To Each His Own Cinema
Original title: Chacun son cinéma ou Ce petit coup au coeur quand la lumière s'éteint et que le film commence
- 2007
- 1h 40m
IMDb RATING
6.7/10
5.7K
YOUR RATING
A collective film of 33 shorts directed by different directors about their feelings about Cinema.A collective film of 33 shorts directed by different directors about their feelings about Cinema.A collective film of 33 shorts directed by different directors about their feelings about Cinema.
Isabelle Adjani
- Self (segment "47 Ans Après")
- (archive footage)
Anouk Aimée
- (segment "Cinéma de Boulevard")
- (archive footage)
Antonin Artaud
- (segment "Artaud Double Bill")
- (archive footage)
Vishka Assayesh
- Woman in audience (segment "Where is my Romeo?")
- (as Vishka Asayesh)
Fred Astaire
- (segment "Cinéma de Boulevard")
- (archive footage)
Brigitte Bardot
- (segment "Anna")
- (archive footage)
- (voice)
Featured reviews
Quite the little trove of treasures this one, and some duds too. Chacun son cinéma is a collection of short works by various directors which was released in 2007 to celebrate the 60th anniversary of the Cannes Film Festival. Many different topics and genres are explored. It's a bit of a mixed bag but there is something here for everyone.
To Each His Own Cinema (2007) is an anthology movie written and directed by a lot of filmmakers and it stars a lot of people. This movie was a first time watch for me and it was very average.
Positives for To Each His Own Cinema (2007): I really enjoyed watching this collection of short films by various directors. I like the different styles from these filmmakers and it was cool to see what they like to do with their movies. My favorite short film is the one from the Coen Brothers. And finally, I can see this anthology movie getting movie fans interested in watching other movies made by these different filmmakers.
Negatives for To Each His Own Cinema (2007): There are too many short films for me to watch and it felt overstuffed. This is one of those anthology movies where you can feel the tone shift the most. And finally, I had an extremely hard time trying to find these short films on YouTube as I had to do a lot of searching and it was a pain in the ass for me.
Overall, To Each His Own Cinema (2007) is an okay enough anthology movie that I can appreciate as a film fan, but I wouldn't be in a rush to rewatching these short films anytime soon.
Positives for To Each His Own Cinema (2007): I really enjoyed watching this collection of short films by various directors. I like the different styles from these filmmakers and it was cool to see what they like to do with their movies. My favorite short film is the one from the Coen Brothers. And finally, I can see this anthology movie getting movie fans interested in watching other movies made by these different filmmakers.
Negatives for To Each His Own Cinema (2007): There are too many short films for me to watch and it felt overstuffed. This is one of those anthology movies where you can feel the tone shift the most. And finally, I had an extremely hard time trying to find these short films on YouTube as I had to do a lot of searching and it was a pain in the ass for me.
Overall, To Each His Own Cinema (2007) is an okay enough anthology movie that I can appreciate as a film fan, but I wouldn't be in a rush to rewatching these short films anytime soon.
Chacun son Cinema is a collection of 33 short films, 3-minute long each, made by renowned international directors, which was released in 2007 to celebrate the 60th anniversary of the Cannes Film Festival. The shorts revolve about the emotional connection of the director with movies in general, certain movies in particular, or some movie theaters.
As you can expect from a collection of short films, there are good bits, so-so bits, and bad bits.
The movies I liked the most were eight. I loved two of the Asian ones, "Movie Night" by Yimour Zhang and "Zhanxiou Village" by Kaige Chen, which really reminded me of my childhood and my relation with movies; they are beautifully shot and have special magical moments in them. I found hilarious "Cinema Erotique" by Polanski. "Cinema around the corner" by Lelouch is very stylish, while "The Foundry" by Kaurismoki and "Dans le Noir" by Konchalovsky are great concepts an thought- provoking films. I also liked the emotion (without the corn) in "Darkness" by the Dardennes and "Anna" by Iñarritu. Some of the others are still interesting an nice, some others a complete disappointment and waste of time.
The main flaws of the movie, to me, are 1/ the length being limited to 3 minutes, the director has a time constriction that doesn't allow to do much, really, and the stories in the shorts resent it. 2/ The regional unbalance in the selection of the movie directors, very French on the other hand, with a complete shocking absence of Spanish directors! 3/ The only sub-Saharan movie is not even made by an African director... that's a sort of Colonialism... 4/ The presence of that mediocre called Moretti chosen to represent Italy.
However, it is an interesting and enjoyable collection of stories. Cinema is full of magic and has shaped our lives since childhood, and this collection of shorts tries to honor that.
As you can expect from a collection of short films, there are good bits, so-so bits, and bad bits.
The movies I liked the most were eight. I loved two of the Asian ones, "Movie Night" by Yimour Zhang and "Zhanxiou Village" by Kaige Chen, which really reminded me of my childhood and my relation with movies; they are beautifully shot and have special magical moments in them. I found hilarious "Cinema Erotique" by Polanski. "Cinema around the corner" by Lelouch is very stylish, while "The Foundry" by Kaurismoki and "Dans le Noir" by Konchalovsky are great concepts an thought- provoking films. I also liked the emotion (without the corn) in "Darkness" by the Dardennes and "Anna" by Iñarritu. Some of the others are still interesting an nice, some others a complete disappointment and waste of time.
