suspect, the creepy priest and eventually, for a brief time at the end, the killer... non of them with any significant character development or depth. This movie isn't painful to watch and it's not poorly made, it just suffers from lack of imagination on the directors part and some sloppy writing. See it, don't see it... doesn't really matter.

Detective Megan Paige (Eliza Dushku) is tracking down a serial killer who finds girls with twin initials and dumps them in a city with the same beginning letter (such as Kelly Kapowski in Kingston). But when she gets too attached to the case, she suffers a mental breakdown. When the killings continue, can she overcome her problems to stop him from striking again?

I thought the film would be a pretty decent one... the concept was interesting, even if the movie strays quite a bit from the real events this was based on. And the cast is impressive. Dushku is pretty amazing, Cary Elwes is one of my all-time favorite actors, Timothy Hutton is here, Michael Ironside, and genre fave Bill Moseley. So you can't beat this ensemble cast.

But sadly, it just didn't add up for me. It was predictable (even the "twist" seemed obvious from early on) and not as engaging as one might think. It wasn't even as good as another recent murder / detective story I reviewed, "Anamorph" (which was itself not all that amazing). I've been a fan of Rob Schmidt's work, especially "Right to Die" and thought he'd be a good person to bring a dark angle to this story. Sadly, not so much... clichés such as a child-obsessed priest appear, and some (presumably imaginary) ghosts that don't really add to the film.

I wouldn't say not to watch this one, but it wasn't gripping. There isn't one thing I can pinpoint as making this film stand out -- not the music, the lighting, the effects... it was all pretty standard. It almost would have been more fitting for a Lifetime movie. As far as serial killers go, this one comes off as remarkably tame. If you want your psyche thrilled, look somewhere else.