The Courier

Never heard of this movie before? Well, keep it that way! There is absolutely nothing worth seeing about this movie, that is basically being just a very standard modern action flick, with a poor story but even worse storytelling.

Quite weird and surprising to learn that this movie got directed by Hany Abu-Assad, who definitely has class and skills in him and is mostly known for directing smaller type of movies, with a strong message in them. Most definitely not dumb action flicks such as this one!

I can see what kind of approach they were going for but they obviously failed with it. They tried to create a smaller and more realistic type of action movie but the story and its characters really aren't suited for that. I actually believe I might had liked this movie better, had it been done as a silly and over-the-top action-flick, in a more '80's type of style.

The movie has a very simple concept but it makes things needlessly difficult. Because of this you will start to loose interest in it all pretty fast and after a while you simply have no idea what is going on anymore, simply because you just don't care about anything that is happening. The storytelling really makes this a far from pleasant movie to follow. Just imaging a Chuck Norris flick, with all of its clichés, getting told as a serious movie. That should give you an idea of how this movie is like.

Those who are looking for a movie with plenty of action to enjoy will also end up feeling disappointed by this movie. This movie feels like such an extremely low-budget one and things don't get any more exciting than a couple of poorly filmed gunfights. Certainly nothing spectacular, surprising or exciting about this movie.

Just forget about it!

4/10

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Jeffrey Dean Morgan is a specialist in delivering packages without questions in Hany Abu- Assad's, The Courier. The best in this niche industry, Morgan is forced to take on a job to protect those close to him by delivering a package to someone who is supposedly dead. A dark mystery unravels as he gets closer to discovering the truth about his target and himself.

With notable performances on the small screen in Supernatural and Grey's Anatomy as well as a significant contribution in Zack Snyder's, Watchmen, one shouldn't be surprised with Morgan headlining a suspense thriller. Thing is, you wish he had opted out of this feature. Even with recognisable faces, The Courier has that low-budget feel about it and the story never really hooks you. It's a respectable attempt but the plot really doesn't blow your mind away and may instead give you a headache. After a while it begins to get tedious and you decide to follow it to the end only to write a review!

Assad's attempt isn't amateurish but it certainly isn't award winning. Morgan gives a solid performance with what he's got but it's nowhere near enough. The story is, well, blah and this is one to miss.

OK this film isn't bad.

The first reason why it's disappointing it's because - just like Black Death (2010) - it tries to "keep it real" way too much .. films need escapism, to a point, and here it almost seems that they decided to go full speed for the not-Hollywood look.

Now i'm not one to defend Hollywood, but what kills this film is that the direction is poor; it fails to capitalise on the realism, instead giving me a film that looks like an amateur production. Some of the shots are truly amateurish, and often the camera-work fails to make a scene interesting.

Having said that, The Courier isn't half bad, there are plenty things i liked in it, from the fight moves to the casting (the lead is a bit wooden, the girl fits the part OK~ish, the detective is perfect), and the whole production is pretty decent.

I also don't subscribe to the whole "it's full of cliché'" thing; if anything, it tries to avoid clichés in a film genre where everything has already been done.

All in all, i can say that it's an interesting film to watch, even though i get the feeling the director has a background in TV - seriously, you (whomever you are) truly murdered what could have been an interesting flick.

So, after all considerations, i give The Courier a decent 6/10 - better than MI3, and no Tom Cruise.

The Courier is a strange little flick that dabbles in the kind of pulpy narrative which the 80's were famous for. One lone antihero sets out to deliver a package of enigmatic value to a recipient that is always one step ahead of him, proving to be quite elusive. Bad guys and gals hinder him at every turn and violence ensues, leading up to an inevitable confrontation and in this case a neat little twist that admittedly defies any sort of reason, yet is fun for the actors to play out and provides sensationalism, a trait that's commonplace in such films. Jeffrey Dean Morgan is a haggard presence in any role, a guy you immediately feel rooted to in a scene. He gets the lead role here, playing an underground criminal courier, passing along dangerous goods from one cloak and dagger person to another. His latest task comes from his handler (Mark Margolis): Deliver an odd case to a reclusive criminal mastermind known only as Evil Sivle. Little information is given beyond that, but it soon becomes apparent that his mission is a cursed one, as he finds himself a hot target for all kinds of weirdos. German live wire Til Schweiger plays a dirty federal agent who hassles him with that campy charisma and narrow eyed theatricality that only he can bring to the table. Miguel Ferrer and Lilli Taylor are priceless as Mr. & Mrs. Capo, a pair of married contract killers who discuss their dinner plans whilst hunting their quarry, and have devised some truly vile torture methods involving culinary instruments. Yeah, it's that kind of movie, where B movie mavericks are let off the chain and allowed to throw zany stuff into their otherwise pedestrian material that often borders on experimental. Morgan is assisted by a young chick (Josie Ho) who saves his ass more than a couple of times. Mickey Rourke shows up late in the game as Maxwell, a mysterious Elvis impersonator and Vegas gangster who plays a crucial role in Courier's quest. Trust Rourke to take a derivative, underwritten supporting character and turn the few minutes of screen time he has into utter gold that elevates his scene onto a plane which the film as a whole is sheepishly undeserved of. Morgan is better than the flick too, but he's great in anything. He ducks the heroic panache of the action protagonist and dives into growling melancholy, his grizzly bear voice and imposing frame put to excellent use. This one got critically shredded upon release. Yeah it ain't great, but it sure as hell ain't terrible. Worth it for a cast that makes it work, and for that classic genre feel that can't be beat.

... you can't be bothered to write a review. This is one of those films.

and now I have to fill out 10 lines of text for the minimum review length. Sometimes I sort of wish I never started doing something, so I guess in a way writing this review is very much like The Courier, essentially pointless and a complete waste of my time and not even getting to the level of 'so bad it's good'. It's actually amazing that I've managed to write this much to be honest, I only finished watching The Courier 10 minutes ago and it's already slipping out of my brain to the extent that I'm not entirely sure what actually happened at the end anymore (the first half has gone already). Normally this would be good as valuable brain space isn't being taken up by The Courier but I expect by the end of the day all memory of this very forgettable film will be erased from my memory which leaves the very real possibility that one day in the future I might see it's title when I'm looking for some rubbish action film to watch and actually waste my time by watching it again with a nagging sense of déjà vu and I won't be sure if it's because I've watched the courier before or that it's just generic rubbish.

So that's 10 lines of text done (in fact more than 10 lines which is a lot more than The Courier deserves) so I'm going to do something more interesting than watching The Courier such as watching paint dry or sitting in a dark empty room.