Superman agrees to sacrifice his powers to start a relationship with Lois Lane, unaware that three Kryptonian criminals he inadvertently released are conquering Earth.Superman agrees to sacrifice his powers to start a relationship with Lois Lane, unaware that three Kryptonian criminals he inadvertently released are conquering Earth.Superman agrees to sacrifice his powers to start a relationship with Lois Lane, unaware that three Kryptonian criminals he inadvertently released are conquering Earth.
- Awards
- 4 wins & 1 nomination total
- Lex Luthor
- (archive footage)
- Clark Kent
- (archive footage)
- …
- Jor-El
- (archive footage)
- Otis
- (archive footage)
- Perry White
- (archive footage)
- Ursa
- (archive footage)
- Lois Lane
- (archive footage)
- Non
- (archive footage)
- Eve Teschmacher
- (archive footage)
- Sheriff
- (archive footage)
- The President
- (archive footage)
- Jimmy Olsen
- (archive footage)
- General Zod
- (archive footage)
- Controller #1
- (archive footage)
- Controller #2
- (archive footage)
- Nate
- (archive footage)
- Boris
- (as Jim Dowdell)
- Prison Warder
- (as Angus McInnes)
Featured reviews
Not only does Donner's film flow better and enlighten the viewer, it even makes those annoying villains have more purpose. Even as a kid, I thought they were ridiculous. They're still ridiculous in this film, but Donner links them more clearly to Superman's past, so you get pulled into the plot line more.
Watch this film and you'll see my point.
Why do I go through that explanation? Well...because from the complains I've heard and read it seems that people don't seem to understand that. So, that's why I felt it should be addressed.
Now, on to the review...
Donner was hired by the Salkinds in '76 or '77 to direct two Superman films at the same time. When time and money was running out the decision was made to stop production on Superman II and focus on the first one. By that point Donner had already completed about 80% of the film. When Superman became the biggest hit of 1978 the decision by the Salkinds was to fire Donner. He was replaced by Richard Lester (A Hard Day's Night) and Lester re-shot most of the film. Only about 30% of Donner's work remained.
After almost 30 years WB finally released Donner's version since most fans demanded to see it. And, on the DVD, Donner, thanks the fans which I felt was a nice touch.
The plot of the movie is the same as Lester's Superman II. General Zod and his goons escape the Phantom Zone. They arrive at Earth (or Planet Houston as they call it) and quickly take over. And, where's Superman? He made the mistake of giving up his powers to be with Lois Lane. So, will Superman recover his powers on time to save Earth from Zod? You will have to watch the film to find out.
Now, the question on everyone's mind is whether or not this version is truly better than Lester's take. The answer is yes! Why? Because Lester never really understood the material. Which is prove when you watch Superman III. Donner, on the other hand, truly understood the material. He understood that...YES...it's a comic book adaptation but it's still an art form. As silly as Superman may seem he understands that there is a wonderful story to tell. And, he understands that there is wonderful characters to develop and have an audience understand and fall in love with. When you watch this DVD that's what you'll see. A film directed by a man in love with the material. Not a film by a man who did it for the money. If you love Superman: The Movie then you'll love Richard Donner's version of Superman II. The ONLY flaw of this version is that it was never completed.
Richard Donner's name explodes emphatically onto the screen at the end of the opening credits, establishing Donner's authoritative mark on this film: the closest thing he can get to *his* original vision. It is an entirely different film to Lester's, which is to be expected. Donner had already recorded roughly 80% of the footage before he was fired, which Lester would have to rewrite and reshoot under the rules of the Director's Guild. Thus, everything ludicrous about 'Superman II' is gone: no more Kryptonians with finger pointing levitation beams or the power to erase memories with a kiss (even those giant Superman emblem "nets" are not present). Instead, the story is much more absorbing, the characters are therefore fleshed out incredibly and it truly is a much more enjoyable and worthwhile Superman film.
The character dynamics are of noteworthy interest. The three Kryptonian villains (Terence Stamp, Sarah Douglas and Jack O'Halloran), for example, are much more integral to the plot and Gene Hackman develops much more in this edition as the evil genius Lex Luthor, supported wonderfully by Miss Teschmacher (Valerie Perrine). But dedicated to Christopher Reeves memory, this definitely is his greatest performance as the titular character. Reeves is ever charming as Clark Kent, yet the contrast between him and Superman is particularly mesmerising here, as Reeves is remarkably more powerful and captivating as the superhero. It really is a shame that general audiences may never see him play the character the way he did here: it is the definitive Superman portrayal.
Yet it is still a flawed film. An excusable downside to the cut is the often choppy editing, making some areas feel rushed, but as the film was never finalised, it is fair to allow this slide as an unfortunate product of circumstance. However, the ending is an utter disappointment. It is difficult to get over the way that the closing moments make the entire film inconsequential. Granted, studio interference played a part here, but Donner could have reached unprecedented heights with Superman in this new cut, should he have chosen to make the logical choice and evict this ending from his cut (disregarding continuity errors that may impose).
'The Richard Donner Cut' is overall undoubtedly the better movie, and yet still could have been even better with a more satisfactory finish.
Did you know
- Trivia(at around 1h 45 mins) The actress playing Lois Lane using the typewriter during the end scene is not Margot Kidder. The ending that was written, but never filmed, had Lois Lane die at the Fortress of Solitude, which in turn caused Superman to reverse time. The typewriter scene was shot in 2006, specifically for the restoration, and had an uncredited actress stand in for Lois.
- GoofsAn obvious stand-in when Clark peeks out of the window down to Lois after he just saved her from suicide.
- Quotes
Lois Lane: You ARE Superman, aren't you?
Clark Kent: Lois, now we've been through these haullcinations of yours before. Can't you see what you almost did? Throwing yourself off a building 30 stories high? Can't you see what a tragic mistake you almost made?
Lois Lane: I made a mistake. I made a mistake because
[Lois pulls out a gun]
Lois Lane: I risked my life instead of yours.
Clark Kent: Lois... don't be insane!
Lois Lane: And don't fall down 'cause you're just going to have to get up again!
Clark Kent: Lois, don't be crazy now... LOIS!
[Lois fires at Clark, who just stands there with a stern look on his face]
Lois Lane: [Lois looks at amazement] It IS you...
[Clark takes off his glasses to reveal that he is indeed Superman]
Lois Lane: I guess I've known this for the longest time.
Clark Kent: You realize, of course, if you had been wrong, Clark Kent would've been killed.
Lois Lane: [Lois holds up the gun] With a blank?
[Clark closes his eyes in embarassment]
Lois Lane: Gotcha!
Clark Kent: [Clark sits down ready to talk]
- Crazy creditsAfter the Warner Bros./DC Comics logos, there is an on-screen dedication "in loving memory" of Christopher Reeve, "Without whom we would have never believed a man could fly".
- ConnectionsEdited from Superman II (1980)
Details
Box office
- Budget
- $54,000,000 (estimated)
- Runtime
- 1h 55m(115 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1