Make It Happen

Lauryn Kirk (Mary Elizabeth Winstead) from a small Indiana town goes to audition for the Chicago School of Music and Dance. They want real emotions and reject her. Her car gets towed and she is unwilling to admit defeat to her brother. She gets a place to stay from Dana (Tessa Thompson) who helps get her a bookkeeping job at the burlesque club Ruby's. Dana is one of the dancers and Russ (Riley Smith) is the music director.

This is a worn-out formula. The plot is a copy of every other one of these dance movies. This has to distinguish itself with great dancing but there is nothing exceptional here. Winstead is not a big enough star to carry this although she does have that wide-eyed innocent quality. She's tall and lanky. She fits the character but the movie is not special.

All this is is a dancing version of Coyote Ugly. Dancing is good but if you have watched Coyote Ugly, you already know what's about to happen.

Examples: In both movies there is a colleague who is horrible to them right through the movie...

In both movies there is the guy who pretends to be the manager...

In both, its all about getting the audition

In both, there is a family crisis where they both decide to abandon their dream and run home but first have a good old fashioned drama scene where they abandon their boyfriends...

Seriously, if you have watched Coyote Ugly, don't bother watching this one.

I saw Make it Happen this morning and thoroughly enjoyed the film. I found the plot to be intelligent, original, interesting and emotionally engaging. I thought all of the characters in some way evoked my sympathy and the standard of acting was excellent. I enjoyed the romance and felt there was real 'chemistry' in those scenes. There wasn't as much dancing and music as I expected, but for me that didn't matter since I was more interested in the story. (Having said that, I enjoyed what dancing and music there was very much!) I don't see why anyone of a romantic nature (male or female) wouldn't thoroughly enjoy this film. It has everything I look for in a movie - and plenty of it. Highly recommended.

Are there many better ways to waste an hour and a half than watching the gorgeous Mary Elizabeth Winstead strutting her stuff as a burlesque dancer? I didn't think so, but I was wrong. Winstead is breathtakingly beautiful, and sufficiently lithe and lissom for the role, but this derivative dance movie -- obviously inspired by films such as Flashdance, Fame, Breakin', and Coyote Ugly -- simply hasn't got the moves necessary for a good time.

Written by one-trick-pony Duane Adler (check out his filmography to see what I mean), this predictable urban fantasy piles on the clichés from the get-go: girl from Hicksville dreams of making it big - check! Her only family is her hard-working mechanic brother - check! She fails to make it through her audition - check! She takes a job at a nightclub where she falls for the nice guy DJ - check! Brother pays her a surprise visit and is shocked to see her on stage - check! Nice guy DJ convinces her to re-audition - check! She wows the choreographer and gets a place at dance school - check! Everyone is pleased for her, even her brother, who has had a change of heart - check!

Director Darren Grant injects very little life into proceedings: the drama is instantly forgettable, but even the dance scenes - surely the most important aspect of this genre - are incredibly bland. Don't expect any iconic moments a la Jennifer Beals water/chair moment in Flashdance - there aren't any. Don't look for cool moves as busted by Boogaloo Shrimp and Shabba-Doo in Breakin' - there aren't any. Winstead tries her best but the choreography is terrible - the final routine for her second audition isn't any better than her first attempt, but I guess failing twice wouldn't have been clichéd enough for this kind of tripe.

I watched for Winstead, but should have watched something else instead. 3/10.

How do you approach a dance movie? I feel that the story takes a firm back seat, in providing a wafer thin excuse to string some opportunities for dancing onto the screen. Granted there are some excellent story lines that come once in a while, but most times, you'd get the rudimentary dancer character who has to prove that he/she can dance to a group of nay-sayers consisting of peers or snooty judges, fall in love, and of course to rise above all challenges to claim the prize / gain acceptance from the community.

Brought to us from the writer of movies such as The Step Up and Save The Last Dance movies, here comes something that doesn't disappoint, in that it sticks to formula so that you know what to expect, nothing more or less. Mary Elizabeth Winstead (who played John McClane's grown up daughter in Die Hard 4, and scream queen in Final Destination 3) takes on the mantle of the downtrodden dancer wannabe Lauryn, who felt that she's responsible for the family garage business, until she decides to pursue her dream by leaving the small town, and head for the bright lights in the big city.

Her audition with the Chicago School of Music and Dance was a complete washout, and confidence shaken, takes to the temp-ing at a lounge called Ruby's, where she helps to cook the books. But you can bet your last dollar that this is the venue with which she'll fall in love, with a fellow music engineer Russ (Riley Smith), while lapping the coincidental opportunities for her to showcase some of her moves, before becoming an established member of the pussycat dolls of dance.

Story aside, which packed a wallop with superficial antsy challenges from established peers, an unforgiving brother who couldn't fathom her passion, and a boyfriend who can't wait to get into her pants, coupled with the nagging thought of failure and that she's no good for the Ivy League school for dance, we're really here for the set dance pieces, aren't we? There aren't many of them which stood out, given that they aren't as innovative or fused some genres together to come up with an amalgam of moves, though the character of Lauryn probably was supposed to show how an unpolished gem got to go through the paces at a club, before coming through and achieving success by her measure.

And the lounge setting does provide for some sensual, provocative costumes to drape the lithe and tall frame of Winstead's, though I had to admit I thought her assortment of hoods, wigs and the likes provided for some convenient cover-up for a body double to take over, until of course I read that she had some background in dance. There are some routines that I genuinely liked, but the one at the finale, which should be the mother of all moves in any dance movie, was the one that seriously packed a punch, with improvisation, and a combination of ballet with hip-hop, without being too obvious or conscious about it.

Yes, you've seen one you've seen them all, at least for the narrative aspect. If you're patient to sit through the dramatic portions, you'll find yourself cheering with the crowd when the dancers take to the platform. Soundtrack too was nothing short of expectations, and I give it brownie points for the inclusion of a disco retro.