The main flaws of the movie, to me, are 1/ the length being limited to 3 minutes, the director has a time constriction that doesn't allow to do much, really, and the stories in the shorts resent it. 2/ The regional unbalance in the selection of the movie directors, very French on the other hand, with a complete shocking absence of Spanish directors! 3/ The only sub-Saharan movie is not even made by an African director... that's a sort of Colonialism... 4/ The presence of that mediocre called Moretti chosen to represent Italy.
However, it is an interesting and enjoyable collection of stories. Cinema is full of magic and has shaped our lives since childhood, and this collection of shorts tries to honor that.
It's hard to review an anthology movie like this, as it's essentially 33 short films that all go for three minutes or less, and each is done by a different director. There are some recognizable names here (like David Cronenberg, Lars Von Trier, Takashi Kitano, and Jane Campion), and then a few I didn't recognize. Some of the shorts from filmmakers I know I really liked, and some really didn't do it for me at all. I feel like the cast members are generally a little less famous, but there are still a few big names in there from the world cinema scene.
Each short film has to revolve around a cinema in some way, and even with the uneven quality, I guess it is interesting to see how many different approaches all the filmmakers have to tackling such a broad concept. Some shorts are incredibly abstract, at least one was super self-indulgent and just terrible, and others are charming in their simplicity and bluntness (I think Lars Von Trier might have had the best of the lot for this reason - it was one of the only ones that got a real reaction out of me... also, Cronenberg's was a highlight).
It's hard to recommend something like this. It's creative and interesting, but also tedious in parts, and I'd say one-third of these shorts feel pretty disposable. Like, Gus Van Saint's is so weird, and I usually like his stuff. Same for Campion - not sure what was she thinking or trying to say there?
I think it would be fun to watch and react to with a friend who's also a huge, possibly slightly pretentious film buff. It's quite fascinating, but I don't really know many people who I could watch and discuss something like this with, but thank you for reading my ramblings; it's the next best thing I guess!
Each short film has to revolve around a cinema in some way, and even with the uneven quality, I guess it is interesting to see how many different approaches all the filmmakers have to tackling such a broad concept. Some shorts are incredibly abstract, at least one was super self-indulgent and just terrible, and others are charming in their simplicity and bluntness (I think Lars Von Trier might have had the best of the lot for this reason - it was one of the only ones that got a real reaction out of me... also, Cronenberg's was a highlight).
It's hard to recommend something like this. It's creative and interesting, but also tedious in parts, and I'd say one-third of these shorts feel pretty disposable. Like, Gus Van Saint's is so weird, and I usually like his stuff. Same for Campion - not sure what was she thinking or trying to say there?
I think it would be fun to watch and react to with a friend who's also a huge, possibly slightly pretentious film buff. It's quite fascinating, but I don't really know many people who I could watch and discuss something like this with, but thank you for reading my ramblings; it's the next best thing I guess!
Its difficult to assess and review this film because it comprises of so many different directors and direction styles that grading this movie would be quite unfair to them all. Certain segments are simply brilliant whereas certain leave us with a 'wtf was that all about?' emotion. The film as a whole feels like skimming through the personal diaries of various directors wherein we may sometimes come across gems whereas certain sections only make sense to the film makers themselves.
Nevertheless, it is an essential watch for people who love experimental cinema because as an experimental film, it works brilliantly. It will probably make you feel how all movies make you feel. Take it as a taster of all the various genres of movies presented in bite sized pieces. The movie consists of humour, thrills, horror, autobiographies, biographies, drama, romance, erotica, documentaries, surrealism viz every single genre that exists...alas...no animation.
It is a very personal selection and everyone is guaranteed to find something that he/she likes. Overall this is a great collection of shorts and a must see. The star grading reflects how I perceived the movie as a whole - recommended.
Nevertheless, it is an essential watch for people who love experimental cinema because as an experimental film, it works brilliantly. It will probably make you feel how all movies make you feel. Take it as a taster of all the various genres of movies presented in bite sized pieces. The movie consists of humour, thrills, horror, autobiographies, biographies, drama, romance, erotica, documentaries, surrealism viz every single genre that exists...alas...no animation.
It is a very personal selection and everyone is guaranteed to find something that he/she likes. Overall this is a great collection of shorts and a must see. The star grading reflects how I perceived the movie as a whole - recommended.
Did you know
- TriviaMichael Cimino's last film before his death on July 2, 2016.
- ConnectionsFeatures Leaving the Factory (1895)
- How long is To Each His Own Cinema?Powered by Alexa
Details
- Release date
- Country of origin
- Languages
- Also known as
- Cada quien su cine
- Filming locations
- Liège, Belgium(Dans l'obscurité)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross worldwide
- $403,819
- Runtime
- 1h 40m(100 min)
- Color
- Sound mix
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