Unfinished Sky
- 2007
- 1h 34m
IMDb RATING
6.8/10
1.4K
YOUR RATING
An Outback farmer takes in an Afghani woman who has fled from a brothel.An Outback farmer takes in an Afghani woman who has fled from a brothel.An Outback farmer takes in an Afghani woman who has fled from a brothel.
- Awards
- 15 wins & 13 nominations total
Philippa Coulthard
- Rose
- (as Philippa Couthard)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
6.81.3K
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Featured reviews
Whoah! This one really packs a punch
I'm a sucker for romance. No, I didn't give Legally Blonde a ten, but I'm pretty tragic: I watched Notting Hill three times.
That's what I thought I was getting this time. I was wrong.
I recorded this, and it was a few months until I got around to watching it.
It helps if you don't know that it's a remake: but by now, you do. Or of what... If you've seen the other movie, you can watch this one too: trust me, you have NOT seen it before! When I watched it, I didn't know it was a re-make; I didn't even know it was Australian. I take the point of the poster who said this is two stories compressed into the one movie: it is. He believes that's over-doing it. I respectfully disagree: in Australia, we often find the "one idea" Hollywood treatment of a story quite unsatisfying.
This movie had me in from the opening scenes. It's one of the few movies I wouldn't pause to take a phone call. That's my highest accolade, and this one earns it.
Notice the high ratings the Australian posters are giving it? That's not entirely because we like our own films. It's also because this has an authenticity that is utterly compelling, if you happen to speak Australian. If you do speak Australian, you will realise that the power of this story is in what is NOT said. Which tends to be the way rural Australians communicate! Outback Australia really is like this: particularly the north of the country.
That's what I thought I was getting this time. I was wrong.
I recorded this, and it was a few months until I got around to watching it.
It helps if you don't know that it's a remake: but by now, you do. Or of what... If you've seen the other movie, you can watch this one too: trust me, you have NOT seen it before! When I watched it, I didn't know it was a re-make; I didn't even know it was Australian. I take the point of the poster who said this is two stories compressed into the one movie: it is. He believes that's over-doing it. I respectfully disagree: in Australia, we often find the "one idea" Hollywood treatment of a story quite unsatisfying.
This movie had me in from the opening scenes. It's one of the few movies I wouldn't pause to take a phone call. That's my highest accolade, and this one earns it.
Notice the high ratings the Australian posters are giving it? That's not entirely because we like our own films. It's also because this has an authenticity that is utterly compelling, if you happen to speak Australian. If you do speak Australian, you will realise that the power of this story is in what is NOT said. Which tends to be the way rural Australians communicate! Outback Australia really is like this: particularly the north of the country.
A migrant mystery romance.
I spent a few years living in Australia and while improving my English, I developed a love of this country's cinematic tradition. This film has stuck in my mind ever since. While seeing it with foreign eyes probably helped, anyone that enjoys a good romance film will find something to like about it.
This film follows a widowed farmer that seems fairly happy living the life of on the land alone with only his faithful dog to keep him company. Enter one mysterious, scared and battered woman into his life and you have the makings of a good mystery romance.
The acting is excellent and while the plot is predictable, the mystery subplot was a bit under-cooked, its heartwarming where it needs to be and serious at the right time too.
This film follows a widowed farmer that seems fairly happy living the life of on the land alone with only his faithful dog to keep him company. Enter one mysterious, scared and battered woman into his life and you have the makings of a good mystery romance.
The acting is excellent and while the plot is predictable, the mystery subplot was a bit under-cooked, its heartwarming where it needs to be and serious at the right time too.
Unexpected gem
We came upon this unexpectedly. It is surprising and full of surprises.we enjoyed it. Monic was excellent. The plot wanders a bit but closed the loop. Shots of Brisbane are surprising. Impressive that John teaches Taheena English in a short period. The resemblance between John's dead wife and Taheena is remarkable.
Good relevant story which could be real.
Good slow build up and a good story. Really enjoyed the film but then it was too much of an abrupt ending where you had to guess really what would happen afterwards. But nevertheless well worth a watch.
Flawed socio-romantic drama
This film demonstrates how fragile film aesthetics are. Quite possibly as a novel, which takes time to read and allows us to accommodate shifts in our emotions, it could be fine. But here we have, essentially two conflicting stories that are jammed onto one another with destructive results.
One story is a tough, indeed brutal, issues movie dealing with justice, male dominance and humanist sentiments, the other is a touching romance about two vulnerable people trying to heal each other from their emotional scars. Neither of these is very original and the one, in my view, emotionally precludes the other. When we are steamed up about injustice, we cannot access the very fine-tuned emotions associated with love.
One of the greatest things about the film medium is its ability to twist time and integrate the past into the present. But here, that is the film's undoing. If the story had been told chronologically, we would at least have been able to get the nastiness out of the way and empathise with the romance, but the threat and extremely crude depictions of the 'horrors of the brothel' keep bursting back in, destroying any subtle emotions that have been generated.
One story is a tough, indeed brutal, issues movie dealing with justice, male dominance and humanist sentiments, the other is a touching romance about two vulnerable people trying to heal each other from their emotional scars. Neither of these is very original and the one, in my view, emotionally precludes the other. When we are steamed up about injustice, we cannot access the very fine-tuned emotions associated with love.
One of the greatest things about the film medium is its ability to twist time and integrate the past into the present. But here, that is the film's undoing. If the story had been told chronologically, we would at least have been able to get the nastiness out of the way and empathise with the romance, but the threat and extremely crude depictions of the 'horrors of the brothel' keep bursting back in, destroying any subtle emotions that have been generated.
Did you know
- TriviaRenai Caruso is of Italian ancestry.
- GoofsJohn is shown killing a farm animal with a shotgun. Australian farmers would not kill ailing stock with a shotgun, but with a rifle.
- ConnectionsFeatures 100 Hours (2002)
- SoundtracksI Don't Want To Be That Man
Written by Glenn Patscha-Ollabelle
Licensed form Ollabelle Music & Moaner Jones Music
Performed by Ollabelle
License courtesy of Sony BMG Music Entertainment (Australia) Pty Limited
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Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- Бесконечное небо
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross worldwide
- $748,376
- Runtime
- 1h 34m(94 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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