Wedding Belles

It's unfortunate that this programme's IMDb rating has been dragged down by one person who just plain didn't like it. Note that *every* other reviewer has given it a 10...and how often does that happen? From the fantastic, surreal opening sequence to the close, this is simply British TV drama at its best. Hilarious yes, as others have noted, but also one of the most moving portraits of friendship I can remember seeing. The script is razor sharp, every performance flawless, the direction superb. Not a dull moment from start to finish. This one is going to *rack* up the awards. The only problem I can see from an American's perspective is the accents - Glaswegian you could cut with a Stanley knife. My guess is it'll get subtitles when it hits HBO, as it surely must. Irvine Welsh - maestro! Dennis Potter couldn't have done it better...and praise comes no higher than that.

For anyone who likes their films hard and fast and hilarious and sexy and rock n rolling, well look no further. Irvine Welsh and Dean Cavanagh have turned in an amazing script that is taken to another level with magical direction by Philip John and outstanding performances from Gomez, Henderson, McDermott and McDonald. It quite literally burns off of the screen. The soundtrack is awesome.

I'd be astounded if Wedding Belles didn't become a series. There has been talk of it in the media but no news as yet. Wedding Belles blows the usual rubbish like Skins and Goldplated and Shameless out of the water. It was a genuine joy to see something so original and exciting coming out of the UK.

I hope the BAFTA judges watched it because Henderson and Gomez deserve best TV actresses by a long mile.

Sorry, but I must disagree with the earlier rave reviews. I find that raunchy humor and dark humor aren't the same thing. Overall this film was just raunchy. The only consistent theme through the film was the hate Rhona, Shaz etc. had for men who had hurt them emotionally. If the women's roles were transposed with men's roles & vice versa, the film would never have been made. It would have been greeted with howls of execration.

Looking into the lives of what Americans call 'white trash' isn't particularly entertaining. If the story had an underlying theme that challenged the imagination and intellect, I would have stayed interested. But it didn't. I thought it was just an overlong collection of randy skits.

If this is called 'Scottish drama', then what on earth can we learn about Scotland from it? Yikes!

A great film, well worth watch a great writing duo on the rise. Watch this space. The film moves with pace, and determination. You are not allowed to catch your breath, until the commercial breaks.

A great break away from the Bridget Jones cliché of women. The film takes you on a journey of mayhem, madness and mischief, yet the bond between the four lasses overrides any conflicts they face from the outside world. They are as thick as thieves. It's so nice to feel an deep empathy for the central characters.

The sound track fits the pace of the film perfectly. Moreover I was amused that certain tabloids went on the moral high ground, over certain scenes that they felt were offensive. Newspapers that insist on exploiting women to sell their papers, a classic case of calling of the pot calling the kettle black.

I can't wait for Irvine Welsh's and Dean Cavanagh's next feature, are they the new Galton & Simpson ?

Before starting the review I must say that if you are offended by swearing, drug use, necrophilia, violence, references to bestiality, more swearing, a priest receiving oral sex from a woman dressed as a nun, the use of derogatory terms for people suffering from mental illness or even more swearing then this probably isn't the film for you, if however you aren't easily offended and you like your comedy fairly dark then you may love this, I know I did.

Having enjoyed "Trainspotting" when I saw adverts for a new television film written by Irvine Welsh I just had to see it and when I did see it I enjoyed it so much I had to get the DVD as soon as it was released. Unlike his earlier film this film follows the lives of four women, the men in it are distinctly secondary characters. It opens with a bang as four women dressed in bridal gowns go to a grave yard and dig up a corpse before rounding up a teenage joy-rider, a Catholic priest and a Welshman who the take to a canal-side and shoot each of them. We then go back a week and see the events that lead up to these four women wanting to kill these four men.

Amanda, played by Michelle Gomez is looking forward to marrying her fiancé, a Welsh pilot who appears to have no major vices. Kelly, played by the excellent Shirley Henderson, is helping Amanda by doing her community service punishment for her at the local mental hospital, unfortunately Kelly isn't a hairdresser like Amanda so her attempts at cutting a patient's hair go disastrously wrong. Rhona, played by Shauna Macdonald, is having problems at her job in an old people's home after supplying an elderly gentleman with Viagra and is having an affair with a Catholic priest. Finally there is Shaz, played by Kathleen McDermott, who has turned to drugs following the death of her fiancé in a crash caused by a joy-rider.

The earlier part of the film is laugh out loud funny in particular the scene at the "saints and sinners" fancy dress party where Kelly is dressed as a Nazi and Rhona beats the living daylights out of a man while dressed as a nun. The comedy is however tinged with tragedy and by the end when we learnt Kelly's story I was almost in tears. I've avoided mentioning the funniest scenes as I'd hate to spoil the "I can't believe they did that" reactions they may cause.

If you liked "Trainspotting" I'd recommend this while I don't think the writing was as sharp here it is still great film with more laughs than his earlier work. The acting from the four leading ladies is very good, I particularly liked Shirley Henderson in her role as Kelly, but then she is always good.