IMDb RATING
6.7/10
9.1K
YOUR RATING
A road trip through Louisiana transforms three strangers who were originally brought together by their respective feelings of loneliness.A road trip through Louisiana transforms three strangers who were originally brought together by their respective feelings of loneliness.A road trip through Louisiana transforms three strangers who were originally brought together by their respective feelings of loneliness.
Emanuel Cohn
- Doctor Leonard
- (as Emanuel K. Cohn)
Lucy Faust
- Snotty Girl
- (as Lucy Adair Faust)
Aimée Spring Fortier
- Teenage Mother
- (as Aimee Fortier)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
A perfect crescendo. During an admittedly slow first half of the film, the audience is drawn in to the actors and the cajun background, its lush greenery and its languid place in Americana.
The actors hold up brilliantly at this pace -- William Hurt is a standout and a more-than-worthwhile Oscar candidate as the sullen, "ghost"-like ex-con and Eddie Redmayne jumps to the fore as a bizarre, overgrown child. The scenery and the pull of post-Katrina New Orleans is powerful, forcing personal choices and sticking in the back of our minds.
Then, when the action turns, and the plot suddenly speeds forward for the latter half of the movie, the viewer has already been drawn so deep inside these rich, pained characters and the twisted swampland that its emotional force, punctuated by minute changes in Hurt's eyes, knowingly elicits empathy and sympathy.
The force of the movie is the slowness, the languid pace that draws the viewer in, and the acting, as good an ensemble as anything that I've viewed this year. It is slow, but slow can be good, good as a cajun conversation.
The actors hold up brilliantly at this pace -- William Hurt is a standout and a more-than-worthwhile Oscar candidate as the sullen, "ghost"-like ex-con and Eddie Redmayne jumps to the fore as a bizarre, overgrown child. The scenery and the pull of post-Katrina New Orleans is powerful, forcing personal choices and sticking in the back of our minds.
Then, when the action turns, and the plot suddenly speeds forward for the latter half of the movie, the viewer has already been drawn so deep inside these rich, pained characters and the twisted swampland that its emotional force, punctuated by minute changes in Hurt's eyes, knowingly elicits empathy and sympathy.
The force of the movie is the slowness, the languid pace that draws the viewer in, and the acting, as good an ensemble as anything that I've viewed this year. It is slow, but slow can be good, good as a cajun conversation.
We saw this as part of a preview cinema club we belong to. And we're happy we did.
The Road Movie is one of Hollywood's long-standing (some would say overused) idioms. From It Happened One Night through Butch Cassidy, Bonnie & Clyde, and Thelma & Louise, to Little Miss Sunshine, good road movies can be a joy. Bad ones, though, are a major drag.
This is a GOOD road movie. Three things make it special. First, it's about three losers, or -- let's just say it -- weird people. None of these characters start out with much appeal (except Kristen Stewart's great looks), but each grows right in front of our eyes throughout the movie. By the end, we like and find ourselves rooting for each, for different reasons. (In this way, the film reminds me most of the wonderful Hackman/Pacino 1970s vehicle Scarecrow, a much under-appreciated film.)
Second, there is splendid acting throughout. Kristen Stewart is headed for stardom, William Hurt does justice to a role only Jeff Bridges could play as well (have we forgotten what a great actor he is?), and the most surprising piece, young British actor Eddie Redmayne, does a terrific turn as a strange kid with a car.
Third, there's the film's perspective, about tolerance, acceptance of things as they are, and forgiveness -- for loved ones and above all for ones self.
Watch it!
The Road Movie is one of Hollywood's long-standing (some would say overused) idioms. From It Happened One Night through Butch Cassidy, Bonnie & Clyde, and Thelma & Louise, to Little Miss Sunshine, good road movies can be a joy. Bad ones, though, are a major drag.
