The Young Victoria

I don't think the film really sets itself apart from other period-bio films from its ilk. It has the usual sort of sentimentality. But, that doesn't mean it's not a good film. Rupert Friend is his usual pretty self, very hot, but he does bring a lot to his role. He can usually be very stoic and emotionless while being just decorated as pretty, but can often not bring much to the table. Here, he absolutely does. He's able to paint the shades of his character well, even if another more talented actor could've brought even more to it. But really, the film belongs to Emily Blunt, a severely underrated actress who brings so much to her roles, and in a leading role, she can knock it out of the park like she does here. She's incredible, definitely snubbed of an Oscar nomination.

Despite some reviews being distinctly Luke-warm, I found the story totally engrossing and even if some critics have described the love story as 'Mills and Boon', so what? It is good to see a warm, touching story of real love in these cynical times. Many in the audience were sniffing and surreptitiously dabbing their eyes. You really believe that the young Victoria and Albert are passionately fond of each other, even though, for political reasons, it was an arranged marriage. I did feel though that Sir John Conroy, who was desperate to control the young Queen, is perhaps played too like a pantomime villain. As it is rumoured that he was in fact, the real father of Victoria (as a result of an affair with her mother The Duchess of Kent) it would have been interesting to explore this theory. Emily Blunt is totally convincing as the young Princess, trapped in the stifling palace with courtiers and politicians out to manipulate her. She brilliantly portrays the strength of character and determination that eventually made Victoria a great Queen of England, which prospered as never before, under her long reign. I believe word of mouth recommendations will ensure great success for this most enjoyable and wonderful looking movie.

I went into this expecting not to like it; I figured it would be terribly worthy and earnest, and rather plodding and dull.

It's actually far better than that, and I found myself really enjoying it. I don't know too much about Queen Victoria beyond what most know - married to Albert, who died young, and she mourned him ever after. Seeing the circumstances she grew up under was fascinating; in fact I found myself wishing I'd seen more of the story, and I imagine we may see a sequel at some point.

Visually the film is stunning. The sets and costumes are incredibly lavish without being too gaudy and over the top. The acting is top notch from everybody involved.

In a word, it was great!

Apart from having the longest reign in British history (63 years), Queen Victoria also holds two other distinctions. She was, apart from our current Queen, the oldest ever British monarch, living to the age of 81. And she was also the youngest ever British (as opposed to English or Scottish) monarch, coming to the throne as a girl of eighteen. And yet whenever television or the cinema make a programme or film about her, they seem far more interested in the older Victoria than they do in the young girl; the version of Victoria with which modern audiences will probably be most familiar is Judi Dench in "Mrs Brown". "The Young Victoria" tries to redress the balance by showing us the events surrounding her accession and the early years of her reign. It has the rare distinction of being produced by a former Royal, Sarah Duchess of York, whose daughter Princess Beatrice makes a brief appearance as an extra.

There are three main strands to the plot. The first concerns the intrigues of Victoria's mother, the Duchess of Kent, a highly unpopular figure even with her own daughter, largely because of the influence of her adviser Sir John Conroy, who was widely rumoured to be her lover. (According to one unfounded rumour he, and not the late Duke of Kent, was Victoria's natural father). The second strand concerns the growing romance between Victoria and her German cousin Prince Albert, and the attempts of King Leopold of Belgium, who was uncle to both of them, to influence this romance. (Leopold's hope was to increase the prestige of the House of Saxe-Coburg, to which both he and Albert belonged). The third concerns one of the strangest episodes in British political history, the Bedchamber Crisis of 1839, when supporters of the Tory Party (which had traditionally supported a strong monarchy) rioted because the young Queen was perceived to favour the Whig Party and their leader Lord Melbourne, even though the Whigs had historically supported a quasi-republican system of government, with the monarch reduced to a figurehead.

Scriptwriter Julian Fellowes is known for his Conservative views, and at times I wondered if this may have coloured his treatment of political themes, as he seems to lean to the side of the Tories, the predecessors of the modern Conservative party. Their leader Robert Peel is shown as statesmanlike and dignified, whereas Melbourne, for all his dash and charm, is shown as devious and uninterested in social reform. There may be some truth is these characterisations, but Fellowes glosses over the fact that only a few years earlier the Tories had opposed the Reform Act, which ended the corrupt electoral system of rotten boroughs, and that they had benefited from William IV's unconstitutional dismissal of a Whig administration.

