Rails & Ties

To often humans seek out comfort in the embrace of another. It's natural and necessary if we want to remain human. However, the price we pay is terrible when giving our love to parents, loved ones and close friends. In addition, tragic events add to our loss when inexplicably we lose those who are close to us. This film encompasses such a tragic loss when Tom Stark (Kevin Bacon) is at the controls of his train when Laura Danner (Bonnie Root), a suicidal mother parks her car upon the tracks and awaits death with her son. Despite his best efforts, Stark is unable to prevent the accident. The woman is killed and her son Davey Danner (Miles Heizer) blames her death on the engineer. With the accident troubling his mind, Stark is further burdened with his ailing wife who is dying of cancer. In addition, Davey becomes an orphan, sent to a foster home from which he runs away from and seeks refuge with Stark and (Marcia Harden) his sickly wife. The story is deeply complex and extremely ladened with anxiety, conflicting emotion and troubling situations. It attempts to intertwine both family understanding and compassion grief. Although Kevin Bacon is superb in his acting and is ably supported by Miles who is equally great, some selected scenes are slow to develop, morosely dark and too often the audience is hampered with confused and poorly directed endings. Nevertheless, the story is awash with deep feelings and emotional surges which confront human beings everyday. ***

As "Rails and Ties" opens, locomotive engineer Tom Stark (Kevin Bacon) is having the kind of day most of us wouldn't wish on our own worst enemy; his 41-year-old wife, Megan (Marcia Gay Harden), has just been diagnosed with terminal cancer, and a mentally ill young mother has committed suicide by parking her car directly in the path of the train he is conducting. As is customary in such cases, Tom is put on temporary suspension pending an investigation of the crash. He also has to come to terms with the imminent loss of his wife, who laments the fact that the couple never had a child and that she will die without ever having truly lived. Meanwhile, the dead woman's 11-year-old son, Davey (Miles Heizer), who has miraculously escaped the tragedy (it was intended as a murder/suicide), seeks Tom out to confront him about running over his mother, but stays to find a surrogate family of sorts with Tom and Megan - with all the messy legal ramifications that that entails.

Needless to say, given the plot as outlined above, "Rails and Ties" isn't exactly designed to be a passel of upbeat fun. Still, those with a taste for serious, thoughtful, humanistic dramas will find much to cherish in this film. The Micky Levy screenplay focuses, primarily, on the complex marital relationship of Tom and Megan, as they struggle with why Tom has never been able to fully commit himself to either the marriage or the prospect of being a father.

Given all the various tragic elements that meet up in this single drama, the movie could easily have become awash in sentimentality and bathos. Instead, the subtlety and restraint of Alison Eastwood's direction, along with the richly understated performances (especially by Harden), keep the suds from rising too much to the surface. The result is a movie that deals authentically and truthfully with some highly unorthodox and rather touchy subject matter. "Rails and Ties" may pluck on the heartstrings a little too freely at times, but the tears and throat lumps it elicits are, for the most part, honestly earned.

I started watching this movie because it sounded like it involved something about a train accident. It does, but that's not what this movie is about. What got me is the sad clip of the train engineer's wife looking at her mastectomy in the mirror - couldn't stop watching after that. The story is both tragic and uplifting - but most of all it's compelling to watch once you get started.

Storywise, it starts out with a mother who commits suicide by placing her car in front of an approaching train. The train engineer makes a judgment call to hit the car instead of risking a sudden stop. Eventually, her son finds his way into the lives of the engineer and his terminally ill wife... and the story progresses from there.

The story itself is unusual and that made it a somewhat novel experience. The acting is amazing - esp. by Marcia Gay Harden (the ill wife). It's definitely a show worth watching if you're looking for a well-done drama.

I rented this on DVD and am wondering why they took out the Additional Scenes in the movie that are on the Special Features. I was hoping there would be some interviews on the DVD, but alas, had to settle for just the Additional Scenes.

This movie has typical Lifetime TV earmarks, but with a lot more to give. I was especially impressed with Miles Heizer in his role of the young boy. It is a good story that gives both character insight angles of the victim and the accidental killer. I applaud the casting done here. Kevin Bacon's role was perhaps the best choice to play this particularly difficult part, and he conveyed/portrayed it very well. I can't think of any other actor who could have pulled it off.

The emotional dramas did cause me to pull out some hankies, but they did not dwell on this content in an overdone fashion. I am weary of movies that linger on with many scenes of someone dying in bed of cancer (which was not done at all in a great movie "Who Will Love My Children"), but they kept the IV drip bit scenes to a tolerable minimum. The tears were not associated so much to the cancer bit, but was with how the story was put together ... very, very well done.

This young 14-year-old lad, Miles Heizer, is a gem and I really hope to see more of him performing in more films. This movie I recommend when you're in an emotional mood of viewing pleasure. It's definitely worth the rental fee.

I really liked this movie even though it made me cry so much that I had a headache. Kevin Bacon, Marcia Gay Harden and Miles Heizer made me believe that I was looking into their lives and Alison Eastwood's direction clearly had something to do with that. The script however was very unbelievable. But then again, does it really matter? When I turn to movies, I want to escape reality because reality is not that great (at least mine isn't). I'm not saying that I enjoy crying but I enjoy a movie that can bring me into their world and, for 100 or so minutes, I did not, for one second, think of my world. So I, for one, will look forward to seeing more from Alison Eastwood!