IMDb RATING
3.5/10
1.8K
YOUR RATING
The third film in the series. This time a couple go on a killing spree in their local area.The third film in the series. This time a couple go on a killing spree in their local area.The third film in the series. This time a couple go on a killing spree in their local area.
Cristie Whiles
- Crusty
- (as Cristie 'Crusty' Whiles)
Autumn Smith
- Lydia
- (as Autumn Anderson)
Featured reviews
I'm a big fan of shock and gore films,but this heap of crap wasn't worth the power it took to run my laptop as I watched it...for FREE THANK GOODNESS! It's the same 'ol hash in a different package. If you've seen ONE August Underground "movie" (and I use the word movie LOOSELY) then you've seen them all pretty much. The ONLY redeeming quality of these "movies" is that the gore looks pretty real. Actually better than some HIGH BUDGET films. Aside from that...this "movie" has absolutely nothing new to offer you. Go do a search for "shockumentaries"and you will find much MUCH better films to satisfy your shock and gore needs. I WISH I had my time back with this pile of garbage. Toodles.
There aren't many films that have turned me away completely. AU Penance was a first for me. I have never had to take a break from a film before or after this one. The August Underground films each have their "breath of fresh air" scenes in between - or even during - the more disturbing blood/vomit drenched scenes. Penance was different. Where it seems most people think that Mordum was the most disturbing in the trilogy, Penance went to a completely different level of grit and darkness. The breaths that this film took weren't enough to have strong enough laugh at to set you at ease or even kind of take you out of the disgust that was taking place. At one point, I had to stop the film and spend half an hour away from it to relax before I could finish. As the credits rolled, I sat in silence just staring at the screen unsure of how exactly I should feel. Easily the most difficult film to sit through, and easily one of my favorite films because of it. Fred Vogel and his team did an incredible job.
So what's the message in Penance then? A guy brutally murders people because he hates himself? Well f**k me what a revelation! This bombshell aside, there appears, not surprisingly to be no valid reason whatsoever for this incredibly crapulent and nauseous creation. If it's purely infamy Vogel's looking for he's gone about it the right way, but hey Vogel, why not surprise people and at least try to make something remotely intelligent, then you can throw in as much filth and degradation as you like and still get taken seriously? The thing is, Vogel doesn't have the minerals to create anything of any quality or depth, and Penance is a hollow exercise in pushing the boundaries of what is watchable. It's utterly devoid of any subtext whatsoever.
Ironically the only thought provoking element in this film is Fred Vogel himself, who co-writes, directs, produces?, and stars. In much the same way as Argento used to perform the stabbings himself in many of his films, Vogel has a vested personal interest in the violence displayed here. Writing, directing and playing the central character seems to be giving Vogel the closest experience possible to fulfilling his ultimate fantasy without actually having to get arrested, although one could argue that even the inclusion of such a young girl in the filming of this offal is worthy of a stern ticking off. Has she seen it yet? I wonder. Charming.
Now don't get me wrong, I'm a lover of extreme violence in cinema when it is in context. Henry, Portrait of a Serial Killer, Man Bites Dog, Peeping Tom - these are all violent films - Henry especially, but they also deal with serious themes such as alienation, voyeurism, the boundaries between audience and spectator, and in particular, audience complicity. Vogel's film, on the other hand is designed purely to shock and/or titillate. The only comforting thought one should be drawing from this experience is that you're not turned on by imagining yourself sexually and violently abducting people. If you are, then perhaps you should be applying for a job at Toetag films.
In Penance, Vogel seems, more than anything to be exploring his own psyche - his own capacity for the kind of behaviour he's mimicking, and it really does look like he's ready to take the plunge.
Beware Vogel - when you're staring into the abyss, the abyss is staring back at you!
Ironically the only thought provoking element in this film is Fred Vogel himself, who co-writes, directs, produces?, and stars. In much the same way as Argento used to perform the stabbings himself in many of his films, Vogel has a vested personal interest in the violence displayed here. Writing, directing and playing the central character seems to be giving Vogel the closest experience possible to fulfilling his ultimate fantasy without actually having to get arrested, although one could argue that even the inclusion of such a young girl in the filming of this offal is worthy of a stern ticking off. Has she seen it yet? I wonder. Charming.
Now don't get me wrong, I'm a lover of extreme violence in cinema when it is in context. Henry, Portrait of a Serial Killer, Man Bites Dog, Peeping Tom - these are all violent films - Henry especially, but they also deal with serious themes such as alienation, voyeurism, the boundaries between audience and spectator, and in particular, audience complicity. Vogel's film, on the other hand is designed purely to shock and/or titillate. The only comforting thought one should be drawing from this experience is that you're not turned on by imagining yourself sexually and violently abducting people. If you are, then perhaps you should be applying for a job at Toetag films.
In Penance, Vogel seems, more than anything to be exploring his own psyche - his own capacity for the kind of behaviour he's mimicking, and it really does look like he's ready to take the plunge.
Beware Vogel - when you're staring into the abyss, the abyss is staring back at you!
"August Underground's Penance" is basically the personal home video of two sociopathic killers on murder spree.Again two nameless butchers played by Fred Vogel and Cristie Whiles videotape their bloodthirsty madness,but "Penance" shows also their slow decline.First of all I'm not a big fan of "August Underground" series.Still as a lover of extreme cinema who had previously seen "August Underground" and "August Underground's Mordum" I really wanted to see the final installment.This time the faux-VHS look of Mordum has been tossed aside in favor of a more contemporary digital look.The gore effects made by ToeTag crew are very convincing and the violence is dirty and vile.There are some boring moments,but overall "Penance" is not as perverted and repulsive as "Mordum".7 out of 10.
In 2007's "August Underground's Penance" we are introduced to a young couple of serial killers that torture and kill innocent people. This is the third movie in the franchise and with the other two being absolutely terrible and disturbing I wasn't expecting anything else here. And obviously that's exactly what I got. This movie differentiates a little because in the beginning the movie feels a little tamer then it's predecessors. But about halfway through the movie gets off the rails and continues exactly where the other movies left. It's a sick and disturbing found footage horror movie that basically does not entertain at all. The gore is pretty good but that's about it. One movie of this kind was more than enough but this unnecessary franchise has thankfully stopped by now. [2,8/10]
Did you know
- TriviaMost of the budget was spent on a digital camera that was used in the film since digital cameras were new in 2007.
- ConnectionsFollows August Underground (2001)
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Подполье 3: Покаяние
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $5,000 (estimated)
- Runtime
- 1h 24m(84 min)
- Color
- Aspect ratio
- 1.85 : 1
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