Rails & Ties

I started watching this movie because it sounded like it involved something about a train accident. It does, but that's not what this movie is about. What got me is the sad clip of the train engineer's wife looking at her mastectomy in the mirror - couldn't stop watching after that. The story is both tragic and uplifting - but most of all it's compelling to watch once you get started.

Storywise, it starts out with a mother who commits suicide by placing her car in front of an approaching train. The train engineer makes a judgment call to hit the car instead of risking a sudden stop. Eventually, her son finds his way into the lives of the engineer and his terminally ill wife... and the story progresses from there.

The story itself is unusual and that made it a somewhat novel experience. The acting is amazing - esp. by Marcia Gay Harden (the ill wife). It's definitely a show worth watching if you're looking for a well-done drama.

RAILS & TIES (2007) **1/2 Kevin Bacon, Marcia Gay Harden, Miles Heizer, Marin Hinkle, Eugene Byrd, Bonnie Root, Steve Eastin, Laura Ceron, Margo Martindale, Kathryn Joosten. Unlikely melodrama about a young boy (newcomer Heizer) who comes into the lives of a train engineer and his dying wife (Bacon and Harden respectively) after an act of fate occurs binding the three together through their grief. Actress Allison Eastwood – daughter of Clint – parallels her father in the film-making process in this directorial debut that comes across as a Lifetime TV Movie but she employs many of his skills (i.e. soft fades to black, expert acting, subtle camera movements) that overlook the script's shortcomings.

As "Rails and Ties" opens, locomotive engineer Tom Stark (Kevin Bacon) is having the kind of day most of us wouldn't wish on our own worst enemy; his 41-year-old wife, Megan (Marcia Gay Harden), has just been diagnosed with terminal cancer, and a mentally ill young mother has committed suicide by parking her car directly in the path of the train he is conducting. As is customary in such cases, Tom is put on temporary suspension pending an investigation of the crash. He also has to come to terms with the imminent loss of his wife, who laments the fact that the couple never had a child and that she will die without ever having truly lived. Meanwhile, the dead woman's 11-year-old son, Davey (Miles Heizer), who has miraculously escaped the tragedy (it was intended as a murder/suicide), seeks Tom out to confront him about running over his mother, but stays to find a surrogate family of sorts with Tom and Megan - with all the messy legal ramifications that that entails.

Needless to say, given the plot as outlined above, "Rails and Ties" isn't exactly designed to be a passel of upbeat fun. Still, those with a taste for serious, thoughtful, humanistic dramas will find much to cherish in this film. The Micky Levy screenplay focuses, primarily, on the complex marital relationship of Tom and Megan, as they struggle with why Tom has never been able to fully commit himself to either the marriage or the prospect of being a father.

Given all the various tragic elements that meet up in this single drama, the movie could easily have become awash in sentimentality and bathos. Instead, the subtlety and restraint of Alison Eastwood's direction, along with the richly understated performances (especially by Harden), keep the suds from rising too much to the surface. The result is a movie that deals authentically and truthfully with some highly unorthodox and rather touchy subject matter. "Rails and Ties" may pluck on the heartstrings a little too freely at times, but the tears and throat lumps it elicits are, for the most part, honestly earned.

Maybe some say this is a typical "woman movie". I'd not say so, but there surely is a tendency towards women more appreciating it than the men. It's not, however, much of a love story, it's a rather bittersweet tale with ASTONISHING ACTORS from A to Z.

It's a movie that makes you feel human. You'll most probably shed some tears and laugh at some of the subtle jokes, some will do so more than others, but all in all it's not a dramatic hell rise like in BREAKING THE WAVES, though Bacon's character surely is a guy you'd like to kick in the butt just to 'wake up' or something. But then, the end comes.

I can recommend that if you're out for a softer, heart-felt DVD experience.

To often humans seek out comfort in the embrace of another. It's natural and necessary if we want to remain human. However, the price we pay is terrible when giving our love to parents, loved ones and close friends. In addition, tragic events add to our loss when inexplicably we lose those who are close to us. This film encompasses such a tragic loss when Tom Stark (Kevin Bacon) is at the controls of his train when Laura Danner (Bonnie Root), a suicidal mother parks her car upon the tracks and awaits death with her son. Despite his best efforts, Stark is unable to prevent the accident. The woman is killed and her son Davey Danner (Miles Heizer) blames her death on the engineer. With the accident troubling his mind, Stark is further burdened with his ailing wife who is dying of cancer. In addition, Davey becomes an orphan, sent to a foster home from which he runs away from and seeks refuge with Stark and (Marcia Harden) his sickly wife. The story is deeply complex and extremely ladened with anxiety, conflicting emotion and troubling situations. It attempts to intertwine both family understanding and compassion grief. Although Kevin Bacon is superb in his acting and is ably supported by Miles who is equally great, some selected scenes are slow to develop, morosely dark and too often the audience is hampered with confused and poorly directed endings. Nevertheless, the story is awash with deep feelings and emotional surges which confront human beings everyday. ***