Black Swan

Esteemed IMDb writer Theo Robertson messaged me the other day about this film and, while I skimmed it for fear of having him influence me in terms of his opinion, I did read that several older people had walked out of this film, seemingly having expected some sort of high-brow film with its roots in ballet. One can understand why because with all the award buzz and the superficial subject matter (ballet) combined with the actress and of course the previous work of the director, this must surely be an intelligent piece to be "appreciated" and "considered". What one wouldn't expect would be a film that, with a bit more gore, could easily be just another trashy horror/thriller that is released on video and has plenty of sex, violence and jump scares to it.

Well, got news for you, this is what Black Swan is – albeit a superior example of the genre. Essentially our lead character struggles to get in touch with her dark side when she wins the lead in Swan Lake, gradually losing touch with reality and/or being hunted by those around her who wish her harm. This manifests itself through some painful scenes of self-harm, imagined doppelgangers, intense sexual discovery, shadowy figures and a domineering mother who keeps her controlling menace under a veil of vulnerability that only falls here or there. It is trashy stuff in a way but it is done very well so that it produces this genre material but does so in a way that feels slightly classy while also engaging more than it would thanks to a brilliant turn by Portman.

And she is brilliant. I understand the mother because of how well Portman plays – this is not a character she has worked on for a few months, this feels like a product of years under the influence of this mother. She is nervous to her core, frustrated by her own inability to be this "thing" that she has spent her life not being – wild, loose, imperfect. Portman nails it and while I don't think it is a brilliant film, her performance is little less than brilliant. In support Hersey is equally as good with less time to do it. The flickers across her face say so much and I was impressed that with so little I was able to understand roughly what had happened in the previous 20 years. Cassel is simplistic but effective in his predatory director turn. Kunis is unbelievably sexual and again she helps the lead role by showing us everything that Nina struggles to find in herself. Ryder is solid in a smaller role. Aronofsky's direction is strong but particularly impressive is the cinematography – the camera flows so well around the scenes (and yet appears in no mirrors). I think he knows he is making a horror movie so, although he embraces the ballet, he doesn't avoid the shock or the build of the horror.

Some have embraced this film as art and a thing of beauty – while others have come away disappointed because that is what they expected it to be but didn't find it. However Black Swan is an effective psychological horror movie that just happens to be set in the world of ballet. As such it is very much a genre movie even if the director etc lift it to feel like more. In particular Portman makes the film – I cannot think I have seen her better and her Oscar (can there be doubt?) will be deserved.

I was very lucky to snag tickets to see Black Swan at the the Toronto International Film Festival.

THE GOOD: Natalie Portman's acting was perfection - definitely an Oscar worthy performance. Mila Kunis's performance was surprising in a good way, it is clear that she stepped out of her comfort zone. The film's musical score was superb. Of course, much of it was taken from 'Swan Lake', but I loved that they were able to incorporate that music throughout the entire film and not just in the ballet scenes. Of course, it was beautifully shot and the plot was riveting - I was drawn in from beginning to end. The audience saw a new side of ballet/ theatre that is not often shown in popular films - the struggle the performer faces in committing to and perfecting a role. The struggle between 'good' vs. 'evil' was presented in a methodical and intriguing way.

THE BAD: Many parts of this film felt like it belonged in the horror Genre. Some parts definitely made me jump or cringe (which I was not expecting). The film was also an emotional roller-coaster, which was fine at first, but This 'emotional roller-coaster' sort of dragged on to the point that it almost felt like it was too much. I just feel that it could have been tuned down a notch.

Overall, I thought that most of the film was wonderful, and I highly recommend it.

This is one of those films best seen only once. It hones in on the fragility of an artist and lays open wounds that are hard to witness. Natalie Portman's character is driven but vulnerable and s set up to succumb to her art. Of course, rivalry is a given, and her rival does everything she can to put the screws to her. Unfortunately, the questioning of her own talent is going to show at some point. I can't say I enjoyed this movie. I realize that obsession is often a strength with artists, but it can also be all consuming. This film is about as dark as it can be but it puts a stranglehold on the viewers.

Remembered hype for this film when it was out in cinema back in 2011 but never viewed, would've been around 13 years old at the time. Completely forgot about film but stumbled on it on Netflix recently in 2023.

In my opinion this film is best viewed as a sort of dark fairy tale similar to Argento's Suspiria. As a psychological drama it is somewhat unsettling but not nearly as unsettling or downright unpleasant as psychological dramas like The Machinist or the Piano Teacher.

A lot of the critical reviews on this site of this film criticize the one dimensional characters of this film which is understandable. But when the very first scene after the opening credits is a dream sequence with the main character dancing with a man in a goblin costume, that should tip the viewer off that this film has strong dark fantasy elements thus having archetypal or rather one dimensional characters is not out of place.

I can see why I had not heard of this film since then because it is not very deep or something you ponder after viewing. But all in all I give 8/10.

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This movie can be rated anything between 4-10, depending on what the viewer expects from it or how its interpreted. The movie is quite disturbing in some places, but it doesn't just shock the audiences for the sake of it, but for the story; how obsession towards perfection can at worst affect ones decisions, psyche, relationships and bring about total loss of identity for the sake of art. The transformation of the main protagonist is quite well done, one of the strongest roles of Natalie Portman for sure.

When it comes down to rating this personally, I'm not entirely sure what to give this... Its hard to pinpoint the things that I didn't like about the movie but if there was anything, it'd be a slight lack of care for the main character at times because it felt like I wasn't sure where she comes from, why is she so driven towards perfection, what motivates her. Rest of the flaws are quite minimal, but overall the entertainment value at times wasn't quite there, the music often was too aggressive as well trying too hard to provoke certain emotions, but nonetheless its a movie I'd recommend to almost anyone to watch at least once.

Great acting all around with some nice twists spread throughout.

The ending though felt a tad stretched out as I was getting bored, but of course it has a lot to do with my disinterest towards ballet-dancing admittedly

Overall: 7/10.