Lessons in dynastic and constitutional history do not always transfer well to the cinema screen, and this one contains its share of inaccuracies. Prince Albert, for example, was not injured in Edward Oxford's attempt on Victoria's life, and Melbourne (in his late fifties at the time of Victoria's accession) was not as youthful as he is portrayed here by Paul Bettany. King William IV certainly disliked the Duchess of Kent (who was his sister-in-law), but I doubt if he would have gone so far as to bawl abuse at her during a state banquet, as he is shown doing here. I also failed to understand the significance of the scene in which the Duchess and Conroy try to force Victoria to sign a "Regency Order"; the Duchess's constitutional position was made clear by the Regency Act 1830, which provided that she would become Regent if her daughter was still under eighteen at the time of her accession. No piece of paper signed by Victoria could have altered the provisions of the Act.

There are also occasional infelicities. In one early scene we see Victoria and Albert playing chess while comparing themselves to pawns being moved around a chessboard, a metaphor so hackneyed that the whole scene should have come complete with a "Danger! Major cliché ahead!" warning. Yet in spite of scenes like this, I came to enjoy the film. There were some good performances, especially from Miranda Richardson as the scheming Duchess and Mark Strong as the obnoxious Conroy. It is visually very attractive, being shot in sumptuous style we have come to associate with British historical drama. Jim Broadbent gives an amusing turn as King William, although he does occasionally succumb to the temptation of going over the top. (Although not as disastrously over the top as he was in "Moulin Rouge").

The main reason for the film's success, however, is the performances of Emily Blunt and Rupert Friend as the two young lovers Victoria and Albert. Blunt is probably more attractive than Victoria was in real life, but in her delightful portrayal the Queen is no longer the old lady of the popular imagination, the black-clad Widow of Windsor who was perpetually not amused, but a determined, strong-minded and loving young woman. Her love for Albert, and their happy family life together, was one of the main reasons why the monarchy succeeded in reestablishing itself in the affections of the British people. (With the exception of George III, Victoria's Hanoverian ancestors had been notoriously lacking in the matrimonial virtues). Blunt and Friend make "The Young Victoria" a touching romance and a gripping human drama as well as an exploration of a key period in British history. 8/10

The Young Victoria luckily has a story, and even better than that, it has good actors. That's where a film like The Other Boleyn Girl fails. The acting just didn't match the characters. Emily Blunt, who has quickly risen up the ranks into Hollywood A-list status, gives one of her better performances, worthy of her Golden Globe nomination, as the famed English monarch Queen Victoria.

The film follows Victoria in the year leading up to her coronation and into the first few years of her reign, including her relationship of Prince Albert (Rupert Friend). Victoria was a very protected and sheltered princess who was under constant surveillance by her mother and close friend and adviser. Victoria was next in line to take the crown once the King had passed, on so naturally a lot of attention as to when she would ascend to the thrown and how was being discussed. One thing is clear; Victoria does not want to be treated like a child.

Her budding romance with Prince Albert starts before she is made Queen. The Prince is selected to try and win her affection as a political ally, but one thing leads to another and the two become smitten with each other. Albert is aware that the two of them are very young and must look out for one another, especially in the realm of politics. So called "friends" can become powerful influences on the crown, especially in the case of Lord Melbourne (Paul Bettany), who imposes his political party's agenda upon the queen in a back door sort of way, surrounding her with his own people.

Victoria learns quickly, and so do we, that the game of politics is a dicey one. It's hard to see which side people are really on, and by the time you do it might be too late.

I was pleased with the pace and direction of this movie. It could have been too much about the fashion or too much about the politics, but it balanced the two out pretty well. Blunt and Friend are fine opposite each other, playfully going back and forth with their Victorian era flirtations. There is a definite bond their that shows up well on screen.

The rest of the cast does an excellent job. Bettany, Miranda Richardson as Victoria's mother the Duchess of Kent, Mark Strong as Sir John Conroy, the Duchess' adviser, and a nice cameo by Jim Broadbent as an ailing King William. Bettany in particular plays his role quite well, never really telling us whether he is helping the Queen out or trying to do good for himself alone.

The costumes are quite authentic and well made. They don't always distract the viewer's eye but at times they are a bit showy. I guess those were the times. The sets are incredibly detailed. I particularly liked the attention paid to the little knick-knacks and pieces of furniture in the bedrooms and studies. It felt like people were living there.

It wasn't a perfect film and it did have it's dull moments. I thought it ended nicely and didn't wander off to take us places where we didn't need to go.