This is a GOOD road movie. Three things make it special. First, it's about three losers, or -- let's just say it -- weird people. None of these characters start out with much appeal (except Kristen Stewart's great looks), but each grows right in front of our eyes throughout the movie. By the end, we like and find ourselves rooting for each, for different reasons. (In this way, the film reminds me most of the wonderful Hackman/Pacino 1970s vehicle Scarecrow, a much under-appreciated film.)
Second, there is splendid acting throughout. Kristen Stewart is headed for stardom, William Hurt does justice to a role only Jeff Bridges could play as well (have we forgotten what a great actor he is?), and the most surprising piece, young British actor Eddie Redmayne, does a terrific turn as a strange kid with a car.
Third, there's the film's perspective, about tolerance, acceptance of things as they are, and forgiveness -- for loved ones and above all for ones self.
Watch it!
If you are planning on seeing this, DO! It is a bit slow but you will come to love the characters and their flaws. It is not average road-trip to self discovery it is more. The lead characters have a tense and fearful journey ahead. As they open themselves up to each other we see the story take a journey that reminds me of To Kill A Mockingbird as we see the film from two innocent teenagers points of view. The writing is sarcastic and not at all Hollywood flashy it is down to earth and heart warming. A truly uplifting story to all who to let your teenager nature over-run them for 2 hours. You just might believe there is a happy ending in life for everyone. You should watch this movie, it is not one to miss!!
Great Love story, I like it when you Americans put a bunch of characters on a road trip. Classic!. This film takes you beyond the bitter part of life back into the sweet.
The music just blend in, the camera capture is somewhat 'spiritual'.
Simple movie, brought tears to my spirit's eyes. This one truly touches the heart. One great movie making!. Salute. The cast is perfect in their place.
People may shine only in a moment in their life. And that moment will shine forever in whosoever is touched by it. I almost give up on Hollywood, but this shows, you still can do it right!
Salute ^ ^
The music just blend in, the camera capture is somewhat 'spiritual'.
Simple movie, brought tears to my spirit's eyes. This one truly touches the heart. One great movie making!. Salute. The cast is perfect in their place.
People may shine only in a moment in their life. And that moment will shine forever in whosoever is touched by it. I almost give up on Hollywood, but this shows, you still can do it right!
Salute ^ ^
THE YELLOW HANDKERCHIEF – CATCH IT ( B ) The best thing I loved about this movie was the Odd Characterization; William Hurt as Ex-Convict, Kristen Stewart as 15yrs old Confused Teen, Eddie Redmayne as the weird psycho nerdy dirty teen and Maria Bello as any other woman who gets tired of her life. A good attempt by the director and he made most out of the script. It keeps you intriguing and wondering what happened between Maria and William plus a weird relationship between Kristen and Eddie keeps you stuck with the story. Though I have felt at times it gets little slow but then again it paces up. Kristen Stewart looks damn gorgeous and acted well. Eddie Redmayne as a psychotic weird teen did a good job, another Britain import to look out for. William Hurt and Maria Bello are seasoned actors so obviously they were great. Overall a good movie about redemption & love.
Did you know
- TriviaTo prepare for the role, William Hurt spent a night in Louisiana State Penitentiary - better known as Angola.
- GoofsAt the beginning of the movie, after Brett enters the shop he request a beer. The woman brings him the beverage she pour into the glass and leaves the bottle on the table. A few shots later the bottle disappears.
- ConnectionsRemake of The Yellow Handkerchief (1977)
- SoundtracksBlack Bayou
Performed by Ida Guillory and Al Rapone
Written by Al Rapone (as Albert J. Lewis)
Published by Neil Music Corp. and LaBonne Musique, administered by Neil Music Corp.
Courtesy of GNP Crescendo Records
By arrangement with Ocean Park Music Group
- How long is The Yellow Handkerchief?Powered by Alexa
Details
Box office
- Budget
- $15,500,000 (estimated)
- Gross US & Canada
- $318,623
- Opening weekend US & Canada
- $37,296
- Feb 28, 2010
- Gross worldwide
- $318,623
- Runtime
- 1h 42m(102 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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