Mary and Max

I went into this film at the Berlinale with mixed feelings. I knew that Adam Elliot's shorts were great but frankly the last few years haven't been great for Australian films and a number of short filmmakers have made disappointing first features.

But right from the opening frame, this film shattered any of my doubts. It's so refreshing to see a film told with such a strong unique vision and pulled off so effortlessly. This is made even more remarkable not only as it's made using stop motion animation but also because of the characters and subject matter it tackles.

Mary is an 8 year old outcast living in the suburbs of Melbourne. On a whim, she chooses a name at random in a phone book and sends off a letter asking about life on the other side of the world. The letter is received by Max, an overweight depressive in his 40's living in New York, suffering from Aspergers Syndrome. A friendship is born as the pair exchange letters over the next 20 years. offering each other support, advice and the chance to see life through another set of eyes.

While the world is painted in gloomy hues of brown and grey and the characters lead bleak lives, the genius of the script is that the characters never wallow or feel sorry for themselves. The tone is kept humorous and balanced allowing us to be moved by the characters as they stumble through life but also laugh at their foibles and observations of the world they struggle to fit into. Not since Muriel's Wedding has Australia produced so fine a comedy with such rich detail and I probably got even more laughs out of this.

My only criticism of the film would be some of its music particularly its use in one key scene of the Humming Chorus (already used so memorably in the finale of Heavenly Creatures). It meant that in a critical moment I was thinking of Kate Winslet up to no good instead of connecting with Mary & Max. But this is more a personal concern and if that's the weakest thing about the film, it's doing pretty well. I hope this film is seen by the wide audience it so richly deserves.

I hate it when people assume that animation can only be for little kids. Why should an entire medium be relegated to a demographic unlikely to fully appreciate all the work that went into the detail and animation of this stop-motion world? That's not to say that children can't watch this movie - anything "inappropriate" will likely go over their heads - but it is a bit depressing.

I don't have a lot to say about this movie that hasn't already been said. Everything from the animation to the voice acting to the story is absolutely fantastic and I would highly recommend watching.

When I was young, I wanted to be anyone except myself. Dr. Bernard said: I must accept myself, my shortcomings and all. We cannot choose our shortcomings, they are also part of us, and we must adapt to them. However, we can choose our friends and I am very happy to choose you.

To say it short, this movie is about a friendless 8 year old girl in Australia who befriends an obese 44 year old male in New York by writing mails to each other.

I'm not a big animation fan, so I wasn't looking forward to see this movie. I am currently working on the IMDb Top 250 list and Mary and Max just entered the IMDb top 250, so I took a look at it.

I watched it with a small screen on my computer while chatting with someone on Facebook. But then I logged out because I got hooked by the fantastic but sad narration mixed with humor by Barry Humphries, so I watched it with a big screen. Thank God that I did that, because this is an unforgettable and heartbreaking cinematic experience! It got fantastic narration and dialogue that will make you laugh and cry!

PS.There are many scenes that will choke you up, so bring some tissues.

PSS.Don't watch this movie with your kids!

I hope this review was useful!

In Australia in 1976, a young girl named Mary (voiced by Bethany Whitmore) is a lonely child looking for a friend. She lives with both her parents but her mother is a chain smoking drunk and a thief and her father, who works in a factory putting the strings on teabags, would rather spend time with his collection of dead birds. Mary remains curious about life and finds the address of an American living in New York. She writes him a letter to become his pen pal. The recipient is Max (Philip Seymour Hoffman), a severely overweight Jewish hypochondriac and full-time no-hoper. Gradually, as they send each other letters, Mary and Max's relationship develops and we begin to learn more about their past and their heartache and insecurities of being alone.

Following the short animated film, Harvey Krumpet, director Adam Elliot has constructed his first full feature claymation picture, displaying as much skill as many of the major mainstream studios. The film has been immaculately designed, with many tiny details and features placed into the sets, all of which would have taken many countless hours to mould. The lighting and colour scheme too are significant to the unique look of the film, ranging from highly saturated to almost entirely black and white, to reflect the self-depreciative and sometimes gloomy tone of the narrative. It is a film made of great patience and craftsmanship.

Yet the strongest asset of the film is the humour of the screenplay. Whereas many mainstream animated films such as Shrek and The Incredibles adopt a great deal of hilarity from their pop culture references, Elliot has an eye for the simpler things in life. From the way Mary and Max share their eating habits of chocolate hot dogs, to how Max describes his past jobs, including a street cleaner and a member of the Communist Party, the humour of the film remains truly original, bizarre and often very witty. Elliot excels in his ability write about the most normal things and then turn them on their heads, or degrade his miserable characters in the most hilarious way. Yet there are moments of poignancy too, such as where Mary describes her difficulty at school as she is teased for the birthmark on her forehead, that provide the film's screenplay with a subtext - no matter how simple – about isolation and the need for friends.

The use of Barry Humphries' voice over to convey much of the story is initially highly annoying and intrusive. In the opening scenes it feels overly used and distracting from the story and the detail of the scenes. Gradually though, as the film moves from its opening exposition, the voice over is used slightly less and its scarcity achieves the storybook quality and poetry that it deserves. Barry Humphries reads his lines beautifully. The rest of the voice actors too are splendid. Philip Seymour Hoffman is again in fine form, adding a slight accent to his voice and the decision to model his voice with a character of a similar physique fits nicely. He is quickly become one of the most diverse actors in the world. Bethany Whitmore as the young Mary is equally impressive too and her voice has a real innocence about it. Toni Collette and Eric Bana also have much smaller roles too. It is a well thought out voice cast and while some of the minor characters verge on grotesque, there is still a real sweetness about this film that carries it.

Elliot has described his film as being suitable for everyone. This is rather optimistic. I don't know how particularly young children, who have been conditioned by the more mainstream animated titles, would appreciate the film. It is extremely funny for the most part, but there is also a real sense of gloom around these characters that might not be as appealing to children. And towards the end, the film, despite being well under two hours, begins to lose a bit of momentum as the characters wave in and out of their depleted lives. Perhaps the films message of learning to live with your flaws and accepting the path life has given you is something that children, even if they don't entirely understand now though, needs to be seen anyway. Regardless, it remains a mostly sharp and funny film that many will find refreshing and engaging given the home-grown talent involved.